But although I take your meaning, 'tis with such a heavy mind!
Have you come with your old music, and here's all the good it brings?
What, they lived once thus at Venice where the merchants were the kings,
Where Saint Mark's is, where the Doges used to wed the sea with rings?
Ay, because the sea's the street there; and 'tis arched by--what you call--
Shylock's bridge with houses on it, where they kept the carnival:
I was never out of England--it's as if I saw it all.
Did young people take their pleasure when the sea was warm in May?
Balls and masks begun at midnight, burning ever to mid-day,
When they made up fresh adventures for the morrow, do you say?
Was a lady such a lady, cheeks so round and lips so red,--
On her neck the small face buoyant, like a bell-flower on its bed,
O'er the breast's superb abundance where a man might base his head?
Well, and it was graceful of them: they'd break talk off and afford--
She to bite her mask's black velvet, he to finger on his sword,
While you sat and played Toccatas, stately at the clavichord!
What? Those lesser thirds so plaintive, sixths diminished, sigh on sigh,
Told them something? Those suspensions, those solutions--"Must we die?"
Those commiserating sevenths--"Life might last! we can but try!"
"Were you happy?" "Yes."--"And are you still as happy?" "Yes. And you?"--
"Then, more kisses!" "Did I stop them, when a million seemed so few?"
Hark, the dominant's persistence till it must be answered to!
So, an octave struck the answer. Oh, they praised you, I dare say!
"Brave Galuppi! that was music! good alike at grave and gay!
I can always leave off talking when I hear a master play!"
Then they left you for their pleasure; till in due time, one by one,
Some with lives that came to nothing, some with deeds as well undone,
Death stepped tacitly, and took them where they never see the sun.
But when I sit down to reason, think to take my stand nor swerve,
While I triumph o'er a secret wrung from nature's close reserve,
In you come with your cold music till I creep through every nerve.
Yes, you, like a ghostly cricket, creaking where a house was burned.
"Dust and ashes, dead and done with, Venice spent what Venice earned.
The soul, doubtless, is immortal--where a soul can be discerned.
"Yours for instance: you know physics, something of geology,
Mathematics are your pastime; souls shall rise in their degree;
Butterflies may dread extinction,--you'll not die, it cannot be!
"As for Venice and her people, merely born to bloom and drop,
Here on earth they bore their fruitage, mirth and folly were the crop;
What of soul was left, I wonder, when the kissing had to stop?
"Dust and ashes!" So you creak it, and I want the heart to scold.
Dear dead women, with such hair, too--what's become of all the gold
Used to hang and brush their bosoms? I feel chilly and grown old.
CONFESSIONS
What is he buzzing in my ears?
"Now that I come to die
Do I view the world as a vale of tears?"
Ah, reverend sir, not I!
What I viewed there once,--what I viewed again
Where the physic bottles stand
On the table's edge,--is a suburb lane,
With a wall to my bedside hand.
That lane sloped, much as the bottles do,
From a house you could descry
O'er the garden wall: is the curtain blue,
Or green to a healthy eye?
To mine, it serves for the old June weather
Blue above lane and wall;
And that farthest bottle labeled "Ether"
Is the house o'ertopping all.
At a terrace, somewhat near the stopper,
There watched for me, one June,
A girl: I know, sir, it's improper,
My poor mind's out of tune.
Only, there was a way--you crept
Close by the side, to dodge
Eyes in the house, two eyes except:
They styled their house "The Lodge"
What right had a lounger up their lane?
But by creeping very close,
With the good wall's help,--their eyes might strain
And stretch themselves to O's,
Yet never catch her and me together,
As she left the attic there,
By the rim of the bottle labeled "Ether,"
And stole from stair to stair,
And stood by the rose-wreathed gate. Alas,
We loved, sir--used to meet:
How sad and bad and mad it was--
But then, how it was sweet!
LOVE AMONG THE RUINS
Where the quiet-colored end of evening smiles,
Miles and miles,
On the solitary pastures where our sheep
Half asleep
Tinkle homeward through the twilight, stray or stop
As they crop--
Was the site once of a city great and gay
(So they say);
Of our country's very capital, its prince,
Ages since,
Held his court in, gathered councils, wielding far
Peace or war.
Now,--the country does not even boast a tree,
As you see;
To distinguish slopes of verdure, certain rills
From the hills
Intersect and give a name to (else they run
Into one).
