«Письма и дневники лорда Байрона. Том 2»

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243 — Джону Мюррею

Dear Sir E.R. bays and wicked rhyme upon't

Send Rokeby 1 What me mine 2 when complete—no no

Byron

last Jeremy Diddler 3 Diet and Regimen 4

Footnote 1: Rokeby "To have kept his ground at the crisis when Rokeby appeared," he writes, "its author ought to have put forth his utmost strength, and to have possessed all his original advantages, for a mighty and unexpected rival was advancing on the stage—a rival not in poetical powers only, but in that art of attracting popularity, in which the present writer had hitherto preceded better men than himself. The reader will easily see that Byron is here meant, who, after a little velitation of no great promise, now appeared as a serious candidate, in the first two cantos of Childe Harold."

Rokeby Lay Marmion Twopenny Post-bag Rokeby

"Should you feel any touch of poetical glow,

We've a Scheme to suggest—Mr. Sc—tt, you must know,

(Who, we're sorry to say it, now works for the Row)

Having quitted the Borders, to seek new renown,

Is coming by long Quarto stages, to Town;

And beginning with Rokeby (the job's sure to pay)

Means to do all the Gentlemen's Seats on the way.

Now the Scheme is (though none of our hackneys can beat him)

To start a fresh Poet through Highgate to meet him;

Who, by means of quick proofs—no revises—long coaches—

May do a few Villas before Sc—tt approaches—

Indeed, if our Pegasus be not curst shabby,

He'll reach, without found'ring, at least Woburn Abbey."

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Footnote 2: The Giaour

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Footnote 3: Raising the Wind

Diddler O Sam, you haven't got such a thing as tenpence about you, have you?

Sam Yes. And I mean to keep it about me, you see.

Diddler Oh, aye, certainly. I only asked for information.

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Footnote 4: An Essay on Diet and Regimen, as indispensable to the Recovery and Preservation of Firm Health, especially to Indolent, Studious, Delicate and Invalid; with appropriate cases

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244 — лорду Холланду

The were 1

either 2

unless 3 His 4 Courier

So 5 "By the waters of Cheltenham I sat down and drank, when I remembered thee, oh Georgiana Cottage! As for our harps, we hanged them up upon the willows that grew thereby. Then they said, Sing us a song of Drury Lane," etc.;

were

Byron

Footnote 1: "Rebuilding of Drury-Lane Theatre.

"The Committee are desirous of promoting a fair and free competition for an Address, to be spoken upon the opening of the Theatre, which will take place on the 10th of October next: They have therefore thought fit to announce to the Public, that they will be glad to receive any such Compositions, addressed to their Secretary at the Treasury Office in Drury Lane, on or before the 10th of September, sealed up, with a distinguishing word, number, or motto, on the cover, corresponding with the inscription, on a separate sealed paper, containing the name of the Author, which will not be opened, unless containing the name of the successful Candidate. Theatre Royal, Drury-Lane, August 13, 1812.

Owing to an accidental delay in the publication of the above Advertisement, the Committee have thought proper to extend the time for receiving Addresses, from the last day of August to the 10th of September."

Address Addresses Address

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Footnote 2: "The public were more importantly employed, than to observe the easy simplicity of my style, or the harmony of my periods. Sheet after sheet was thrown off to oblivion. My essays were buried among the essays upon liberty, Eastern tales, and cures for the bite of a mad dog."

Vicar of Wakefield

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Footnote 3: Letters note

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Footnote 4: All the World's a Stage

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Footnote 5: Helvellyn "I climb'd the dark brow of the mighty Helvellyn," etc., etc.

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245 — Джону Мюррею

Dear Sir The convertible Christian Knowledge Bioscope 1 Bioscope Bioscope

So 2 you his Morning Post

Diet and Regimen Rokeby The

Anti-Jacobin Review 3 Quarterly old age

Byron

Address would 4 my Honour!

Footnote 1: The Bioscope, or Dial of Life Explained Christian's Survey of all the Primary Events and Periods of the World

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Footnote 2: Charlemagne, ou l'Église délivrée

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Footnote 3: The Anti-Jacobin Review Childe Harold Quarterly

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Footnote 4: Anecdotes Lives of the Poets

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246 — лорду Холланду

you

my name secret

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247 — лорду Холланду

double cut—add—reject destroy non committendo What they 1

good deliverer think 2 3 4

deliverer versicles

Footnote 1: The Genuine Rejected Addresses presented to the Committee of Management for Drury Lane Theatre; preceded by that written by Lord Byron and adopted by the Committee

Address Address without a Phœnix Rejected Addresses

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Footnote 2: English Stage Richard III Marino Faliero The Jew Essays of Elia

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Footnote 3: gourmand

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Footnote 4: Hamlet

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248 — лорду Холланду

This greeting o'er, the ancient rule obey'd,

The drama's homage by her Herald paid,

Receive our welcome too, whose every tone

Springs from our hearts, and fain would win your own.

The curtain rises, etc., etc.

genteelest

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249 — лорду Холланду

Still 1 After Thames 2 Annus Mirabilis 3 Times As flashing far the new Volcano shone

And swept the skies with {lightnings}/{meteors} not their own,

While thousands throng'd around the burning dome,

Etc., etc.

but Bedlam metaphors 4

please yourself 5 As flash'd the volumed blaze, and {sadly}/{ghastly} shone

The skies with lightnings awful as their own.

runs better best

Footnote 1: Twelfth Night

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Footnote 2: Annus Mirabilis "A key of fire ran all along the shore,

And lightened all the river with a blaze;

The wakened tides began again to roar,

And wondering fish in shining waters gaze."

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Footnote 3: Times "Bidding in one grand pile this Town expire,

Her towers in dust, her Thames a Lake of fire."

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Footnote 4: The Rival Queens "When Greek join'd Greek then was the tug of war."

Œdipus The Duke of Guise

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Footnote 5: The Critic "He is as envious as an old maid verging on the desperation of six and thirty; and then the insidious humility with which he seduces you to give a free opinion on any of his works can be exceeded only by the petulant arrogance with which he is sure to reject your observations."

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250 — лорду Холланду

Ye who beheld—oh sight admired and mourn'd,

Whose radiance mock'd the ruin it adorn'd;

you you

When Garrick died, and Brinsley ceased to write.

Ceasing live 1

Childe Harold

After Address 2

that

There Cato 3 4

These The Distrest Mother 5 6 Philaster 7

Footnote 1: "Such are the names that here your plaudits sought,

When Garrick acted, and when Brinsley wrote."

