«Закат Европы: Форма и действительность»

on knowledge of thought, 299;

egoism, 310, 335;

esoteric, 327;

and compassion, 350, 362;

and ethics, 354, 355;

and materialism, 368;

on judgment, 393;

on force, 413

Карлштадт, Андреас Р., современники, табл. i

Karma, Buddhist interpretation, 357

Карнак, современники, табл. ii

Katharsis, Classical, 322, 347.

См. также Драма

Kelvin, Lord, and æther, 418

Kepler, Johan, mathematic and religion, 71, 330;

horoscope for Wallenstein, 147;

deeds of science, 355;

and mass, 415

Kirchhoff, Gustav R., on physics and motions, 388

Kishi, church architecture, 201n.

Kismet, 129, 307.

См. также Судьба

Klein, Felix, and groups, 90

Kleist, Heinrich B. W. von, as dramatist, 290

Kleisthenes of Sikyon, tyranny, 33

Knowledge, comparative forms, 59, 60;

virtue and power, 362;

and feeling, 365;

as naming of numina, 397

Kriemhild, and Helen, 268

Krishna worship, and sex, 136n.

Kwan-tsi, and actuality, 42

Lagrange, Comte, mathematic, 66, 78, 90;

on mechanics, 124;

and force, 417;

современники, табл. i

La Hale, Adam de, operetta, 229

Landscape, as Chinese prime symbol, 174, 190, 196, 203;

horizon in painting, 239;

Western gardening, 240;

Baroque, as portrait 270n., 287;

plein-air, 288, 289;

and dramatic scene, 326

Lanfranc, controversy, 185

Langton, Stephen, as warrior, 349n.

Language, of Culture, 55;

word and number, 57;

beginning of word-sense, 57;

paired root-words, 127;

personality-idea in Western, 262, 302, 309, 310, 413n.;

as cultural function, 302n.

См. также Имена; Письменность

Laocoön group, theatrical note, 291;

and Pre-Socratic philosophy, 305

Lao-tse, and imperialism, 37;

and actuality, 42.

Laplace, Marquis Pierre de, mathematic, 78, 90;

contemporaries, 112, table i;

and force, 413, 417

Lasso, Orlando, style, 230

Lateran Council, and Western Christianity, 247

Latin, as Stoic creation, 361

Lavoisier, Antoine L., chemistry, 384, 426

Law, and form, 97

League of Nations, Chinese ideas, 37

Learning, and intuition, 55, 56

Легенды, современники, табл. i

Legnano, battle, a symbol, 349

Leibl, Wilhelm, significance of colour, 252;

portraiture, 266;

and body, 271;

и грандиозный стиль, 289-291;

etching, 290;

striving, 292

Leibniz, Baron von, and actuality, 42;

mathematics, metaphysics, and religion, 56, 66, 70, 126, 366, 394;

relation to Classical mathematic, 69;

calculus, 75, 78, 82, 84, 90;

and vision, 105;

and Nicholas of Cusa, 236;

esoteric, 327;

and mystic philosophy, 365n.;

monads as quanta of action, 385;

Democritus as contemporary, 386;

and force, 413, 415-417;

современники, табл. i

Leipzig, battle, issue, 35

Lenbach, Franz von, copyist, 295

Le Nôtre, André, gardening, 240n., 241

Leo III, pope, and iconoclasm, 262

Leochares, contemporary mathematic, 90

Leonardo da Vinci, astronomical theory, 69;

spirituality, 128;

Dutch influence, 236;

and background, 237;

and impressionism, 239, 287;

and sculpture, 244;

colour, 246;

and body, 271;

and portrait, 272;

as dissatisfied thinker, 274;

открытие как основа искусства, 277-279;

and circulation of the blood, 278;

and aviation, 279;

западная душа и техническое ограничение, 279-281;

and dynamics, 414

Lessing, Gotthold E., world-conception, 20;

and cultural contrasts, 128;

and Aristotle’s philanthropy, 351;

and cult and dogma, 411

Lessing, Karl F., colour, 252

Leucippus, atoms, 135, 385, 386

Ли, современники, табл. iii

Licinian Laws, myth, 11

Life, and soul and world, 54;

duration, specific time-value, 108;

duration applied to Culture, 109;

Classical Culture and duration, 132;

and willing, 315.

См. также Смерть

Light and shadow, cultural art attitude, 242n., 283, 325n.

Light theories, electro-magnetic, 156n.;

Newton’s, and Goethe’s theory of colour, 157n., 158n.;

cultural basis, 381;

contradictory, 418

Limit, as a relation, 86

Linden, as symbol, 396

Лингам. См. Фаллос

Lingayats, sect, 136n.

Ling-yan-si, Saints, 260

Linois, Comte de, and India, 150n.

Lippi, Filippino, Dutch influence, 236

Liszt, Franz, Catholicism, 268n.;

современники, табл. ii

Литература. См. Искусство; Драма; История; Поэзия; писатели по именам, особенно Данте; Гёте; Ибсен

Livy, on strange gods, 405

Lochner, Stephen, God-feeling, 395

Locke, John, and imperialism, 150;

современники, табл. i

Loggia dei Lanzi, artistic sentiment, 272

Logarithms, liberation, 88

Logic, organic and inorganic, 3, 117;

of time and space, 7;

and mathematics, convergence, 57, 427;

and morale, 354.

См. также Причинность

Логики, современники, табл. i

Локаята, современники, табл. i

London, culture city, 33

Loredano, doge, portrait, 272

Lorentz, Hendrik A., and Relativity, 419

Lorenzo de’ Medici, and music, 230

Lotze, Rudolf H., ethics, 367

Louis XIV, uncleanliness, 260;

современники, табл. iii

Louisiana, Napoleon’s project, 150

Loyola, Ignatius, and style of the Church, 148;

architectural parallel, 314;

and Western morale, 348;

God-feeling, 394, 395;

and method, 412

Lucca, and Arabian Culture, 216

Lucian, and Philopatris dialogue, 404n.

Lucullus, L., army, 36

Ludovisi Villa, garden, 240

Lully, Raymond, music, 283

Luther, Martin, and “know”, 123;

and destiny, 141;

as epoch, 149;

and works, 316n.;

and Western morale, 348, 349, 355;

God-feeling, 394, 395;

современники, табл. i

Луксор, современники, табл. ii

Lycurgus, myth, 11

Lysander, deification, 405

Lysias, portrait, 270

Lysicrates, Monument of, acanthus motive, 215

Lysippus, contemporary mathematic, 90;

sculpture, 226, 260n.;

period, 284;

canon, 287;

straining, 291;

irreligion, 358;

современники, табл. ii

Lysistratus, and portraiture, 269

Machault, Guillaume de, and counterpoint, 229n.