Where the domed and daring palace shot in spires
Up like fires
O'er the hundred-gated circuit of a wall
Bounding all,
Made of marble, men might march on nor be pressed,
Twelve abreast.
And such plenty and perfection, see, of grass
Never was!
Such a carpet as this summer-time o'erspreads
And imbeds
Every vestige of the city, guessed alone,
Stock or stone--
Where a multitude of men breathed joy and woe
Long ago;
Lust of glory pricked their hearts up, dread of shame
Struck them tame;
And that glory and that shame alike, the gold
Bought and sold.
Now,--the single little turret that remains
On the plains,
By the caper overrooted, by the gourd
Overscored,
While the patching houseleek's head of blossom winks
Through the chinks--
Marks the basement whence a tower in ancient time
Sprang sublime,
And a burning ring, all round, the chariots traced
As they raced,
And the monarch and his minions and his dames
Viewed the games.
And I know--while thus the quiet-colored eve
Smiles to leave
To their folding all our many-tinkling fleece
In such peace,
And the slopes and rills in undistinguished gray
Melt away--
That a girl with eager eyes and yellow hair
Waits me there
In the turret whence the charioteers caught soul
For the goal,
When the king looked, where she looks now, breathless, dumb,
Till I come.
But he looked upon the city every side,
Far and wide,
All the mountains topped with temples, all the glades
Colonnades,
All the causeys, bridges, aqueducts,--and then,
All the men!
When I do come, she will speak not, she will stand,
Either hand
On my shoulder, give her eyes the first embrace
Of my face,
Ere we rush, ere we extinguish sight and speech
Each on each.
In one year they sent a million fighters forth
South and North,
And they built their gods a brazen pillar high
As the sky,
Yet reserved a thousand chariots in full force--
Gold, of course.
O heart! O blood that freezes, blood that burns!
Earth's returns
For whole centuries of folly, noise, and sin!
Shut them in,
With their triumphs and their glories and the rest!
Love is best.
A GRAMMARIAN'S FUNERAL
SHORTLY AFTER THE REVIVAL OF LEARNING IN EUROPE
Let us begin and carry up this corpse,
Singing together.
Leave we the common crofts, the vulgar thorpes,
Each in its tether,
Sleeping safe in the bosom of the plain,
Cared-for till cock-crow:
Look out if yonder be not day again
Rimming the rock-row!
That's the appropriate country; there, man's thought,
Rarer, intenser,
Self-gathered for an outbreak, as it ought,
Chafes in the censer.
Leave we the unlettered plain its herd and crop;
Seek we sepulture
On a tall mountain, citied to the top,
Crowded with culture!
All the peaks soar, but one the rest excels:
Clouds overcome it;
No, yonder sparkle is the citadel's
Circling its summit.
Thither our path lies; wind we up the heights!
Wait ye the warning?
Our low life was the level's and the night's:
He's for the morning.
Step to a tune, square chests, erect each head,
'Ware the beholders!
This is our master, famous, calm, and dead,
Borne on our shoulders.
Sleep, crop and herd! sleep, darkling thorpe and croft,
Safe from the weather!
He whom we convoy to his grave aloft,
Singing together,
He was a man born with thy face and throat,
Lyric Apollo!
Long he lived nameless: how should spring take note
Winter would follow?
Till lo, the little touch, and youth was gone!
Cramped and diminished,
Moaned he, "New measures, other feet anon!
My dance is finished"?
No, that's the world's way: (keep the mountain side,
Make for the city!)
He knew the signal, and stepped on with pride
Over men's pity;
Left play for work, and grappled with the world
Bent on escaping:
"What's in the scroll," quoth he, "thou keepest furled?
Show me their shaping,
Theirs who most studied man, the bard and sage,--
Give!" so he gowned him,
Straight got by heart that book to its last page;
Learned, we found him.
Yea, but we found him bald too, eyes like lead.
Accents uncertain:
"Time to taste life," another would have said,
"Up with the curtain!"
This man said rather, "Actual life comes next?
Patience a moment!
Grant I have mastered learning's crabbed text,
Still there's the comment.
Let me know all! Prate not of most or least,
Painful or easy!
Even to the crumbs I'd fain eat up the feast,
Ay, nor feel queasy."
Oh, such a life as he resolved to live,
When he had learned it,
When he had gathered all books had to give!
Sooner, he spurned it.
Image the whole, then execute the parts--
Fancy the fabric
Quite, ere you build, ere steel strike fire from quartz,
Ere mortar dab brick!