"Dear are the days that made our annals bright,

Ere Garrick fled, or Brinsley ceased to write."

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Footnote 2: "I am almost ashamed," writes Lord Holland to Rogers, October 22, 1812 (Clayden's Rogers and his Contemporaries, vol. i. p. 115), "of having induced Lord Byron to write on so ungrateful a theme (ungrateful in all senses) as the opening of a theatre; he was so good-humoured, took so much pains, corrected so good-humouredly, and produced, as I thought and think, a prologue so superior to the common run of that sort of trumpery, that it is quite vexatious to see him attacked for it. Some part of it is a little too much laboured, and the whole too long; but surely it is good and poetical.... You cannot imagine how I grew to like Lord Byron in my critical intercourse with him, and how much I am convinced that your friendship and judgment have contributed to improve both his understanding and his happiness."

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Footnote 3: Cato

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Footnote 4: The Merchant of Venice English Stage Comus Good-Natured Man A Word to the Wise

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Footnote 5: The Distrest Mother English Stage

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Footnote 6: Life, etc The Sister

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Footnote 7: Philaster

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251 — лорду Холланду

believe col' permesso 1 However 2

Byron

Footnote 1: "Immortal names emblazon'd on our line."

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Footnote 2:

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252 — лорду Холланду

with As glared each rising flash1, and ghastly shone

The skies with lightnings awful as their own.

With 2 Address quicker brick Adorn Death of the Unfortunate Lady Tears of Scotland 3

Footnote 1: "As glared the volumed blaze."

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Footnote 2: Journal "Mr. Whitbread was a more steady character; his appearance was heavy; he was fond of agriculture, and was very plain and simple in his tastes. Both were reckoned good debaters in the House, but Grey was the most eloquent."

Anecdotal History of the British Parliament "I'm like Archimedes for science and skill;

I'm like a young prince going straight up a hill;

I'm like—(with respect to the fair be it said)—

I'm like a young lady just bringing to bed.

If you ask why the 11th of June I remember

Much better than April, or May, or November,

On that day, my lords, with truth I assure ye,

My sainted progenitor set up his brewery;

On that day, in the morn, he began brewing beer;

On that day, too, commenced his connubial career;]

On that day he received and he issued his bills;

On that day he cleared out all the cash from his tills;

On that day he died, having finished his summing,

And the angels all cried, 'Here's old Whitbread a-coming!'

So that day still I hail with a smile and a sigh,

For his beer with an E, and his bier with an I;

And still on that day, in the hottest of weather,

The whole Whitbread family dine all together.—

So long as the beams of this house shall support

The roof which o'ershades this respectable Court,

Where Hastings was tried for oppressing the Hindoos;

So long as that sun shall shine in at those windows,

My name shall shine bright as my ancestor's shines,

Mine recorded in journals, his blazoned on signs!"

Reminiscences The Happy Return Fatal Duplicity Accepted Addresses "My Lord,—

"As I now have the honour to be

By Man'ging a Playhouse a double M.P.,

In this my address I think fit to complain

Of certain encroachments on great Drury Lane," etc., etc.

Journal

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Footnote 3: "By foreign hands thy humble grave adorn'd,

By strangers honour'd, and by strangers mourn'd."

"Stay, oh stay! nor thus forlorn,

Leave me unbless'd, unpitied, here to mourn."

"Mourn, hapless Caledonia, mourn

Thy banish'd peace, thy laurels torn."

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253 — Джону Мюррею

Address confidential subsequent me has

Childe Harold

Byron

before

after delivery

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254 — лорду Холланду

Till slowly ebb'd the {lava of the}/{spent volcanic} wave,

And blackening ashes mark'd the Muse's grave.

Whitbread cavalry 1 don't 2

Will Till ebb'd the lava of {the burning}/{that molten} wave3

Exodus This is the place where, if a poet

Shined in description, he might show it.

Yes, it shall be—the magic of that name,

That scorns the scythe of Time, the torch of Flame,

On the same spot, etc., etc.

Address

Footnote 1: "Nay, lower still, the Drama yet deplores

That late she deigned to crawl upon all-fours.

When Richard roars in Bosworth for a horse,

If you command, the steed must come in course.

If you decree, the Stage must condescend

To soothe the sickly taste we dare not mend.

Blame not our judgment should we acquiesce,

And gratify you more by showing less.

Oh, since your Fiat stamps the Drama's laws,

Forbear to mock us with misplaced applause;

That public praise be ne'er again disgraced,

From {brutes to man recall}/{babes and brutes redeem} a nation's taste;

Then pride shall doubly nerve the actor's powers,

When Reason's voice is echoed back by ours."

"The past reproach let present scenes refute,

Nor shift from man to babe, from babe to brute."

Bluebeard Lucri bonus est odor ex re Qualibet Sat Timour the Tartar English Stage The Quadrupeds of Quedlinburgh Timour the Tartar "Your taste, recover'd half from foreign quacks,

Takes airings, now, on English horses' backs;

While every modern bard may raise his name,

If not on lasting praise, on stable fame."

Quadrupeds, or the Manager's Last Kick

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Footnote 2: Prologue "Then crush'd by rules, and weaken'd as refined,

For years the power of Tragedy declined;

From bard to bard the frigid caution crept,

Till Declamation roared, whilst Passion slept.

Yet still did Virtue deign the stage to tread,

Philosophy remained though Nature fled.

But forced, at length, her ancient reign to quit,

She saw great Faustus lay the ghost of Wit;

Exulting Folly hailed the joyous Day,

And Pantomime and Song confirmed her sway.

But who the coming changes can presage,

And mark the future periods of the Stage?

Perhaps if skill could distant times explore,

New Behns, new Durfeys, yet remain in store;

Perhaps, where Lear has raved, and Hamlet died,

On flying cars new sorcerers may ride;

Perhaps (for who can guess th' effects of chance?)

Here Hunt may box, or Mahomet may dance."

The Beggar's Opera rich gay Harlequin Dr. Faustus The Necromancer, or the History of Dr. Faustus

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Footnote 3: "Till blackening ashes and lonely wall

Usurp'd the Muse's realm, and mark'd her fall."

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255 — лорду Холланду

middle do 1 now Address approved They 2

Address chasms

I he

non sequitur Many same company Stable 3

Footnote 1: For note Morning Post The Country Girl Morning Post "Ladies and gentlemen,—I know nothing I have done to offend you, and has set (sic) those who are sent here to hiss me; I will be very much obliged to you to turn them out."