Machiavellism, and mimicry, 371

Macpherson, James, autumnal accent, 241

Macrocosm, idea, 163-165;

cultural and intercultural, 165;

expression, 180;

и проблема стиля, 214-216.

См. также История; Морфология; Природа; Символизм; Мировоззрения

Maderna, Stefano, sculpture, 244;

God-feeling, 395

Madonna, in Western art, 136, 267, 280.

См. также Культ Марии; Материнство

Madrid, culture city, 32, 109

Madrigals, character, 229

Mæcenas, park, 34

Magdeburg Cathedral, Viking Gothic, 213

Magian soul, explained, 183. See also Arabian Culture

Magnetism, Cabeo’s theory, 414

Magnitude, emancipation of Western mathematic, 74-78;

and relations, 84, 86

Mahavansa, as historical work, 12

Mainz Cathedral, and styles, 205

Makart, Hans, copyist, 295

Malatestas, Hellenic sorriness, 273

Malthus, Thomas R., and Darwinism, 350, 369, 371

Manchester system, and Western Civilization, 151, 371;

and Darwinism, 369

Mandæans, as Arabian, 72;

music, 228;

современники, табл. i

Manet, Édouard, unpopularity, 35;

and body, 271;

landscapes, 288;

пленэрная живопись, 288-290;

weak style, 291;

striving, 292;

and Wagner, 292;

irreligion, 358

Mani, and mystic benefits, 344n.;

and Jesus, 347;

современники, табл. i

Manichæanism, as Arabian, 72;

architectural expression, 209, 211;

music, 228;

dualism, 306;

and home, 335

Mankind, as abstraction, 21, 46

Mantegna, Andrea, technique, 221, 239;

and colour, 242;

and portrait, 271;

and statics, 414

Marble, and later Western sculpture, 232, 276n.;

Greek use, 248n., 253;

Michelangelo’s attitude, 276.

См. также Камень

Marcellus II, pope, and Church music, 268n.

Marcion, and Jesus, 347;

современники, табл. i

Marcus Aurelius, and monotheistic tendency, 407

Marées, Hans, significance of colour, 252;

portraiture, 266, 271, 271n., 309;

and grand style, 289, 290;

striving, 292

Marenzio, Luca, music, 251

Marius, C., and economic motive, 36;

современники, табл. iii

Mars Ultor, temple, ornament, 215

Marseillaise, morale, 355

Marsyas, Myron’s, lack of depth, 226

Marwitz, Friedrich A. L. von der, and Hardenberg, 150n.

Marx, Karl, and practical philosophy, 45;

and earlier and final Socialism, 138;

and superficially incidental, 144;

character of Nihilism, 352, 357;

and Hegelianism, 367;

socio-economic ethics, 372, 373;

современники, табл. i

Mary-cult, as symbol, 136;

Madonna in Western art, 267, 280

Masaccio, and artistic change, 237, 279, 287

Mashetta, castle, façade, 215

Mask, and Classical drama, 316, 317n., 318, 323

ass, Western functional concept, 415;

effect of quantum theory, 419

Materialism, and Goethe’s living nature, 111n.;

Buddhism as, 356;

in Western ethics, 368;

and Socialism, 370

Mathematics, spatial concept, 6n., 7;

plurality, cultural basis, 15, 59-63, 67, 70, 101, 314;

position, 56;

and extension, 56;

and nature, 57;

wider-culture vision and analogy, 57, 58;

beginning of number-sense, 59;

as art, 61, 62, 70;

vision, 61;

of Classical Culture, positive, measurable numbers, 63-65, 69, 77;

and time and becoming, 64, 125, 126;

symbolism in Classical, 65-67, 70;

religious analogy, 66, 70, 394;

and empirical observation, 67;

характер арабской, 71-73;

primitive levels, 73;

западная и бесконечные функции, 74-76;

Western need of new notation, 76;

как выражение страха перед миром, 79-81;

and Western meaning of space, 81-84, 88;

and proportion and function, 84;

construction versus function, 85;

virtuosity, 85;

and physiognomic morphology, 85;

Western, and limit as a relation, 86;

Western abstraction, 86, 87;

Western conflict with perception limitations, 87, 170, 171;

culmination of Western, groups, 89, 90, 426;

paradigm of Classical and Western, 90;

and the how, what, and when, 126;

cultural relation to art, 129, 130;

Classical sculpture and Western music as, 284;

impressionism, 286;

vector and Baroque art, 311;

esoteric Western, 328;

and philosophy, 366;

replacement by economics, 367;

theory of aggregates, and logic, 426;

культурные современные эпохи, табл. i.

См. также Природа; Число; разделы по названиям

Материя. См. Тело; Естествознание

Страсти по Матфею. См. Шютц, Генрих

Maxwell-Hertz equations, 418

Культура майя. См. Мексиканская

Mayer, Julius Robert, and theory, 378;

and conservation of energy, 393, 412, 417

Mazarin, Jules, Cardinal, morale, 349

Mazdaism, as Arabian, 209;

architectural expression, 211;

and pneuma, 216;

music, 228;

современники, табл. i

Маздак, современники, табл. i

Meander, motive, 316, 345

Mechanics, and fourth dimension, 124.

См. также Движение; Естествознание

Mediæval History, as term, 16, 22

Medicis, Hellenic sorriness, 273

Megalopolitanism, and Civilization of a Culture, 32-35, 38;

and systematism, 102.

См. также Цивилизация

Melody, Classical and Western, 227

Memlinc, Hans, in Italy, 236;

and Renaissance, 274

Memory, conception, 103;

as organ of history, 132;

as term, 132

Mencius, practical philosophy, 45

Mendicant Orders, as exception, 348

Менес, современники, табл. iii

Menzel, Adolf F. E., and body, 271;

impressionism, 286;

and grand style, 290, 291

Меровингско-каролингская эпоха, современные эпохи искусства, табл. ii

Mesopotamia, synagogues, 210

Messenians, provided history, 11

Metaphysics, and scientific research, 154;

and symbolism, 163;

Western and pairs of concepts, 311;

basis of Classical, 311;

период в философии, 365-367.

См. также Этика; Философия.