(Here's the town-gate reached; there's the market-place
Gaping before us.)
Yea, this in him was the peculiar grace:
(Hearten our chorus!)
That before living he'd learn how to live--
No end to learning:
Earn the means first--God surely will contrive
Use for our earning.
Others mistrust and say, "But time escapes!
Live now or never!"
He said, "What's time? Leave Now for dogs and apes!
Man has Forever."
Back to his book then: deeper drooped his head;
Calculus racked him;
Leaden before, his eyes grew dross of lead;
Tussis attacked him.
"Now, master, take a little rest!"--not he!
(Caution redoubled!
Step two abreast, the way winds narrowly!)
Not a whit troubled,
Back to his studies, fresher than at first,
Fierce as a dragon
He (soul-hydroptic with a sacred thirst)
Sucked at the flagon.
Oh, if we draw a circle premature,
Heedless of far gain,
Greedy for quick returns of profit, sure
Bad is our bargain!
Was it not great? did not he throw on God
(He loves the burthen)--
God's task to make the heavenly period
Perfect the earthen?
Did not he magnify the mind, show clear
Just what it all meant?
He would not discount life, as fools do here
Paid by installment.
He ventured neck or nothing--heaven's success
Found, or earth's failure:
"Wilt thou trust death or not?" He answered, "Yes!
Hence with life's pale lure!"
That low man seeks a little thing to do,
Sees it and does it:
This high man, with a great thing to pursue,
Dies ere he knows it.
That low man goes on adding one to one,
His hundred's soon hit:
This high man, aiming at a million,
Misses an unit.
That, has the world here--should he need the next.
Let the world mind him!
This, throws himself on God, and unperplexed
Seeking shall find him.
So, with the throttling hands of death at strife,
Ground he at grammar;
Still, through the rattle, parts of speech were rife:
While he could stammer
He settled Hoti's business--let it be!--
Properly based Oun--
Gave us the doctrine of the enclitic De,
Dead from the waist down.
Well, here's the platform, here's the proper place:
Hail to your purlieus,
All ye highfliers of the feathered race,
Swallows and curlews!
Here's the top-peak; the multitude below
Live, for they can, there:
This man decided not to Live but Know--
Bury this man there?
Here--here's his place, where meteors shoot, clouds form,
Lightnings are loosened,
Stars come and go! Let joy break with the storm,
Peace let the dew send!
Lofty designs must close in like effects:
Loftily lying,
Leave him--still loftier than the world suspects,
Living and dying.
MY LAST DUCHESS
FERRARA
That's my last Duchess painted on the wall,
Looking as if she were alive. I call
That piece a wonder, now: Frà Pandolf's hands
Worked busily a day, and there she stands.
Will't please you sit and look at her? I said
"Frà Pandolf" by design: for never read
Strangers like you that pictured countenance,
The depth and passion of its earnest glance,
But to myself they turned (since none puts by
The curtain I have drawn for you, but I),
And seemed as they would ask me, if they durst,
How such a glance came there; so, not the first
Are you to turn and ask thus. Sir, 'twas not
Her husband's presence only, called that spot
Of joy into the Duchess' cheek: perhaps
Frà Pandolf chanced to say, "Her mantle laps
Over my lady's wrists too much," or "Paint
Must never hope to reproduce the faint
Half-flush that dies along her throat;" such stuff
Was courtesy, she thought, and cause enough
For calling up that spot of joy. She had
A heart--how shall I say?--too soon made glad,
Too easily impressed: she liked whate'er
She looked on, and her looks went everywhere.
Sir, 'twas all one! My favor at her breast,
The dropping of the daylight in the West,
The bough of cherries some officious fool
Broke in the orchard for her, the white mule
She rode with round the terrace,--all and each
Would draw from her alike the approving speech,
Or blush, at least. She thanked men,--good! but thanked
Somehow--I know not how--as if she ranked
My gift of a nine-hundred-years-old name
With anybody's gift. Who'd stoop to blame
This sort of trifling? Even had you skill
In speech (which I have not) to make your will
Quite clear to such an one, and say, "Just this
Or that in you disgusts me; here you miss,
Or there exceed the mark,"--and if she let
Herself be lessoned so, nor plainly set
Her wits to yours, forsooth, and made excuse,--
E'en then would be some stooping; and I choose
Never to stoop. O sir! she smiled, no doubt,
When'er I passed her; but who passed without
Much the same smile? This grew; I gave commands;
Then all smiles stopped together. There she stands
As if alive. Will't please you rise? We'll meet
The company below, then. I repeat,
The Count your master's known munificence
Is ample warrant that no just pretense
Of mine for dowry will be disallowed;
Though his fair daughter's self, as I avowed
At starting, is my object. Nay, we'll go
Together down, sir. Notice Neptune, though,
Taming a sea-horse, thought a rarity,
Which Claus of Innsbruck cast in bronze for me!