"Child! Why, sir, when I was a very young actor in the York Company, that little creature kept an inn at Tadcaster, and had a large family"

Representative Actors note Morning Post "though deservedly discountenanced at a great theatre, she will, no doubt, prove an acquisition to the infant establishment"

Dawn of the XIXth Century in England

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Footnote 2: Macbeth

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Footnote 3: For note Prologue Poestical Works

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256 — Уильяму Бэнксу

My Dear Bankes wittingly old now

You 1 In 2 dolce far niente We 3 4 5 6

Did 7 lost

had When 8 ought

Footnote 1:

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Footnote 2: note Detached Thoughts "In 1812 at Middelton (Lord Jersey's), amongst a goodly company of Lords, Ladies, and wits, etc., there was poor old Vice Leach, the lawyer, attempting to play off the fine gentleman. His first exhibition, an attempt on horseback, I think, to escort the women—God knows where—in the month of November, ended in a fit of the Lumbago—as Lord Ogleby says, 'a grievous enemy to Gallantry and address'—and if he could have but heard Lady Jersey quizzing him (as I did) next day for the cause of his malady, I don't think that he would have turned a 'Squire of dames' in a hurry again. He seemed to me the greatest fool (in that line) I ever saw. This was the last I saw of old Vice Leach, except in town, where he was creeping into assemblies, and trying to look young—and gentlemanly.

Erskine too!—Erskine was there—good but intolerable. He jested, he talked, he did everything admirably, but then he would be applauded for the same thing twice over. He would read his own verses, his own paragraphs, and tell his own story again and again; and then 'the trial by Jury!!!'—I almost wished it abolished, for I sate next him at dinner, and, as I had read his published speeches, there was no occasion to repeat them to me. Chester (the fox-hunter), surnamed 'Cheek Chester,' and I sweated the Claret, being the only two who did so. Cheek, who loves his bottle, and had no notion of meeting with a 'bonvivant' in a scribbler, in making my eulogy to somebody one evening, summed it up in 'by G-d, he drinks like a Man!'"

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Footnote 3: "On Tuesday," he says, "I supped, after the opera, at Mrs. Meynel's with a set of the most fashionable company, which, take notice, I very seldom do now, as I certainly am not of the age to mix often with young people. Lady Melbourne was standing before the fire, and adjusting her feathers in the glass. Says she, 'Lord, they say the stocks will blow up! That will be very comical.'"

Memoirs Maternal Affection "Ah! my mother was a most remarkable woman; not merely clever and engaging, but the most sagacious woman I ever knew"

Memoirs of Viscount Melbourne "the best, the kindest, and ablest female I have ever known, old or young,"

Conversations "Lady M., who might have been my mother, excited an interest in my feelings that few young women have been able to awaken. She was a charming person—a sort of modern Aspasia, uniting the energy of a man's mind with the delicacy and tenderness of a woman's. She wrote and spoke admirably, because she felt admirably. Envy, malice, hatred, or uncharitableness, found no place in her feelings. She had all of philosophy, save its moroseness, and all of nature, save its defects and general faiblesse; or if some portion of faiblesse attached to her, it only served to render her more forbearing to the errors of others. I have often thought, that, with a little more youth, Lady M. might have turned my head, at all events she often turned my heart, by bringing me back to mild feelings, when the demon passion was strong within me. Her mind and heart were as fresh as if only sixteen summers had flown over her, instead of four times that number."

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Footnote 4:

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Footnote 5:

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Footnote 6: Conversations "Even now the autumnal charms of Lady —— are remembered by me with more than admiration. She resembled a landscape by Claude Lorraine, with a setting sun, her beauties enhanced by the knowledge that they were shedding their last dying beams, which threw a radiance around. A woman... is only grateful for her first and last conquest. The first of poor dear Lady ——'s was achieved before I entered on this world of care; but the last, I do flatter myself, was reserved for me, and a bonne bouche it was."

"There was a lady at that time," said Byron (Medwin's Conversations, pp. 93, 94), "double my own age, the mother of several children who were perfect angels, with whom I had formed a liaison that continued without interruption for eight months. The autumn of a beauty like her's is preferable to the spring in others. She told me she was never in love till she was thirty; and I thought myself so with her when she was forty. I never felt a stronger passion; which she returned with equal ardour.... She had been sacrificed, almost before she was a woman, to one whose mind and body were equally contemptible in the scale of creation; and on whom she bestowed a numerous family, to which the law gave him the right to be called father. Strange as it may seem, she gained (as all women do) an influence over me so strong, that I had great difficulty in breaking with her, even when I knew she had been inconstant to me: and once was on the point of going abroad with her, and narrowly escaped this folly."

Rogers and his Contemporaries "This is a melancholy subject"—[the death, by consumption of Lord Aberdeen's children]—"and I must go to another. Poor Lady Oxford! I had heard with great concern of her dangerous illness, but hoped she might get through it, and was much, very much grieved to hear that it had ended fatally. I had, as you know, lived a great deal with her from the time she came into this country, immediately after her marriage; but for some years past, since she went abroad, had scarcely had any correspondence or intercourse with her, till I met her in town last spring. I then saw her twice, and both times she seemed so overjoyed to see an old friend, and expressed her joy so naturally and cordially, that I felt no less overjoyed at seeing her after so long an absence. She talked, with great satisfaction, of our meeting for a longer time this next spring, little thinking of an eternal separation. There could not, in all respects, be a more ill-matched pair than herself and Lord Oxford, or a stronger instance of the cruel sports of Venus, or, rather, of Hymen:

'Cui placet impares

Formas atque animos sub juga ahenea

Sævo mittere cum joco.'

It has been said that she was, in some measure, forced into the match. Had she been united to a man whom she had loved, esteemed, and respected, she herself might have been generally respected and esteemed, as well as loved; but in her situation, to keep clear of all misconduct required a strong mind or a cold heart; perhaps both, and she had neither. Her failings were in no small degree the effect of circumstances; her amiable qualities all her own. There was something about her, in spite of her errors, remarkably attaching, and that something was not merely her beauty. 'Kindness has resistless charms,' and she was full of affectionate kindness to those she loved, whether as friends or as lovers. As a friend, I always found her the same, never at all changeful or capricious. As I am not a very rigid moralist, and am extremely open to kindness, 'I could have better spared a better woman.'"