Mexican (Maya) Culture, and historical scheme, 16, 18;

and time measurement, 134n.;

ornament, 196;

and tutelage, 213

Meyer, Eduard, on Spengler, x;

on Classical Culture and geography, 10n.

Meyerbeer, Giacomo, Rossini on Huguenots, 293

Michelangelo, liberation of architecture, beginning of Baroque, 87, 206, 225n., 313;

materiality, obsession by the architectural, 128;

St. Peter’s, 206, 238;

and passing of sculpture, 223, 244;

anticipations, 263;

and physiognomy of muscles, 264;

nude, and portrait, 272;

sonnets, 273;

as dissatisfied thinker, 274;

unsuccessful quest of the Classical, 275-277, 281;

and marble, 276;

architecture as final expression, 277;

and popularity, 327;

God-feeling, 395;

современники, табл. ii

Michelozzo, Bartolommeo di, and Classical, 415

Michelson, Albert A., experiments, 419

Среднее царство, современники, табл. i-iii

Milesians, physical theory, 386

Miletus, form-type of Didymæum, 204;

and Egypt, 225

Milinda, King, and Nagasena, 356

Military art, Western, 333n.

Mill, John Stuart, and economic ascendency, 367, 373

Millennianism, as Western phenomenon, 363, 423

Mineralogy, and geology, 96

Minerva Medica, Syrian workmen, 211

Мин-Чжу, современники, табл. iii

Мин-ди, современники, табл. iii

Minkowski, Hermann, imaginary time, 124n.;

and Relativity, 419

Minnesänger, rules, 193;

imitative music, 229

Mino da Fiesole, and portrait, 272

Minoan art, character, 198;

contemporaries, 241

Minstrels, imitative music, 229

Mirabeau, Comte de, and imperialism, 149;

современники, табл. iii

Miracles, cultural attitude toward, 392, 393

Missionarism, Stoic, 344n.;

and diatribe, 360

Mithraists, and pneuma, 216;

form-language of mithræa, 224;

music, 228;

cult in Rome, 406, 406n.

Mitylene, episode and Classical time-sense, 133n.

Moab, Castle of Mashetta, 215

Новая история как иррациональный термин, 16-18

Mörike, Eduard, poetry, 289

Мухаммед. См. Ислам

Moissac, church ornamentation, 199

Molière, tragic method, 318

Mommsen, Theodor, on Classical historians, 11;

narrow Classicalism, 28

Monasticism, and Western morale, 316n.;

order-movement, 343;

mendicant orders, 348

Money, Roman conception, 33;

как отличительный признак Цивилизации, 34-36

Monophysites, Islam as heir, 211;

as alchemistic problem, 383;

современники, табл. i

Monteverde, Claudio, music, 226, 230, 249, 283

Morale, plurality, cultural basis, no conversions, 315, 345-347;

Western, and activity, 315;

and analysis, 341;

Western moral imperative, 341, 342;

intellectual and unconscious concepts, 341n.;

Western purposeful motion, ethic of deed, 342-344, 347;

Western Christian, 344, 348;

and art, 344;

morphology, 346;

сострадание, культурные типы мужской добродетели, 347-351;

real and presumed, phrases and meanings, 348;

Classical, and happiness, 351;

instinctive and problematic, tragic and plebeian, 354, 355;

конечные феномены, культурная основа, 356-359;

Civilization and diatribe, 359, 360;

and diet, 361;

качества и цель Социализма, 361-364;

and cultural atomic theories, 386.

См. также Этика; Дух

Moravians, as exception, 348

Morphology, Spengler and historical, xi;

concept of historical, 5-8, 26, 39;

historical, and symbolism, 46;

historical, ignored, 47;

symmetry, 47;

historical and natural, 48;

historical, Western study of comparative, 50, 159;

comparative, knowledge forms, 60;

of mathematical operations, 85;

systematic and physiognomic, 100, 101, 121;

of world-history explained, 101;

of Cultures, 104;

historical homology, 111, 112;

element of causal and destiny, 121;

of morales, 346;

истории философии, 364-374;

of exact sciences, 425

Смертность. См. Смерть

Mosaic, as cultural expression, 214;

and Arabian gold background, 247;

eyes, 329;

современники, табл. ii

Mosque, architectural characteristics, 200, 210;

современники, табл. ii

Motherhood, cultural attitude, meaning, 136, 137;

and destiny, portraiture, 267

Mo-ti, practical philosophy, 45

Motion, and fourth dimension, 124;

Eleatic difficulty, 305n.;

and natural science, 377, 387-391.

См. также Естествознание

Motion pictures, and Western character, 322

Mozart, Wolfgang Amadeus, contemporary mathematic, 78, 90;

period, 108, 284;

orchestration, 231;

colour expression, 252n.;

ease, 292;

современники, табл. ii

Mummies, as symbol, 12, 13, 135

Murillo, Bartolomé, period, 283

Murtada, and will, 311

Museums, as historical symbols, 135;

change in meaning of word, 136

Music, thoroughbass and geometry, 61;

mathematical relation, 62, 63;

of Baroque period, 78;

and proportion and function, 84;

bodilessness of Western, development, 97, 177, 230, 231, 283;

history of instruments, 195;

Western church, as architectural ornament, 196, 199;

as art of form, 219, 221n.;

and allegory, 219n.;

as channel for imagination, 220;

Classical, 223, 227, 252n.;

form-ideal of Western, 225;

technical contrast of Classical and Western, 227n.;

word and organism, cultural basis, 227, 228;

Arabian, 228;

Chinese, 228;

imitation and ornament, 228;

ornamental and imitative Western, 229;

secularization, thoroughbass, 230;

of Renaissance, 234;

Flemish influence in Italy, 236;

and horizon in painting, 239;

pastoral, and gardening, 240;

esoteric Western, 243;

as Western prime phenomenon, 244, 281-284;

and Western painting, 250, 251;

instruments and colour expression, 252;

instrumental as historical expression, 255;

and uncleanliness, 260n.;

and portrait, 262, 266;

Catholic, 268n.;

Michelangelo’s tendency, 277;

Western, and Classical free sculpture, 283, 284;

climacteric instruments, 284;

and Rococo architecture, 285;

impressionism, 285, 286;

and later German school of painting, 289;

Wagner and death of Western, 291, 293;

his impressionism, 292;

and Western soul, 305;

and Western concept of God, 312;

and character, 314;

place of organ, 396;

Western contemporary natural science, 417;

современные культурные эпохи, табл. ii.