UP AT A VILLA--DOWN IN THE CITY
(As DISTINGUISHED BY AN ITALIAN PERSON OF QUALITY)
Had I but plenty of money, money enough and to spare,
The house for me, no doubt, were a house in the city-square;
Ah, such a life, such a life, as one leads at the window there!
Something to see, by Bacchus, something to hear, at least!
There, the whole day long, one's life is a perfect feast;
While up at a villa one lives, I maintain it, no more than a beast.
Well, now, look at our villa! stuck like the horn of a bull
Just on a mountain edge as bare as the creature's skull,
Save a mere shag of a bush with hardly a leaf to pull!--
scratch my own, sometimes, to see if the hair's turned wool.
But the city, oh the city--the square with the houses! Why!
They are stone-faced, white as a curd; there's something to take the eye!
Houses in four straight lines, not a single front awry;
You watch who crosses and gossips, who saunters, who hurries by;
Green blinds, as a matter of course, to draw when the sun gets high;
And the shops with fanciful signs which are painted properly.
What of a villa? Though winter be over in March by rights,
'Tis May perhaps ere the snow shall have withered well off the heights;
You've the brown-plowed land before, where the oxen steam and wheeze,
And the hills over-smoked behind by the faint gray olive-trees.
Is it better in May, I ask you? You've summer all at once;
In a day he leaps complete with a few strong April suns.
'Mid the sharp short emerald wheat, scarce risen three fingers well,
The wild tulip, at end of its tube, blows out its great red bell
Like a thin clear bubble of blood, for the children to pick and sell.
Is it ever hot in the square? There's a fountain to spout and splash!
In the shade it sings and springs; in the shine such foam-bows flash
On the horses with curling fish-tails, that prance and paddle and pash
Round the lady atop in her conch--fifty gazers do not abash,
Though all that she wears is some weeds round her waist in a sort of sash.
All the year long at the villa, nothing to see though you linger,
Except yon cypress that points like death's lean lifted forefinger.
Some think fireflies pretty, when they mix i' the corn and mingle,
Or thrid the stinking hemp till the stalks of it seem a-tingle.
Late August or early September, the stunning cicala is shrill,
And the bees keep their tiresome whine round the resinous firs on the hill.
Enough of the seasons,--I spare you the months of the fever and chill.
Ere you open your eyes in the city, the blessèd church-bells begin;
No sooner the bells leave off than the diligence rattles in:
You get the pick of the news, and it costs you never a pin.
By and by there's the traveling doctor gives pills, lets blood, draws teeth,
Or the Pulcinella-trumpet breaks up the market beneath.
At the post-office such a scene picture--the new play, piping hot!
And a notice how, only this morning, three liberal thieves were shot.
Above it, behold the Archbishop's most fatherly of rebukes,
And beneath, with his crown and his lion, some little new law of the Duke's!
Or a sonnet with flowery marge, to the Reverend Don So-and-so
Who is Dante, Boccaccio, Petrarca, St. Jerome, and Cicero,
"And moreover" (the sonnet goes rhyming), "the skirts of St. Paul has reached,
Having preached us those six Lent-lectures more unctuous than ever he preached."
Noon strikes,--here sweeps the procession! our Lady borne smiling and smart,
With a pink gauze gown all spangles, and seven swords stuck in her heart!
Bang-whang-whang goes the drum, tootle-te-tootle the fife;
No keeping one's haunches still: it's the greatest pleasure in life.
But bless you, it's dear--it's dear! fowls, wine, at double the rate;
They have clapped a new tax upon salt, and what oil pays passing the gate
It's a horror to think of. And so, the villa for me, not the city!
Beggars can scarcely be choosers: but still--ah, the pity, the pity!
Look, two and two go the priests, then the monks with cowls and sandals,
And then penitents dressed in white shirts, a-holding the yellow candles;
One, he carries a flag up straight, and another a cross with handles,
And the Duke's guard brings up the rear, for the better prevention of scandals: