Laces to drop from their rays, like a powder of snow from the eaves."
Gorgeous she entered the sunlight, which gathered her up in a flame,
While, straight in her open carriage, she to the hospital came.
In she went at the door, and gazing from end to end,--
"Many and low are the pallets; but each is the place of a friend."
Up she passed through the wards, and stood at a young man's bed;
Bloody the band on his brow, and livid the droop of his head.
"Art thou a Lombard, my brother? Happy art thou!" she cried,
And smiled like Italy on him: he dreamed in her face--and died.
Pale with his passing soul, she went on still to a second:
He was a grave hard man, whose years by dungeons were reckoned.
Wounds in his body were sore, wounds in his life were sorer.
"Art thou a Romagnole?" Her eyes drove lightnings before her.
"Austrian and priest had joined to double and tighten the cord
Able to bind thee, O strong one, free by the stroke of a sword.
"Now be grave for the rest of us, using the life overcast
To ripen our wine of the present (too new) in glooms of the past."
Down she stepped to a pallet where lay a face like a girl's,
Young, and pathetic with dying,--a deep black hole in the curls.
"Art thou from Tuscany, brother? and seest thou, dreaming in pain,
Thy mother stand in the piazza, searching the list of the slain?"
Kind as a mother herself, she touched his cheeks with her hands:
"Blessed is she who has borne thee, although she should weep as
she stands."
On she passed to a Frenchman, his arm carried off by a ball:
Kneeling: "O more than my brother! how shall I thank thee for all?
"Each of the heroes around us has fought for his land and line;
But thou hast fought for a stranger, in hate of a wrong not thine.
"Happy are all free peoples, too strong to be dispossest,
But blessed are those among nations who dare to be strong for the
rest."
Ever she passed on her way, and came to a couch where pined
One with a face from Venetia, white with a hope out of mind.
Long she stood and gazed, and twice she tried at the name;
But two great crystal tears were all that faltered and came.
Only a tear for Venice? She turned as in passion and loss,
And stooped to his forehead and kissed it, as if she were kissing
the cross.
Faint with that strain of heart, she moved on then to another,
Stern and strong in his death: "And dost thou suffer, my brother?"
Holding his hands in hers: "Out of the Piedmont lion
Cometh the sweetness of freedom! sweetest to live or to die on."
Holding his cold rough hands: "Well, oh well have ye done
In noble, noble Piedmont, who would not be noble alone."
Back he fell while she spoke. She rose to her feet with a spring.
"That was a Piedmontese! and this is the court of the King!"
THE PROSPECT
Methinks we do as fretful children do,
Leaning their faces on the window-pane
To sigh the glass dim with their own breath's stain,
And shut the sky and landscape from their view;
And thus, alas! since God the maker drew
A mystic separation 'twixt those twain,--
The life beyond us and our souls in pain,--
We miss the prospect which we are called unto
By grief we are fools to use. Be still and strong,
O man, my brother! hold thy sobbing breath,
And keep thy soul's large window pure from wrong;
That so, as life's appointment issueth,
Thy vision may be clear to watch along
The sunset consummation-lights of death.
DE PROFUNDIS
The face which, duly as the sun,
Rose up for me with life begun,
To mark all bright hours of the day
With daily love, is dimmed away--
And yet my days go on, go on.
The tongue which, like a stream, could run
Smooth music from the roughest stone,
And every morning with "Good day"
Make each day good, is hushed away--
And yet my days go on, go on.
The heart which, like a staff, was one
For mine to lean and rest upon,
The strongest on the longest day,
With steadfast love is caught away--
And yet my days go on, go on.
The world goes whispering to its own,
"This anguish pierces to the bone."
And tender friends go sighing round,
"What love can ever cure this wound?"
My days go on, my days go on.
The past rolls forward on the sun
And makes all night. O dreams begun,
Not to be ended! Ended bliss!
And life, that will not end in this!
My days go on, my days go on.
Breath freezes on my lips to moan:
As one alone, once not alone,
I sit and knock at Nature's door,
Heart-bare, heart-hungry, very poor,
Whose desolated days go on.
I knock and cry--Undone, undone!
Is there no help, no comfort--none?
No gleaning in the wide wheat-plains
Where others drive their loaded wains?
My vacant days go on, go on.
This Nature, though the snows be down,
Thinks kindly of the bird of June.
The little red hip on the tree
Is ripe for such. What is for me,
Whose days so winterly go on?