См. также Искусство

Muspilli, and Northern myths, 400, 423

Мутазилиты, современники, табл. i

Mycenæ, funeral customs, 135;

современники, табл. ii, iii

Mycerinus, dynasty, 58n.

Myron, sculpture as planar art, 225, 226, 283;

Discobolus, 263, 264

Mysteries, Classical, 320. See also Religion

Mysticism, art association, 229;

and dualism, 307;

cultural culmination, 365n.;

and concept of force, 391;

современники, табл. i

Myth, natural science as, 378, 387

Mythology, significance in Classical Culture, 10, 11, 13;

origin, 57.

См. также Религия

Nagasena, materialism, 356

Names, as overcoming fear, 123;

concretion of numina, 397

Napoleon I, analogies, 4, 5;

romantic, 38;

imperialism, 42, 149-151;

as destiny and epoch, 142, 144, 149;

egoism, 336;

morale, 349;

and toil for future, 363;

современники, табл. iii

Napoleonic Wars, and cultural rhythm, 110n.

Nardini, Pietro, orchestration, 231

Natural science, mechanics and motion, cultural basis of postulate, 377, 378;

факт и теория, культурные образы, 378-380;

Western, and depth-experience, tension, 380, 386, 387;

and religion, cultural basis, 380-382, 391, 411, 412, 416;

scientific period of a Culture, 381;

cultural relativity, 382;

культурные идеи природы и элементы, 382-384;

statics, chemistry, dynamics, cultural systems, 384;

культурные атомные теории, 384-387;

проблема мышления-движения, система и жизнь, 387-389;

mechanical and organic necessity, 391;

культурное отношение к механической необходимости, 392-394;

things and relations, 393;

conservation of energy and Western concept of experience, 393;

theory and religion, Western God-feeling, 395;

naming of notions, 397;

and atheism, 409;

западная догма неопределимой силы, происхождение, стадии, 412-417;

as to Western statics, 414, 415;

mass concept of Civilization, work-idea, 416, 417;

распад точного, противоречия, 417-420;

физиогномический эффект теории необратимости, 420-424;

effect of radioactivity, 423;

decay, 424;

морфология, конвергенция отдельных наук, 425-427;

anthropomorphic return, 427.

См. также Природа

Natural selection, and Western ethics, Superman, 371. See also Darwinism

Naturalism, antiquity, 33, 207, 288;

in art, 192

Nature, contrast of historical morphology, 5, 7, 8;

definite sense, and history, 55, 57, 94-98, 102, 103;

and learning, 56;

mathematics as expression, 57;

as late world-form, 98;

mechanistic world-conception, 99, 100;

systematic morphology, 100;

and causality and destiny, 119, 121, 142;

cultural viewpoints, 131, 263;

timelessness, 142, 158;

historical overlapping, living harmonies, 153, 154, 158;

and intellect, 157;

personal connotations, 169;

soul as counter-world, 301;

and reason, 308.

См. также Причинность; История; Математика; Естествознание; Пространство; Дух

Naucratis, and Miletus, 225n.

Naumann, Johann C., architecture, 285

Nazzâm, on body, 248;

современники, табл. i

Necessity, mechanical and organic, 391

Nemesis, character of Classical, 129, 320. See also Destiny

Neo-Platonists, as Arabian, 72;

and pneuma, 216;

and body, 248;

dualism, 306;

unimposed mystic benefits, 344n.

Neo-Pythagoreans, and body, 248;

and mechanical necessity, 393

Nerva, forum, 198, 215

Nestorianism, and art, 209, 211;

music, 228;

and home, 334;

as alchemistic problem, 383;

современники, табл. i

Neumann, Karl J., on Roman myths, 11

New York City, and megalopolitanism, 33

Newton, Sir Isaac, and “fluxions”, 15n.;

artist-nature, 61;

mathematic and religion, 70, 396, 412;

mathematical discoveries, 75, 78, 90;

and time and space, 124, 126;

light theory, and Goethe’s theory, 157n., 158n., 422;

dynamic world-picture, 311;

deeds of science, 355;

and motion-problem, 390, 391;

and metaphysics, 366;

and force and mass, 415, 417;

современники, табл. i

Nibelungenlied, and Homer, 27;

esoteric, 328;

и западное христианство, 400-402

Nicæa, Council of, and Godhead, 249

Nicephorus Phocas, and Philopatris dialogue, 404n.

Nicholas of Cusa, astronomical theory, 69;

religion and mathematic, 70;

musical association, 236;

современники, табл. i

Nicholas of Oresme, and beginning of Western mathematic, 73, 74, 279;

art association, 229;

Occamist, 381

Niese, Benedictus, on Roman myths, 11

Nietzsche, Friedrich Wilhelm, influence on Spengler, xiv, 49n.;

provincialism, 24;

Classical ideology, 28, 28n.;

on city life, 30;

unpopularity, 35;

practical philosophy, 45;

and historical unity, 48;

and detachment, 93;

and Wagner, 111, 291, 370;

on history and definition, 158;

on art witnesses, 191;

autumnal accent, 241;

on Greeks and colour, 245;

on “brown” music, 252;

on Greeks and body, 260;

will and reason, 308;

and morale, 315, 342, 346;

and home, 335;

actuality of “Mann”, 347, 350;

and Civilization, 352;

character of Nihilism, 357;

and diet, 361;

nebulous aim, 363, 364;

and mystic philosophy, 365n.;

and mathematics, 366;

ethics and metaphysics, 367;

materialism, 368;

и эволюция, и Социализм, 370-372;

position in Western ethics, 373, 374;

on pathos of distance, 386;

dynamic atheism, 409;

современники, табл. i

Niflheim, lack of materiality, 403

Nihilism, and finale of a Culture, 352;

cultural manifestations, 357

Nirvana, ahistoric expression, 11, 133;

and zero, 178;

conception, 347, 357, 361.

См. также Буддизм

Nisibis, and Arabian art, 209

Northmen, discoveries, 330

Norwich Cathedral, simplicity, 196

Notre-Dame, Madonna of the St. Anne, 263

Nude, in Classical art, necessity, 130, 260-262, 317;

cultural basis of feeling, 216, 270, 272;

as element of Classical Culture only, 225

Nürnberg, loss of prestige, 33;

church statuary, 103;

church and styles, 205;

as religious, 358

Numa, cult, 185;

современники, табл. i

Number, chronological and mathematical, 6, 7, 70, 97;

defined, 67;

numbers and mortality, 70;

Arabian indeterminate, 72;

Western Culture and functional, 74, 75, 90;

Western attitude and notation, 76, 332n.;

symbolism, 82, 165;

astronomical, 83, 332n.;

cultural attitudes, 88;

and the become, 95;

and numbering, 125;

Indian conception, 178;

functional, and causality, 393.