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Footnote 7: Annual Register

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Footnote 8:

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257 — лорду Холланду

Shakespeare one 1 cut away only own 2

that

Footnote 1: ceased to reign

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Footnote 2: The Rivals

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258 — лорду Холланду

send 1

it other There 2

You 3 like

Footnote 1: Macbeth

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Footnote 2: Monody on Garrick

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Footnote 3: Satirist "of one peer and two commoners, one poet and two prosers, one Lord and two Brewers; and the only points in which they coincided were in being all three parliament men, all three politicians, all three in opposition to the Government of the country. Their names, as we understand, were Vassal Holland, Samuel Whitbread, and Harvey Christian Combe."

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259 — лорду Холланду

Far be from him that hour which asks in vain

Tears such as flow for Garrick in his strain;

or Far be that hour that vainly asks in turn

Such verse for him as {crown'd his/wept o'er} Garrick's urn.

choose 1

Address avidus gloriæ whatever I old

Murray 2 some my style Probationary Odes 3 Pipe of Tobacco 4

Footnote 1:

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Footnote 2: Rejected Addresses, or the New Theatrum Poetarum Horace in London

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Footnote 3: Probationary Odes Political Eclogues Rolliad

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Footnote 4: In Praise of a Pipe of Tobacco Johnson

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260 — лорду Холланду

still altered yet aspiring truth is truth plaguy renters

Elliston voice

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261 — Джону Мюррею

Dear Sir have very strong objection 1 all I

have Address 2 old author strictly

Byron

proofs hear Satirist Childe Harold 3

Byron

Footnote 1: Life "If you think the picture you saw at Murray's worth your acceptance, it is yours; and you may put a glove or mask on it, if you like"

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Footnote 2: The Devil to Pay Hamlet

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Footnote 3: The Satirist, a Monthly Meteor Letters note Childe Harold Satirist "It is with unaffected satisfaction we find that he has improved wonderfully, and that he is a poet. Indeed, when we consider the comparatively short interval which has elapsed, and contrast the character of his recent with that of his early work, we confess ourselves astonished at the intellectual progress which Lord Byron has made, and are happy to hold him up as another example of the extraordinary effects of study and cultivation, even on minds apparently of the most unpromising description."

"abound with beautiful imagery, clothed in a diction free, forcible, and various. Childe Harold, although avowedly a fragment, contains many fragments which would do honour to any poet, of any period, in any country."

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262 — лорду Холланду

My Dear Lord perceive 1 et tu, Brute Morning Chronicle

Bank

Footnote 1: Morning Chronicle Morning Chronicle "Mr. Elliston then came forward and delivered the following Prize Address. We cannot boast of the eloquence of the delivery. It was neither gracefully nor correctly recited. The merits of the production itself we submit to the criticism of our readers. We cannot suppose that it was selected as the most poetical composition of all the scores that were submitted to the Committee. But, perhaps by its tenor, by its allusions to the fire, to Garrick, to Siddons, and to Sheridan, it was thought most applicable to the occasion, notwithstanding its being in parts unmusical, and in general tame."

Rejected Addresses Morning Chronicle "A wag has already published a small volume of Addresses rejected, in which, with admirable wit, all the poets of the day are assembled, contesting for the Prize Address at Drury Lane. And certainly he has assigned to the pen of Lord B. a superior poem to that which has gained the prize."

A Critique on the Address written by Lord Byron, which was Spoken at the opening of the New Theatre Royal, Drury Lane, October

Memoirs, etc., of Thomas Moore "Poor Byron! what I hear and read of his prologue makes me very angry. Of such value is public favour! So a man is to be tried by a copy of verses thrown off perhaps at hazard, and invitâ Minervâ!"

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263 — Джону Хэнсону

cautiously; vase skull cup

What 1

Mrs 2

Byron

Rochdale

Footnote 1: "When Mr. France was here," writes Mrs. Byron to Hanson, July 13, 1811 (Kölbing's Englische Studien, vol. xxv. p. I53), "he told me there had been an injunction procured to prevent Deardin from working the Coal Pits that was in dispute between Lord Byron and him, but since France was here, there has been a Man from Lancashire who says they are worked by Deardin the same as ever. I also heard that the Person you sent down to take an account of the Coals was bribed by Deardin, and did not give an account of half of what was got."

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Footnote 2: Letters note "Lord Byron, to the best of his knowledge and recollection, in Dec., 1805-January, 1806 applied to King, in consequence of an advertisement in the papers, who acquainted Lord Byron that his minority prevented all money transactions without the security of competent persons. Through Mr. K. he became acquainted with Mr. Dellevelly, another of the tribe of Israel, and subsequently with a Mr. Howard of Golden Square.

"After many delays, during which Lord B. had interviews with Howard, once, he thinks, in Golden Square, but more frequently in Piccadilly, Mrs. M[assingberd] agreed to become security jointly with her daughter. Lord B. knows Howard's person perfectly well, has not seen him subsequent to the transaction, but recollects Howard's mentioning to him that he, Lord B., was acting imprudently, stating that he made it a rule to advise young men against such proceedings. Lord B. recollects, on the day on which the money was paid, that he remained in the next room till the papers were signed, Mrs. M[assingberd] having stated that the parties wished him to be kept out of sight during the business, and wished to avoid even mentioning his name. Mrs. M[assingberd] deducted the interest for two years and a half, and £100 for Howard's papers."

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264 — Джону Мюррею

Will 1 Busby's correctly correctly; my hand Morning Chronicle my address audi alteram partem betray

you you English Bards, and Scotch Reviewers

Byron

With Childe Harold Curse of Minerva 2 Mortal ('twas thus she spake), etc.

Footnote 1: Parenthetical Address Address Genuine Rejected Addresses Rejected Addresses Parenthetical Address Parenthetical Address Morning Chronicle Poems note Tale of Mystery Morning Post London Courant

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Footnote 2: The Curse of Minerva, The Corsair The Curse of Minerva: Poems,

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265 — Роберту Раштону

Accounts

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266 — Джону Мюррею

must damage Rejected Addresses Rolliad you Satirist new C. H.'s hand Satire Waltzing

Byron

Satirist

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267 — Джону Хэнсону

Dear Sir contract if gift I

Eywood, Presteigne, Hereford

house sub collector

Byron

fifty

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268 — Джону Мюррею

Dear Sir glutting C. H. Waltz C. H. Curse of Minerva descriptive fragment

plate broken this survived picture you him one better burned peremptorily that included Trouble Expense

C. H. rejected A. mine Did 1

Footnote 1: Quarterly Review

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269 — Джону Хэнсону

Dear Sir The 1

Lord Oxford's

Footnote 1: "Lord Byron.

A Bill for £1500, drawn by Scrope B. Davies, lies due at Sir James Esdaile and Co's., No. 21, Lombard-Street.