No bird am I to sing in June,
And dare not ask an equal boon.
Good nests and berries red are Nature's
To give away to better creatures--
And yet my days go on, go on.
I ask less kindness to be done--
Only to loose these pilgrim-shoon
(Too early worn and grimed) with sweet
Cool deathly touch to these tired feet,
Till days go out which now go on.
Only to lift the turf unmown
From off the earth where it has grown,
Some cubit-space, and say, "Behold,
Creep in, poor Heart, beneath that fold,
Forgetting how the days go on."
A Voice reproves me thereupon,
More sweet than Nature's, when the drone
Of bees is sweetest, and more deep,
Than when the rivers overleap
The shuddering pines, and thunder on.
God's Voice, not Nature's--night and noon
He sits upon the great white throne,
And listens for the creature's praise.
What babble we of days and days?
The Dayspring he, whose days go on!
He reigns above, he reigns alone:
Systems burn out and leave his throne:
Fair mists of seraphs melt and fall
Around him, changeless amid all--
Ancient of days, whose days go on!
He reigns below, he reigns alone--
And having life in love forgone
Beneath the crown of sovran thorns,
He reigns the jealous God. Who mourns
Or rules with HIM, while days go on?
By anguish which made pale the sun,
I hear him charge his saints that none
Among the creatures anywhere
Blaspheme against him with despair,
However darkly days go on.
Take from my head the thorn-wreath brown:
No mortal grief deserves that crown.
O supreme Love, chief misery,
The sharp regalia are for Thee,
Whose days eternally go on!
For us, ... whatever's undergone,
Thou knowest, willest what is done.
Grief may be joy misunderstood:
Only the Good discerns the good.
I trust Thee while my days go on.
Whatever's lost, it first was won!
We will not struggle nor impugn.
Perhaps the cup was broken here
That Heaven's new wine might show more clear.
I praise Thee while my days go on.
I praise Thee while my days go on;
I love Thee while my days go on!
Through dark and dearth, through fire and frost,
With emptied arms and treasure lost,
I thank Thee while my days go on!
And, having in thy life-depth thrown
Being and suffering (which are one),
As a child drops some pebble small
Down some deep well, and hears it fall
Smiling--so I! THY DAYS GO ON!
THE CRY OF THE HUMAN
"There is no God," the foolish saith,
But none, "There is no sorrow;"
And nature oft the cry of faith
In bitter need will borrow:
Eyes which the preacher could not school
By wayside graves are raised;
And lips say, "God be pitiful,"
Who ne'er said, "God be praised."
Be pitiful, O God.
The tempest stretches from the steep
The shadow of its coming;
The beasts grow tame, and near us creep,
As help were in the human:
Yet while the cloud-wheels roll and grind,
We spirits tremble under!
The hills have echoes; but we find
No answer for the thunder.
Be pitiful, O God!
The battle hurtles on the plains--
Earth feels new scythes upon her:
We reap our brothers for the wains,
And call the harvest--honor.
Draw face to face, front line to line,
One image all inherit:
Then kill, curse on, by that same sign,
Clay, clay,--and spirit, spirit.
Be pitiful, O God!
We meet together at the feast--
To private mirth betake us--
We stare down in the winecup, lest
Some vacant chair should shake us!
We name delight, and pledge it round--
"It shall be ours to-morrow!"
God's seraphs! do your voices sound
As sad in naming sorrow?
Be pitiful, O God!
We sit together, with the skies,
The steadfast skies, above us;
We look into each other's eyes,
"And how long will you love us?"
The eyes grow dim with prophecy,
The voices, low and breathless--
"Till death us part!"--O words, to be
Our best for love the deathless!
Be pitiful, dear God!
We tremble by the harmless bed
Of one loved and departed--
Our tears drop on the lips that said
Last night, "Be stronger-hearted!"
O God,--to clasp those fingers close,
And yet to feel so lonely!--
To see a light upon such brows,
Which is the daylight only!
Be pitiful, O God!
The happy children come to us,
And look up in our faces;
They ask us--Was it thus, and thus,
When we were in their places?
We cannot speak--we see anew
The hills we used to live in,
And feel our mother's smile press through
The kisses she is giving.
Be pitiful, O God!
We pray together at the kirk,
For mercy, mercy, solely--
Hands weary with the evil work,
We lift them to the Holy!
The corpse is calm below our knee--
Its spirit bright before Thee--
Between them, worse than either, we
Without the rest of glory!
Be pitiful, O God!
And soon all vision waxeth dull--
Men whisper, "He is dying;"
We cry no more, "Be pitiful!"--
We have no strength for crying:
No strength, no need! Then, Soul of mine,
Look up and triumph rather--
Lo! in the depth of God's Divine,
The Son adjures the Father--
BE PITIFUL, O GOD!
ROMANCE OF THE SWAN'S NEST
Little Ellie sits alone
'Mid the beeches of a meadow,
By a stream-side on the grass;
And the trees are showering down
Doubles of their leaves in shadow,
On her shining hair and face.
She has thrown her bonnet by;
And her feet she has been dipping
In the shallow water's flow--
Now she holds them nakedly
In her hands, all sleek and dripping,
While she rocketh to and fro.
Little Ellie sits alone,
And the smile she softly uses
Fills the silence like a speech;
While she thinks what shall be done,
And the sweetest pleasure chooses,
For her future within reach.
Little Ellie in her smile
Chooseth--"I will have a lover,
Riding on a steed of steeds!
He shall love me without guile;
And to him I will discover
That swan's nest among the reeds.
"And the steed shall be red-roan.
And the lover shall be noble,
With an eye that takes the breath.
And the lute he plays upon
Shall strike ladies into trouble,
As his sword strikes men to death.
"And the steed it shall be shod
All in silver, housed in azure,
And the mane shall swim the wind:
And the hoofs along the sod
Shall flash onward and keep measure,
Till the shepherds look behind.
"But my lover will not prize
All the glory that he rides in,
When he gazes in my face.
He will say, 'O Love, thine eyes
Build the shrine my soul abides in;
And I kneel here for thy grace.'
"Then, ay, then--he shall kneel low,
With the red-roan steed anear him,
Which shall seem to understand--
Till I answer, 'Rise and go!
For the world must love and fear him
Whom I gift with heart and hand.'
"Then he will arise so pale,
I shall feel my own lips tremble
With a yes I must not say--
Nathless maiden-brave, 'Fare well,'
I will utter, and dissemble--
'Light to-morrow with to-day.'
"Then he'll ride among the hills
To the wide world past the river,
There to put away all wrong:
To make straight distorted wills,
And to empty the broad quiver
Which the wicked bear along.
"Three times shall a young foot-page
Swim the stream and climb the mountain
And kneel down beside my feet--
'Lo! my master sends this gage,
Lady, for thy pity's counting!
What wilt thou exchange for it?'
"And the first time I will send
A white rosebud for a guerdon,
And the second time, a glove:
But the third time--I may bend
From my pride, and answer--'Pardon--
If he come to take my love.'
"Then the young foot-page will run--
Then my lover will ride faster,
Till he kneeleth at my knee:
'I am a duke's eldest son!
Thousand serfs do call me master,--
But, O Love, I love but thee!
"He will kiss me on the mouth
Then; and lead me as a lover
Through the crowds that praise his deeds;
And when soul-tied by one troth,
Unto him I will discover
That swan's nest among the reeds."
Little Ellie, with her smile
Not yet ended, rose up gayly,
Tied the bonnet, donned the shoe--
And went homeward, round a mile,
Just to see, as she did daily,
What more eggs were with the two.
Pushing through the elm-tree copse
Winding by the stream, light-hearted,
Where the osier pathway leads--
Past the boughs she stoops--and stops!
Lo! the wild swan had deserted--
And a rat had gnawed the reeds.
Ellie went home sad and slow:
If she found the lover ever,
With his red-roan steed of steeds,
Sooth I know not! but I know
She could never show him--never,
That swan's nest among the reeds!
THE BEST THING IN THE WORLD
WHAT'S the best thing in the world?
June-rose by May-dew impearled;
Sweet south-wind, that means no rain;
Truth, not cruel to a friend;
Pleasure, not in haste to end;
Beauty, not self-decked and curled
Till its pride is over-plain;
Light, that never makes you wink;
Memory, that gives no pain;
Love, when so you're loved again.
What's the best thing in the world?--
Something out of it, I think.
SONNETS FROM THE PORTUGUESE
Unlike are we, unlike, O princely Heart!
Unlike our uses and our destinies.
Our ministering two angels look surprise
On one another as they strike athwart
Their wings in passing. Thou, bethink thee, art
A guest for queens to social pageantries,
With gages from a hundred brighter eyes
Than tears even can make mine, to play thy part
Of chief musician. What hast thou to do
With looking from the lattice-lights at me,
A poor, tired, wandering singer, singing through
The dark, and leaning up a cypress tree?