См. также Математика

Numina, naming, 397. See also Religion

Ньяя, современники, табл. i

Oak, as symbol, 396

Occamists, physical theory, 381, 389

Odo, Bishop, as warrior, 349n.

Odysseus, as enduring, 203

Okeghem, Joannes, music, 130;

and popularity, 243

Oken, Lorenz, and dualism, 307

Old Kingdom, and care, 137;

современники, табл. ii, iii

Old Nordic art, as Arabian, 215

Oldach, Julius, act and portrait, 271n.

Omar, Mosque of, characteristics, 200n.

Ommayad period, homology, 111

Opera, and orchestra, 230

Oracle, Classical, 147

Oratorio, and orchestra, 230

Orchomenos, funeral customs, 135

Oreads, passivity, 336

Орем. См. Николай Орем

Organ, and Western devotions, 396

Origen, and dualism, 306;

morale, 348;

современники, табл. i

Ormuzd, Persian God, 312

Ornament, qualities and aim, 191-194;

противодействие имитации, 194-196;

building and its symbolic decoration, 196;

pictorial period, 197;

and Civilization, 197, 294;

in music, 228, 230, 231;

Renaissance, 233n., 238.

См. также Декорация; Имитация

Orpheus, cult, 185;

as Christian title, 408n.;

современники дисциплины и движения, табл. i

Otto the Great, egoism, 336

Owen, Sir Richard, and morphology, 111

Pachelbel, Johann, organ works, 220

Pacher, Michael, colour, 250

Paderborn Cathedral, simplicity, 196

Pæonius, Nike, 263;

period, 284

Pæstum, temple, 224, 235

Paewati worshippers, sect, 136n.

Painting, perspective and geometry, 61;

allegorical, 219n.;

and form-ideal of Classical sculpture and Western music, 226, 232;

word and organism, 227;

Flemish influence in Italy, 236;

Renaissance fresco to Venetian oil, line to space, 237, 279-281;

development of background in Western, 239;

form and content, outline and colour, 242;

cultural expression and popularity, 243;

oil, as Western prime phenomenon, period, 244, 281-283;

классические и западные цвета, 245-247;

outdoor and indoor, 247;

symbolism in brushwork, 249;

of Western Civilization, 251;

Baroque portraits, 265;

and destiny of Western art, 276n.;

Леонардо и открытие, духовное пространство, 277-280;

Western studio-brown, pictorial chromatics, 250, 288;

Classical limitation, 283, 287;

полное значение импрессионизма, 285-287;

19th Century episode, plein-air, 288;

German school and grand style, 289;

Baroque and concept of vector, 311;

and time of day, 325;

Western, and spectator, 329;

Western, and contemporary natural science, 417;

современные культурные эпохи, табл. ii.

См. также Искусство; Портретная живопись

Palazzo Farnese, style, 205;

Michelangelo’s cornice, 275

Palazzo Strozzi, style, 234;

and artistic sentiment, 272

Palermo, and Arabian Culture, 211, 216

Palestrina, Giovanni da, style, 220, 230, 323;

and popularity, 243;

Michelangelo’s heir, 274, 277;

God-feeling, 395

Palladio, Andrea, style, 30, 414

Palma, Jacopo, colour, 252

Palmyra, basilica, 209n.;

Baal, 407

Pan, idea, 403

Panama Canal, Goethe’s prophecy, 42

“Panem et circenses”, as symbol, 362

Pantheon, as mosque, 72, 211

Paolo Veronese, clouds, 240;

colour, 252

Папство, современники, табл. iii

Paracelsus, Philippus, and chemistry, 384

Parallel axiom, 83, 88, 176n.

Paris, and Athens, 27;

culture city, 33;

autumnal city, 79;

Flemish influence, 236n.;

as irreligious, 358

Paris, Peace of (1763), and imperialism, 150

Парк. См. Садоводство

Parmenides, civic world-outlook, 33;

thinking and being, 387

Parthenon, Three Fates as type, 268;

horse’s head, Rubens contrast, 271;

popularity, 327

Pascal, Blaise, and actuality, 42;

faith and experience, 66, 394;

mathematic, and Archimedes, 69, 75, 90, 126;

and predestination, 141;

and Jansenists, 314n.;

and Western morale, 348;

современники, табл. i

Passion, in Christian cult, 320n.

Passivity, as Classical trait, 315, 320;

and pathos, 320n.

Past, and passing, 166

Pastels, and music, 232

Paterculus, C. Velleius, view of art, 205

Путь. См. Дорога

Pathos, and passion, 320n.

Patina, symbolism, 253

Патриотизм, культурное понятие, 334-337

Патристическая литература, современники, табл. i

Paul, Saint, and world-history, 18n.;

and dualism, 306;

and will, 344;

and diatribe, 360;

error on “Unknown God”, 404

Paulicians, and art, 209, 211;

iconoclasm, 262;

современники, табл. i

Paulinzella Monastery, simplicity, 196;

and antique, 275n.

Pausanias, culture, 254n.;

on altars to unknown gods, 404n.

Pazzi, chapel, 313

Peace, Classical and Western conception, 275n.

Peasant, as Culture relic, 354

Peloponnesian War, as epoch, 149

Пепи. См. Фиопс

Perception, and “alien”, 53;

западная трансцендентность, 87-89;

space and time as forms, 169-171, 173

Percival, archetype, 402

Pergamene art, modernity, 111;

composition, 244, 260;

gigantomachia, 291, 352;

actuality, 364;

современники, табл. ii

Pericles, homology, 111;

portrait, 130n., 269;

and economic organization, 138;

morale, 349

Перипат, современники, табл. i

Persians, architectural expression, 209;

and home, 335;

современные периоды искусства, табл. ii.

См. также Арабская Культура

Perspective, Classical attitude, 109;

западная живопись и садоводство, 240-242;

as soul-expression, 310n.;

Western, and astronomy, 330

Perugino, technique, 249;

and portraiture, 272;

and artistic change, 279;

simplicity, 280

Pessimism, and Spengler’s theories, xiv, 40

Peter the Great, and Europe, 16n.