All Drafts intended for the Payment of Bills, to be brought before Half past Three o'Clock.

Please to call between 3 and Five o'Clock."

"Do pray press Claughton, as Mr. D.'s business must be settled at all events. I send you his letter, and I am more uncomfortable than I can possibly express myself upon the subject. Pray write."

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270 — Джону Хэнсону

Dear Sir

Pray 1 shirk;

Byron

Footnote 1: "Dear Sir,—I have to request that you will pay the bearer (my Groom) the wages due to him (12 pds. 10s.), and dismiss him immediately, as I have given up my horses, and place the sum to my account.

Ever yours,

Byron."

"Dear Sir,—I request your attention to the enclosed. See what can be done with Howard, and urge Claughton. If this kind of thing continues, I must quit a country which my debts render uninhabitable, notwithstanding every sacrifice on my part.

Yours ever,

B."

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271 — Джону Хэнсону

Dear Sir

Parliamentary

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272 — Джону Мюррею

Dear Sir friend Philip Sidney

Now 1 dejected addresses?" indeed 2 see 3 Pray Junius 4

Footnote 1:

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Footnote 2: Morning Chronicle

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Footnote 3:

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Footnote 4: Junius

"Junius's Letters, 2 vol. russia, 1806."

"Junius's Letters, by Woodfall, 3 vol., Large Paper, 1812."

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273 — Уильяму Бэнксу

three

write join real service; 1 know firmauns; presents—watches, pistols,

Footnote 1:

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274 — Джону Мюррею

This 1 retain Seal

Byron

The

delinquent 2

Quarterly;

Footnote 1:

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Footnote 2: Much Ado about Nothing

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275 — Фрэнсису Ходжсону

R. A. Rejected Addresses and C. H. Childe Harold 1 all

You 2 Great why brief 3 Lucretius. Monthly; hear 4

Murray 5

monde

Childe Harold. The 6 Amelia Beggar's Opera palatia Circes attached you 7

Footnote 1: "Byron often talks of the authors of the Rejected Addresses, and always in terms of unqualified praise. He says that the imitations, unlike all other imitations, are full of genius. 'Parodies,' he said, 'always give a bad impression of the original, but in the Rejected Addresses the reverse was the fact;' and he quoted the second and third stanzas, in imitation of himself, as admirable, and just what he could have wished to write on a similar subject"

Conversations

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Footnote 2: "The Bessboroughs," writes Lady H. Leveson Gower to Lady G. Morpeth, September 12, 1812 (Letters of Harriet, Countess Granville, vol. i. pp. 40, 41), "have been unpacked about a couple of hours. My aunt looks stout and well, but poor Caroline most terribly the contrary. She is worn to the bone, as pale as death and her eyes starting out of her head. She seems indeed in a sad way, alternately in tearing spirits and in tears. I hate her character, her feelings, and herself when I am away from her, but she interests me when I am with her, and to see her poor careworn face is dismal, in spite of reason and speculation upon her extraordinary conduct. She appears to me in a state very (little) short of insanity, and my aunt describes it as at times having been decidedly so."

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Footnote 3: brief Life of Mr. Jonathan Wild "a dialogue matrimonial, which passed between Jonathan Wild, Esquire, and Laetitia his wife" (née Laetitia Snap), "Laetitia asks, 'But pray, Mr. Wild, why b—ch? Why did you suffer such a word to escape you?'"

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Footnote 4: Anthology

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Footnote 5:

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Footnote 6:

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Footnote 7:

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276 — Джону Хэнсону

Will 1

Footnote 1: Letters note the letter dated March 5, 1813

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277 — Джону Мюррею

In Horace in London 1 2 substance our

his none can they 3

Footnote 1: Horace in London; consisting of Imitations of the First Two Books of the Odes of Horace Monthly Mirror

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Footnote 2: Horace in London "All who behold my mutilated pile

Shall brand its ravager with classic rage,

And soon a titled bard from Britain's Isle,

Thy country's praise and suffrage shall engage,

And fire with Athens' wrongs an angry age!"

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Footnote 3: First Impressions; or, Trade in the West "Such as mild Justice might herself dispense,

To Inexperience and a First Offence."

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278 — Роберту Раштону

marriage intended me fifty same sum own

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279 — Джону Хэнсону

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280 — Джону Хэнсону

Rochdale

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281 — —— Корбету

dreamed her never saw have never seen consistency you

Byron

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282 — Джону Хэнсону

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283 — Чарльзу Хэнсону

sell price property scoundrel

May

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284 — Сэмюэлю Роджерсу

protégé quash legally unlawful lawyer churchman woman wait

legal Now agents

Footnote 1: "Friday Morning.

"My Dearest Byron,—I have just received your note, but I will not execute your Commission; and, moreover, I will tell Lord Boringdon that I refused to do it. I know your situation; and I should never sleep again, if by any interference of mine, for by so harsh a word I must call it, you should be led by your generosity, your pride, or any other noble motive, to do more than you are called upon to do.

"I mentioned the thing to Lord Holland last night, and he entirely agreed with me, that you are not called upon to do it. The Principal and the legal interest are all that these extortioners are entitled to; and, you must forgive me, but I will not do as you require. I shall keep the draft till I see you.

"Yours ever and ever,

"Saml. Rogers."

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285 — Достопочтенной Августе Ли

regnantes relative My 1

Oxfords demure

sensibly

Byron

Footnote 1: Appendix II. (2)

"I have never heard any one who fulfilled my ideal of an orator. Grattan would have been near it, but for his harlequin delivery. Pitt I never heard. Fox but once, and then he struck me as a debater, which to me seems as different from an orator as an improvisatore, or a versifier, from a poet. Grey is great, but it is not oratory. Canning is sometimes very like one. Windham I did not admire, though all the world did; it seemed sad sophistry. Whitbread was the Demosthenes of bad taste and vulgar vehemence, but strong, and English. Holland is impressive from sense and sincerity. Lord Lansdowne good, but still a debater only. Grenville I like vastly, if he would prune his speeches down to an hour's delivery. Burdett is sweet and silvery as Belial himself, and I think the greatest favourite in Pandemonium; at least I always heard the country gentlemen and the ministerial devilry praise his speeches up stairs, and run down from Bellamy's when he was upon his legs. I heard Bob Milnes make his second speech; it made no impression. I like Ward—studied, but keen, and sometimes eloquent. Peel, my school and form fellow (we sat within two of each other), strange to say, I have never heard, though I often wished to do so; but, from what I remember of him at Harrow, he is, or should be, among the best of them. Now I do not admire Mr. Wilberforce's speaking; it is nothing but a flow of words—'words, words, alone.'