The chrism is on thine head; on mine the dew:
And Death must dig the level where these agree.
Thou hast thy calling to some palace-floor,
Most gracious singer of high poems, where
The dancers will break footing, from the care
Of watching up thy pregnant lips for more.
And dost thou lift this house's latch, too poor
For hand of thine? and canst thou think, and bear
To let thy music drop here unaware
In folds of golden fulness at my door?
Look up, and see the casement broken in,
The bats and owlets builders in the roof!
My cricket chirps against thy mandolin.
Hush, call no echo up in further proof
Of desolation! there's a voice within
That weeps--as thou must sing--alone, aloof.
What can I give thee back, O liberal
And princely giver, who hast brought the gold
And purple of thine heart, unstained, untold,
And laid them on the outside of the wall
For such as I to take or leave withal,
In unexpected largesse? Am I cold,
Ungrateful, that for these most manifold
High gifts, I render nothing back at all?
Not so; not cold, but very poor instead.
Ask God, who knows. For frequent tears have run
The colors from my life, and left so dead
And pale a stuff, it were not fitly done
To give the same as pillow to thy head.
Go farther! let it serve to trample on.
If thou must love me, let it be for naught
Except for love's sake only. Do not say
"I love her for her smile, her look, her way
Of speaking gently, for a trick of thought
That falls in well with mine, and certes brought
A sense of pleasant ease on such a day:"
For these things in themselves, beloved, may
Be changed, or change for thee; and love so wrought
May be unwrought so. Neither love me for
Thine own dear pity's wiping my cheeks dry:
A creature might forget to weep, who bore
Thy comfort long, and lose thy love thereby.
But love me for love's sake, that evermore
Thou mayst love on through love's eternity.
First time he kissed me, he but only kissed
The fingers of this hand wherewith I write;
And ever since it grew more clean and white,
Slow to world-greetings, quick with its "Oh list!"
When the angels speak. A ring of amethyst
I could not wear here plainer to my sight
Than that first kiss. The second passed in height
The first, and sought the forehead, and half missed,
Half falling on the hair. Oh, beyond meed!
That was the chrism of love, which love's own crown
With sanctifying sweetness did precede.
The third upon my lips was folded down
In perfect purple state; since when, indeed,
I have been proud, and said "My love, my own!"
I LIVED with visions for my company,
Instead of men and women, years ago,
And found them gentle mates, nor thought to know
A sweeter music than they played to me.
But soon their trailing purple was not free
Of this world's dust, their lutes did silent grow,
And I myself grew faint and blind below
Their vanishing eyes. Then THOU didst come--to be,
Beloved, what they seemed. Their shining fronts,
Their songs, their splendors (better, yet the same,
As river-water hallowed into fonts),
Met in thee, and from out thee overcame
My soul with satisfaction of all wants,
Because God's gifts put man's best dreams to shame.
BELOVED, my beloved, when I think
That thou wast in the world a year ago,
What time I sat alone here in the snow,
And saw no footprint, heard the silence sink
No moment at thy voice, but, link by link,
Went counting all my chains as if that so
They never could fall off at any blow
Struck by thy possible hand--why, thus I drink
Of life's great cup of wonder! Wonderful,
Never to feel thee thrill the day or night
With personal act or speech, nor ever cull
Some prescience of thee with the blossoms white
Thou sawest growing! Atheists are as dull,
Who cannot guess God's presence out of sight.
BECAUSE thou hast the power and own'st the grace
To look through and behind this mask of me,
(Against which years have beat thus blanchingly
With their rains!) and behold my soul's true face,
The dim and weary witness of life's race;
Because thou hast the faith and love to see,
Through that same soul's distracting lethargy,
The patient angel waiting for his place
In the new heavens; because nor sin nor woe,
Nor God's infliction, nor death's neighborhood,
Nor all which others viewing, turn to go,
Nor all which makes me tired of all, self-viewed,--
Nothing repels thee.--Dearest, teach me so
To pour out gratitude, as thou dost, good!
I THANK all who have loved me in their hearts,
With thanks and love from mine. Deep thanks to all
Who paused a little near the prison-wall,
To hear my music in its louder parts,
Ere they went onward, each one to the mart's
Or temple's occupation, beyond call.
But thou, who in my voice's sink and fall,