Peterborough Cathedral, simplicity, 196

Petra, Baal, 407

Petrarch, Francesco, analogy, 4;

historic consciousness, 14;

narrow Classicalism, 29, 275

Petrinism, Tolstoi’s connection, 309

Phallus, as symbol, cult, 136, 267, 320

Phidias, contemporary mathematic, 78, 90;

and portraiture, 130n.;

and soulless body, 225, 267;

popularity, 243;

and self-criticism, 264;

and marble, 276;

and Handel, 284;

period, 284;

as religious, 358;

современники, табл. ii

Philanthropy, Aristotle’s, 351

Philippe de Vitry, and counterpoint, 229n.

Philo, and body, 248;

and Jesus, 347

Philopatris dialogue, source, 404n.

Philosopher’s Stone, as symbol, 248, 307

Philosophy, truth and individual attitude, xv;

natural and historical, 7, 8;

anonymous Indian, 12;

provincialism, 22, 23;

epochal limitations, cultural boundaries, 41, 46, 364, 367;

проверка ценности, актуальность, 41-43;

современная западная и культурная судьба, 43-45;

development of Western practical, 45;

scepticism as final Western, 45, 374;

of becoming and become, 49n.;

and mathematics, 56, 64, 366;

Kant’s postulates, 59;

comparative forms of knowledge, 60;

and names, 123;

scientific, of time, 124;

tabulation of categories, 125;

and death, 166;

Western art association, 229;

of Culture and Civilization, 354, 355;

cultural questions, early posing, 364;

course within each Culture, 364;

метафизические и этические периоды, 365-367.

См. также Этика; Метафизика; Дух

Phiops, Western contemporary, 202n.;

statue, 265

Phlogiston theory, Stahl’s, 384

Phœnicians, and discovery, 65, 333

Phrynichus, fine, 321

Physics, cautious hypotheses, 156;

Jesuits and theoretical, 314n.;

and popularity, cultural basis, 327, 328.

См. также Естествознание

Физиогномика. См. Судьба; Портретная живопись

Picturesqueness, and historical expression, 255

Пьеро делла Франческа. См. Франческа

Pigalle, Jean B., sculpture, 244

Pindar, as religious, 358

Pine, as symbol, 396

Пьомбо, Себастьяно дель. См. Себастьяно

Piræus, and unknown gods, 404

Пизано, Джованни. См. Джованни

Pisistratidæ, as period of fulfilment, 107

Planck, Max, atomic theory, 385, 419

Plane, significance in Egyptian architecture, 189

Пластика. См. Скульптура

Plato, ahistoric consciousness, 9, 14;

and clepsydra, 15;

provincialism, 22;

and actuality, 42;

philosopher of the becoming, 49n.;

metaphysics and mathematics, 56, 67, 69, 71, 84, 90, 366;

and the irrational, 66;

and Goethe’s “mothers”, 70;

and mechanistic world-conception, 99;

foreshadowing by, 111;

and the Almighty, 124;

Kant on, 125;

as Aristotle’s opposite, 159;

anamnesis, 174;

и идолопоклонство, 268 прим.;

on soul, 304, 305;

and ego, 311;

and ethics, 354;

and mystic philosophy, 365n.;

and science and religion, 394;

современники, табл. i

Plein-air, as Civilization painting, 252;

characterized, 288

Pliny, on Mesopotamian temples, 210n.;

on Lysistratus, 269;

on Lysippus, 287;

as collector, 425

Plotinus, world, 56;

and philosophical transition, 72;

and vision, 96;

homology, 111;

and body, 248;

and dualism, 306;

and Jesus, 347;

and Arabian Culture, 383;

and mechanical necessity, 393;

современники, табл. i

Plutarch, as biographer, 14, 316;

and dualism, 306

Pneuma, as Arabian principle, 216, 329;

and eyes in Arabian art, 329.

См. также Дуализм

Pöppelmann, Daniel, architecture, 285

Poetry, infinite space in Western, 185;

Western, as confession, 264, 273;

Western and Classical lyric, 286, 324.

См. также Драма; Литература

Poincaré, Henri, on mathematical vision, 61n.

Point, and Western geometry, 74, 82, 89

Point de vue, in Rococo parks, 240

Polar discovery, as symbol, 335

Polis, as Classical symbol, 83, 147, 334

Polish, as symbol in art, 248n.

Politics, inadequate basis for historical deductions, 46;

under Classical Culture, 83, 147, 334;

meaning of the state, 137;

spatial aspect of Western, 198;

origin of Arabian state, 212;

Renaissance attitude, 273;

культурная концепция, 334-337;

and atomic theories, 386;

современные культурные эпохи, табл. iii.

См. также Империализм; Философия; Социализм

Pollaiuolo, Antonio, Dutch influence, 236;

goldsmith, 237

Polybius, ahistoric consciousness, 10

Polycletus, contemporary Western music, 27,112, 177, 284;

contemporary mathematic, 78;

sculpture, canon, 177, 225, 226, 231, 260n., 283, 284;

present-day appeal, 255;

and self-criticism, 264;

and statue of Augustus, 295;

and fresco, 321

Поликрат, современники, табл. iii

Polygnotus, contemporaries, 112, table ii;

frescoes, background, colour, 147, 183, 221, 243, 245, 283, 330

Pombaditha, academy, 381

Pompeii, wall-paintings, 287

Pompey the Great, army, 36

Pope, Alexander, type, 254

Popularity, cultural basis, 85, 243, 326-328, 362;

in colour, 246

Porcelain, and Western music, 231

Porphyry, and “antique”, 20n.;

academy, 281

Port Royal, contemporaries, table i.

См. также Янсенизм

Порта, Баччо делла. См. Бартоломео

Порта, Джакомо делла. См. Джакомо

Portinari altar, 236

Portraiture, and biography, 12;

character of Classical, nude sculpture, 13, 260, 261, 264, 265, 269, 272;

cultural basis and expression, character and attitude, 101, 104, 216, 260, 317;

portrait as Western expression, 130, 261-266;

and Arabian Culture, 223;

and Gothic, 261, 266;

and confession, 264;

contrast of act and portrait, 262, 266, 270, 271;

depth-experience, impressionism, 266, 287;

детские и групповые портреты, материнство, 266-268;

Возрождение, 271-273;

Leonardo’s relation, 281;

landscape as, 270n., 287;

Roman statues, 295;

and will, 309;

American, as irreligious, 358n.