"I doubt greatly if the English have any eloquence, properly so called; and am inclined to think that the Irish had a great deal, and that the French will have, and have had in Mirabeau. Lord Chatham and Burke are the nearest approaches to orators in England. I don't know what Erskine may have been at the bar, but in the House, I wish him at the bar once more. Lauderdale is shrill, and Scotch, and acute. Of Brougham I shall say nothing, as I have a personal feeling of dislike to the man.

cross-reference: return to Footnote 2 of Journal entry for March 10th, 1814

"But amongst all these, good, bad, and indifferent, I never heard the speech which was not too long for the auditors, and not very intelligible, except here and there. The whole thing is a grand deception, and as tedious and tiresome as maybe to those who must be often present. I heard Sheridan only once, and that briefly, but I liked his voice, his manner, and his wit: and he is the only one of them I ever wished to hear at greater length.

"The impression of Parliament upon me was, that its members are not formidable as speakers, but very much so as an audience; because in so numerous a body there may be little eloquence, (after all, there were but two thorough orators in all antiquity, and I suspect still fewer in modern times,) but there must be a leaven of thought and good sense sufficient to make them know what is right, though they can't express it nobly.

"Horne Tooke and Roscoe both are said to have declared that they left Parliament with a higher opinion of its aggregate integrity and abilities than that with which they entered it. The general amount of both in most Parliaments is probably about the same, as also the number of speakers and their talent. I except orators, of course, because they are things of ages, and not of septennial or triennial reunions. Neither House ever struck me with more awe or respect than the same number of Turks in a divan, or of Methodists in a barn, would have done. Whatever diffidence or nervousness I felt (and I felt both, in a great degree) arose from the number rather than the quality of the assemblage, and the thought rather of the public without than the persons within,—knowing (as all know) that Cicero himself, and probably the Messiah, could never have altered the vote of a single lord of the bedchamber, or bishop. I thought our House dull, but the other animating enough upon great days.

"I have heard that when Grattan made his first speech in the English Commons, it was for some minutes doubtful whether to laugh at or cheer him. The débût of his predecessor, Flood, had been a complete failure, under nearly similar circumstances. But when the ministerial part of our senators had watched Pitt (their thermometer) for the cue, and saw him nod repeatedly his stately nod of approbation, they took the hint from their huntsman, and broke out into the most rapturous cheers. Grattan's speech, indeed, deserved them; it was a chef-d'oeuvre. I did not hear that speech of his (being then at Harrow), but heard most of his others on the same question—also that on the war of 1815. I differed from his opinions on the latter question, but coincided in the general admiration of his eloquence.

"When I met old Courtenay, the orator, at Rogers's the poet's, in 1811-12, I was much taken with the portly remains of his fine figure, and the still acute quickness of his conversation. It was he who silenced Flood in the English House by a crushing reply to a hasty débût of the rival of Grattan in Ireland. I asked Courtenay (for I like to trace motives) if he had not some personal provocation; for the acrimony of his answer seemed to me, as I read it, to involve it. Courtenay said 'he had; that, when in Ireland (being an Irishman), at the bar of the Irish House of Commons, Flood had made a personal and unfair attack upon himself, who, not being a member of that House, could not defend himself, and that some years afterwards, the opportunity of retort offering in the English Parliament, he could not resist it.' He certainly repaid Flood with interest, for Flood never made any figure, and only a speech or two afterwards, in the English House of Commons. I must except, however, his speech on Reform in 1790, which Fox called 'the best he ever heard upon that subject.'"

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286 — Джону Мюррею

Westall 1 2

Footnote 1: Childe Harold

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Footnote 2: Childe Harold

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287 — Джону Хэнсону

law

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288 — Джону Хэнсону

Attorney incog

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289 — Джону Мюррею

am 1 hear Waltzing 2

see Examiner 3 presume 4

Footnote 1:

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Footnote 2: Waltz

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Footnote 3: Examiner if room

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Footnote 4: Philosophy of Nature; or, the Influence of Scenery on the Mind and Heart The Italians; or, the Fatal Accusation The Assailant Assailed A Defence of Edmund Kean, Esq

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Глава VII — «Гяур» и «Абидосская невеста»

May, 1812-December, 1813

290 — Джону Мюррею

send 1

Footnote 1: The Giaour

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291 — Томасу Муру

Oh you, who in all names can tickle the town,

Anacreon, Tom Little, Tom Moore, or Tom Brown1,—

For hang me if I know of which you may most brag,

Your Quarto two-pounds, or your Twopenny Post Bag;

...

But now to my letter—to yours 'tis an answer—

To-morrow be with me, as soon as you can, sir,

All ready and dress'd for proceeding to spunge on

(According to compact) the wit in the dungeon2—

Pray Phœbus at length our political malice

May not get us lodgings within the same palace!

I suppose that to-night you're engaged with some codgers,

And for Sotheby's3 Blues have deserted Sam Rogers;

And I, though with cold I have nearly my death got,

Must put on my breeches, and wait on the Heathcote.

But to-morrow at four, we will both play the Scurra,

And you'll be Catullus, the Regent, Mamurra4.

Footnote 1: Intercepted Letters, or the Twopenny Post-bag. By Thomas Brown, the Younger

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Footnote 2: Juvenilia Examiner Life of Shelley

Morning Post Examiner "What person, unacquainted with the true state of the case, would imagine, in reading these astounding eulogies, that this 'Glory of the People' was the subject of millions of shrugs and reproaches!... that this "'Exciter of Desire' (bravo! Messieurs of the Post!), this 'Adonis in Loveliness,' was a corpulent man of fifty!—in short, this delightful, blissful, wise, pleasureable, honourable, virtuous, true, and immortal prince was a violator of his word, a libertine over head and ears in disgrace, a despiser of domestic ties, the companion of gamblers and demireps, a man who has just closed half a century without one single claim on the gratitude of his country or the respect of posterity."

Diary "Leigh Hunt is an enthusiast, very well intentioned, and, I believe, prepared for the worst. He said, pleasantly enough, 'No one can accuse me of not writing a libel. Everything is a libel, as the law is now declared, and our security lies only in their shame.'"

"the brave and enlightened man... to whom the public owes a debt as the champion of their liberties and virtues"

Life of Shelley "What though for showing truth to flatter'd state, Kind Hunt was shut in prison."

Cenci Poems Adonais Cor Cordium Examiner Poems Indicator Foliage

The Liberal Life of Shelley "There is no greater Sin after the seven deadly than to flatter oneself into an idea of being a great Poet."

"It is a great Pity that People should, by associating themselves with the finest things, spoil them. Hunt has damned Hampstead, and masks, and sonnets, and Italian tales."

"If I were to follow my own inclinations, I should never meet any one of that set again, not even Hunt, who is certainly a pleasant fellow in the main when you are with him; but in reality he is vain, egotistical, and disgusting in matters of taste and morals. Hunt does one harm by making fine things petty, and beautiful things hateful. Through him I am indifferent to Mozart. I care not for white Busts—and many a glorious thing when associated with him becomes a nothing."

Works of Keats ibid

Our Old Home "there was not an English trait in him from head to foot—morally, intellectually, or physically. Beef, ale or stout, brandy or port-wine, entered not at all into his composition."

All the Year Round "He loves everything," says Crabb Robinson (Diary, vol. ii. p. 192), "he catches the sunny side of everything, and, excepting that he has a few polemical antipathies, finds everything beautiful."

Indicator Story of Rimini Memoirs, etc., of Thomas Moon, "I certainly shall not be ill-natured to Rimini. It is very sweet and very lively in many places, and is altogether piquant, as being by far the best imitation of Chaucer and some of his Italian contemporaries that modern times have produced."

Correspondence of L. Hunt The Liberal The Liberal: Verse and Prose from the South Conversations "a very good opinion of the talents and principle of Mr. Hunt, though, as he said, 'our tastes are so opposite that we are totally unsuited to each other ... in short, we are more formed to be friends at a distance, than near.'"

Lord Byron and Some of his Contemporaries Diary Living Dog Dead Lion "Next week will be published (as 'Lives' are the rage)

The whole Reminiscences, wondrous and strange,

Of a small puppy-dog, that lived once in the cage

Of the late noble Lion at Exeter 'Change.

"Though the dog is a dog of the kind they call 'sad,'

'Tis a puppy that much to good breeding pretends;

And few dogs have such opportunities had

Of knowing how Lions behave—among friends.

"How that animal eats, how he snores, how he drinks,

Is all noted down by this Boswell so small;

And 'tis plain, from each sentence, the puppy-dog thinks

That the Lion was no such great things after all.

"Though he roared pretty well—this the puppy allows—

It was all, he says, borrowed—all second-hand roar;

And he vastly prefers his own little bow-wows

To the loftiest war-note the Lion could pour.

"'Tis, indeed, as good fun as a Cynic could ask,

To see how this cockney-bred setter of rabbits

Takes gravely the Lord of the Forest to task,

And judges of Lions by puppy-dog habits.

"Nay, fed as he was (and this makes it a dark case)

With sops every day from the Lion's own pan,

He lifts up his leg at the noble beast's carcass,

And—does all a dog, so diminutive, can.

"However, the book's a good book, being rich in

Examples and warnings to lions high-bred,

How they suffer small mongrelly curs in their kitchen,

Who'll feed on them living, and foul them when dead.

Exeter 'Change

T. Pidcock

Appendix VI

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Footnote 3: Oberon Georgics English Bards, etc. note Detached Thoughts "Sotheby is a good man; rhymes well (if not wisely), but is a bore. He seizes you by the button. One night of a rout, at Mrs. Hope's, he had fastened upon me (something about Agamemnon or Orestes—or some of his plays), notwithstanding my symptoms of manifest distress, (for I was in love and had just nicked a minute when neither mothers, nor husbands, nor rivals, nor gossips, were near my then idol, who was beautiful as the Statues of the Gallery where we stood at the time). Sotheby, I say, had seized upon me by the button, and the heart-strings, and spared neither. W. Spencer, who likes fun, and don't dislike mischief, saw my case, and, coming up to us both, took me by the hand and pathetically bade me farewell, 'for,' said he, 'I see it is all over with you.' Sotheby then went away. Sic me servavit Apollo."

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Footnote 4: "Quis hoc potest videre, quis potest pati,

Nisi impudicus et vorax, et aleo,

Mamurram habere, quod Comata Gallia

Habebat uncti et ultima Britannia?"

Sat

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292 — Джону Мюррею

return Curiosities of Literature 1 Twopenny Postbag

You Travels 2

Footnote 1: Curiosities of Literature

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Footnote 2: circ Tour through Italy

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293 — Джону Мюррею

master vamped vendible

not

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294 — Джону Мюррею

presented 1 Times Herald

prose verbatim M. Chronicle

Footnote 1: Appendix II. (3) "spouting in a sort of mock heroic voice, detached sentences of the speech he had just been delivering. 'I told them,' he said, 'that it was a most flagrant violation of the Constitution—that, if such things were permitted, there was an end of English freedom, and that—'

'But what was this dreadful grievance?' asked Moore.

'The grievance?' he repeated, pausing as if to consider, 'oh, that I forget.'"

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295 — Томасу Муру

When 1 Was 2

1.

When Thurlow this damn'd nonsense sent,

(I hope I am not violent),

Nor men nor gods knew what he meant.

2.

And since not ev'n our Rogers' praise

To common sense his thoughts could raise—

Why would they let him print his lays?

3.

...

4.

...

5.

To me, divine Apollo, grant—O!

Hermilda's first and second canto,

I'm fitting up a new portmanteau;

6.

And thus to furnish decent lining,

My own and others' bays I'm twining—

So, gentle Thurlow, throw me thine in.

Footnote 1: Poems on Several Occasions "When Rogers o'er this labour bent,

Their purest fire the Muses lent,

T' illustrate this sweet argument."

"in such a state of inextinguishable laughter, that, had the author himself been of the party, I question much whether he could have resisted the infection."

"Then, thus, to form Apollo's crown,

(Let ev'ry other bring his own,)

I lay my branch of laurel down."

Lord Thurlow

1 "'I lay my branch of laurel down.'

"Thou 'lay thy branch of laurel down!'

Why, what thou'st stole is not enow;

And, were it lawfully thine own,

Does Rogers want it most, or thou?

Keep to thyself thy wither'd bough,

Or send it back to Dr. Donne—

Were justice done to both, I trow,

He'd have but little, and thou—none.

2 "'Then thus to form Apollo's crown.'

"A crown! why, twist it how you will,

Thy chaplet must be foolscap still.

When next you visit Delphi's town,

Inquire amongst your fellow-lodgers,

They'll tell you Phœbus gave his crown,

Some years before your birth, to Rogers.

3 "'Let every other bring his own.'