См. также Душа

Portuguese, and discovery, 333

Poseidon, temple of, as model, 224

Posidonius, and dualism, 306;

as collector, 425

Potsdam, architecture, 207

Poussin, Nicolas, musical analogy, 220;

colour, 246;

period, 283

Prag, loss of prestige, 33

Praxiteles, contemporary mathematic, 90;

sculpture, 226, 270;

Hermes, 264;

and womanhood, 268;

and Haydn, 284;

period, 284;

ease, 291

Предопределение. См. Судьба

Present, and becoming, 54;

significance in Classical Culture, 63, 65-67

Pre-Socratics, philosophy, 41, 175, 305;

and mathematics, 366;

современники, табл. i

Prime phenomena, Goethe’s living nature, vii, 95, 96, 105, 111n., 113, 140, 154, 389;

in history, 105;

and destiny, 121;

of Western Culture, 244.

См. также Символы

Principle, and causality, 121

Proclus, and Jesus, 347

Procopius, courtier, 207

Progress, as phenomenon of Civilization, 352, 361

Prohibition, and Civilization, 361

Proper, and alien, 53

Proportion, and function, 84

Propylæa, popularity, 327

Protagoras, conception of man, 311, 392;

popularity, 327;

and Classical morale, 351;

and Stoicism, 356;

problem, 365;

condemnation, 411

Protestantism, colour symbolism, 250;

of etching, 290;

and works, 316n.;

as symbol, 343.

См. также Реформация.

Proud’hon, Pierre Joseph, position in Western ethics, 373

Providence, and destiny, 141

Provinces, defined, 33

Провинциализм, философский и исторический, 22-25

Prussia, great periods, 36;

English basis of reorganization, 150n.

Psalmody, Jewish, 228

Pseudomorphosis, Late-Classical style, 209-212, 214;

and image, 216;

music, 228

Психологи, период, современники, табл. i

Psychology, “scientific”, and soul, 299-303, 313;

as counter-physics, 301;

and will and soma, 319

Ptolemy II Philadelphus, and ruler-cult, 405

Ptolemy, L. Claudius, relation of Copernicus, 139n.;

as copyist, 425

Puget, Pierre, sculpture, 244

Punic Wars, as classic, 36;

and cultural rhythm, 110n.;

homology, 111;

intensity, 333

Purcell, Henry, pictorial music, 283

Pure reason, and destiny, 120

Puritanism, as common cultural feature, 112;

and destiny, 141;

and imperialism, 148;

культурные современные эпохи, табл. i

Putto, as art motive, 266

Puvis de Chavannes, Pierre, and religious painting, 288n.

Pygmalion and Galatea, and marble, 276

Pyramids, period, 58n., 203

Пиррон, современники, табл. i

Pyrrhus, Roman war, 36

Pythagoras and Pythagoreans, analogy, 39;

and actuality, 42;

mathematical vision, 57, 58;

and Classical mathematic, 61, 62, 64;

new number, and fate, 65n., 82, 90;

mathematic and religion, 70, 394;

contemporaries, 112, table i;

and Copernicus, 330;

and mystic philosophy, 365n.;

and metaphysics, 366

Quadratures, and Archimedes’ method, 69

Quantum theory, effect, 419

Quattrocento, and Gothic, 221.

См. также Возрождение

Кверча, Якопо делла. См. Якопо

Quesnay, François, economic theory, 417

Race-suicide, as phenomenon of Civilization, 359

Radioactivity, effect on natural science, 423

Ragnarök, Muspilli as contemporary, 400;

and world’s end, 400

Rameses II, analogy, 39;

and artistic impotence, 44, 294;

современники, табл. iii

Ranke, Leopold von, and analogy, 4, 5;

and historical tact, 22;

on historical vision, 96

Raphael Sanzio, Madonnas, 136, 268, 280;

technique, 221, 278;

and Titian, 227;

and background, 237;

popularity, 243;

colour, 245;

and confession, 264;

and portrait, 272;

as dissatisfied thinker, 274;

and fresco and oil, line and space, 279, 280

Раскольников. См. Достоевский

Rationalism, and chance, 142n.;

современники английского, табл. i

Ravenna, and Arabian Culture, 206, 211, 216, 235;

mosaics, 221, 247, 329

Rayski, Louis F. von, art and portrait, 271n.

Reason, and will, 308

Red, symbolism, 246

Reformation, conflicts in Germany, 33;

and Dionysiac movement, 111;

as common cultural epoch, 112;

class-opposition to Renaissance, 229;

современники, табл. i

Reims Cathedral, 224;

statuary, 267

Relations, and magnitudes, 84, 86

Relativity theory, and time, 124n.;

effect on natural science, 419;

domain, 426

Relief, Egyptian, 189, 202;

and Classical round sculpture, 225.

См. также Скульптура

Religion, reality of Classical, 10, 11, 13;

relation of clock and bell, 15n., 134n.;

and number, 56;

mathematical cultural analogy, 66, 70;

stage in a Culture, 108, 399-402;

second period, sequel to Civilization, 108, 424-428;

Western, and “memory”, 132n.;

and death, 166;

birth of Western soul, 167;

and early art periods, 185;

cultural expression, 185-188, 399, 401;

Egyptian, 188;

Chinese, 190;

and imitation, 191;

architecture as ornament, 195;

Russian, 201n.;

Arabian architecture, 208;

Classical, and art, 268;

and plein-air painting, 288n.;

revelation and dualism, 307;

cultural soul-elements, and deities, 312;

and Classical drama, 320;

and astronomy, 330;

relation to Civilization, 358;

and hygiene, 361;

and philosophy, 365;

and natural science, 380-382, 391, 411, 416;

Western experience and faith, 394;

varieties, 394;

and theory, 395;

God-feelings, 395;

переживание глубины в западной, собор, орган, 395-397;

naming of numina, 397;

Classical bodied pantheon, 398, 402;

Western deity as force, unitary-space symbol, 398, 403, 413;

of primitive folk, 399;

элементы западной, 399-401;

Classical, and strange gods, 404;

поздняя классическая, дислокация и монотеизм, арабское преобладание, 406-408;

cult of deified men, 405, 407, 411;

атеизм как феномен, 408-411;

cult and dogma, cultural attitude, 410, 411;

современные культурные эпохи, табл. i.