"When coals to Newcastle are carried,

And owls sent to Athens as wonders,

From his spouse when the Regent's unmarried,

Or Liverpool weeps o'er his blunders;

When Tories and Whigs cease to quarrel,

When Castlereagh's wife has an heir,

Then Rogers shall ask us for laurel,

And thou shalt have plenty to spare."

Poems on Several Occasions Ariadne, a Poem Carmen Britannicum, or the Song of Britain: written in honour of the Prince Regent Moonlight, a Poem The Sonnets of Edward, Lord Thurlow Angelica, or the Rape of Proteus, a Poem

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Footnote 2: Address poulterer's

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296 — Джону Хэнсону

well were is

excepted contract contents

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297 — Фрэнсису Ходжсону

My Dear Hodgson Murray The Giaour Monthly 1 text margin chiefly

Footnote 1: The Giaour Monthly Review

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298 — Фрэнсису Ходжсону

The Giaour Monthly not

tutto tuo

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299 — Джону Мюррею

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300 — Джону Мюррею

yesterday's strictures 1

Recollect 2

extras Caustic

Footnote 1: Morning Chronicle

«Практические наблюдения о наилучшем способе лечения стриктур и т. д., с замечаниями о неэффективности и т. д. прижигающих средств». Автор: Уильям Уодд. Напечатано для Дж. Кэллоу, Сохо.

«Современные поэты; диалог в стихах, содержащий некоторые критические замечания о поэзии лорда Байрона, мистера Саути и других». Напечатано для Уайта, Кокрейна и Ко., Флит-стрит.

Modern Poets "In English Bards, and Scotch Reviewers the same respectable corps of critics is successively exhibited, in the course of only ten lines, under the following significant but somewhat incongruous forms, viz. (1) Northern Wolves, (2) Harpies, (3) Bloodhounds."

Childe Harold "Shall he immortal bays aspire to wear

Who immortality from man would tear,

Repress the sigh which hopes a happier home,

And chase the visions of a life to come?"

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Footnote 2: note

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301 — Джону Мюррею

erased

E. Bds sole fifth hellish brutal harpies felons

called You Columbus 1 too Pleasures Quarterly invisible infallibles general fragments 2 The Giaour

Do Naufragia 3 first Robinson Crusoe

Footnote 1: Columbus Quarterly

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Footnote 2: The Giaour Columbus

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Footnote 3: Naufragia, or Historical Memoirs of Shipwrecks first Robinson Crusoe Naufragia "But before I conclude this Section, I wish to make the admirers of this Nautical Romance mindful of a Report, which prevailed many years ago; that Defoe, after all, was not the real author of Robinson Crusoe. This assertion is noticed in an article in the seventh volume of the Edinburgh Magazine [vol. vii. p. 269]. Dr. Towers, in his Life of Defoe in the Biographia, is inclined to pay no attention to it; but was that writer aware of the following letter, which also appeared in the Gentleman's Magazine for 1788? (vol. lviii. part i. p. 208). At least no notice is taken of it in his Life of Defoe:

'Dublin, February 25.

Mr. Urban,—In the course of a late conversation with a nobleman of the first consequence and information in this kingdom, he assured me, that Mr. Benjamin Holloway, of Middleton Stony, assured him, some time ago: that he knew for fact, that the celebrated Romance of 'Robinson Crusoe' was really written by the Earl of Oxford, when confined in the Tower of London: that his Lordship gave the manuscript to Daniel Defoe, who frequently visited him during his confinement: and that Defoe, having afterwards added the second volume, published the whole as his own production. This anecdote I would not venture to send to your valuable magazine, if I did not think my information good, and imagine it might be acceptable to your numerous readers, not-withstanding the work has heretofore been generally attributed to the latter. W. W.'"

It is impossible for me to enter on a discussion of this literary subject; though I thought the circumstance ought to be more generally known. And yet I must observe, that I always discerned a very striking falling off between the composition of the first and second volumes of this Romance—they seem to bear evident marks of having been the work of different writers."

"Mem. Jul. 10, 1774. In the year 1759, I was told by the Rev. Mr. Benjamin Holloway, rector of Middleton Stony, in Oxfordshire, then about 70 years old, and in the early part of his life domestic Chaplain to Lord Sunderland, that he had often heard Lord Sunderland say that Lord Oxford, while a prisoner in the Tower of London, wrote the first volume of the History of Robinson Crusoe, merely as an amusement under confinement; and gave it to Daniel De Foe, who frequently visited Lord Oxford in the Tower, and was one of his Pamphlet writers. That De Foe, by Lord Oxford's permission, printed it as his own, and, encouraged by its extraordinary success, added himself the second volume, the inferiority of which is generally acknowledged. Mr. Holloway also told me, from Lord Sunderland, that Lord Oxford dictated some parts of the manuscript to De Foe. Mr. Holloway was a grave conscientious clergyman, not vain of telling anecdotes, very learned, particularly a good orientalist, author of some theological tracts, bred at Eton School, and a Master of Arts at St. John's College, Cambridge. He lived many years with great respect in Lord Sunderland's family, and was like to the late Duke of Marlborough. He died, as I remember, about the year "1761."

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138 — Своей матери

swimming

Byron

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302 — Джону Мюррею

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303 — У. Гиффорду

suggestion Baviad 1

strongly our world

Byron

Footnote 1: Letters

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304 — Джону Мюррею

corrected important

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305 — Томасу Муру

Yesterday 1

Murray

Universal Visitor? 2

am 3

Footnote 1: "'And ah! what verse can grace thy stately mien,

Guide of the world, preferment's golden queen,

Neckar's fair daughter, Staël the Epicene!

Bright o'er whose flaming cheek and pumple nose

The bloom of young desire unceasing glows!

Fain would the Muse—but ah! she dares no more,

A mournful voice from lone Guyana's shore,

Sad Quatremer, the bold presumption checks,

Forbid to question thy ambiguous sex.'

"These lines contain the Secret History of Quatremer's deportation. He presumed, in the Council of Five Hundred, to arraign Madame de Staël's conduct, and even to hint a doubt of her sex. He was sent to Guyana. The transaction naturally brings to one's mind the dialogue between Falstaff and Hostess Quickly in Shakespeare's Henry IV."

Canning's New Morality Poetry of the Anti-Jacobin

Souvenirs De l'Allemagne "certainly the cleverest, though not the most agreeable woman he had ever known. 'She declaimed to you instead of conversing with you,' said he, 'never pausing except to take breath; and if during that interval a rejoinder was put in, it was evident that she did not attend to it, as she resumed the thread of her discourse as though it had not been interrupted'".