См. также Смерть; Душа; Дух; вероисповедания и секты по названиям

Rembrandt, portraiture, and confession, 101, 103, 130, 140, 264, 266, 269, 281, 300;

contemporaries, 112, table ii;

inwardness, colour, 183, 251-253;

etchings, nights, 187, 246, 290;

musical counterpart, 220;

and horizon, 239;

esoteric, 243;

depth, 244;

and body, 271;

period, 283;

impressionism, 287, 288;

and psychology, 319

Renaissance, contemporaries, 27, table ii;

mathematic, 71;

relation to Classical, as revolt, illusion, 28n., 132n., 232-234, 237, 238, 252, 266, 272-274, 279, 323;

homology, 111;

and beautiful, 194;

and Western style, 202, 205, 206, 221, 223, 225, 244;

and Arabian and Gothic, 212, 234-238;

and polychrome sculpture, 226;

class-opposition to Reformation, 229;

ornament, 233n., 238;

façades and courtyards, 235;

arch and column, 236;

park, 241;

and popularity, 243, 328;

and patina, 253;

and child-figures, 266;

и портрет, 271-273;

and spiritual development, 273;

leaders as dissatisfied thinkers, 274, 281;

Michelangelo, 275-277, 281;

Raphael, 279, 280;

Леонардо, 277-281;

and background, 237;

and statics, 414

Renoir, Pierre A., striving, 292

Resaïna, academy, 381

Research, and vision, 95, 96, 102, 105, 142;

historical and scientific data, 154;

metaphysical, 163

Restorations, Western attitude toward, 254

Resurrection, change in meaning, 135n.

Rhine River, as historic, 254n.

Rhodes, Cecil, analogy, 4;

and imperialism, 37, 38;

morale, 349, 351

Rhodes, as “Venice of Antiquity”, 49;

and Helios, 402

Richelieu, Cardinal, morale, 349;

современники, табл. iii

Riegl, Alois, on Arabian art, 208, 215

Riemann, Georg F. B., artist-nature, 61;

relation to Archimedes, 69;

religion and mathematic, 70;

notation, 77;

and boundlessness, 88;

mathematical position, 90;

goal of analysis, 418;

современники, табл. i

Riemenschneider, Tilmann, and portraiture, 270

Robespierre, Maximilien, adventurer, 149;

современники, табл. iii

Rococo, as stage of style, 202;

architecture and music, 231, 232, 285;

parks, 240;

современники, табл. ii.

См. также Барокко

Rodin, Auguste, sculpture as painting, 244, 245

Rogier van der Weyden, in Italy, 236

Roman Catholicism, colour symbolism, 247-249;

and music, 268n.;

monasticism, 316n., 343, 348;

esoteric dogma, 328;

prelates and manly virtue, 349.

См. также Христианство; Иезуитизм

Roman law, and cultural-language, 310n.

Romanesque, simplicity, 196;

as stage of style, 201, 202;

and Classical, 275n.

Romanticism, defined, 197;

and mysticism, 365n.;

and mathematics, 366

Rome, city, megalopolitanism, 32, 34

Rome, empire, and Classical Culture, 8;

imperialism, 36-38, 336;

and Arabian Culture, 72, 207, 208;

army and citizenship, 325;

emperor-worship, 405, 407, 411;

and toleration, 411.

См. также Классическая Культура

Rondanini Madonna, as music, 277

Rondeau, origin, 229

Roof, as Arabian expression, 210

Rore, Cyprian de, in Italy, 236;

music, 251, 252

Rossellino, Antonio, and portrait, 272

Rossini, Gioachino, Catholicism, 268n.;

on Meyerbeer, 293

Rottmann, Karl, and grand style, 289

Rousseau, Jean Jacques, and naturalism, 33, 207, 288;

and superficially incidental, 144;

and imperialism, 149, 150;

autumnal accent, 207;

and Civilization, 352;

contemporaries, 353n., table i;

and compassion, 362;

and Darwinism, 369;

intellect and wisdomwisdom, 409

Rubens, Peter Paul, colour, 253;

and body, 270, 271n., 278;

and dynamics, 414

Ruins, as Western expression, 254

Ruler-cult, 405, 411

Runge, Otto P., and grand style, 289

Russia, and the West, 16n.;

stage of art, 201;

architecture, 211;

ignored art, 223;

will-less soul, 309;

culture and charity, 350

Rutherford, Sir Ernest, atoms as quanta of action, 385, 419

Ruysdael, Jakob, colour, 246;

period, 283

Sabæans, and early Christian designs, 22n., 209n.;

temple-form, 210n.;

art, 223;

современники искусства, табл. ii

Sahu-rê, pyramid, 203

St. Denis, royal tombs, 261, 264

St. Lorenz Church, Nürnberg, and styles, 205

St. Mark, Venice, origins, 211

St. Patroclus, Soest, arcade-porch, 205

St. Paul without the Walls, as Pseudomorphic, 210, 210n.

St. Peter’s, Rome, as Baroque, 206, 238

St Pierre et St Paul, Moissac, ornamentation, 199

St. Priscilla, catacombs, paintings, 137

St. Vitale, Ravenna, characteristics, 200

Sainte-Chapelle, Paris, boundlessness, 199

Saints, contemporary legends, 400, table i

Saivas, Lingayats, 136n.

Saktas, 136n.

Salamanca, loss of prestige, 33

Salvation Army, as exception, 348

Самарра, современники, табл. ii

Samnites, Roman war as classic, 36, 151n.

Samos, Hera of Cheramues, 225n.

Sangallo, Antonio da, Palazzo Farnese façade, 275

Sankhya, and Buddhism, 353n., 356;

современники, табл. i

Sant’ Andrea, Pistora, Pisano’s Sibyls, 263

Santa Maria Novella, Florence, style, 234;

Flemish paintings, 236

Sassanids, and Arabian state, 212;

искусство, 223;

music, 228

Satyrs, materiality, 403

Savonarola, Girolamo, and art tendencies, 233;

and Renaissance, 328;

and Western morale, 348;

современники, табл. i

Scarlatti, Alessandro, character of arias, 219n.

Scene, dramatic, cultural basis, 325

Scepticism, as last stage of Western philosophy, 45, 374

Scharnhorst, Gerhard von, army reforms, 150n.

Schelling, Friedrich von, and dualism, 307;

esoteric, 369;

современники, табл. i

Schiller, Johann C. F., tragic form, 147;

banality, 155

Schirazi, and dualism, 307

Schlüter, Andreas, architecture, 244, 245, 285

Schöngauer, Martin, colour, 250

Scholasticism, art association, 229;

will and reason, 305;

and dualism, 307;

cultural culmination, 365n.;

современники, табл. i

Schopenhauer, Arthur, and history, 7, 29, 97n.;

provincialism, 23, 24;

practical philosophy, 45, 368;

and mathematics, 67, 125, 366;

will, and reason, 308, 342;

and Civilization, 352;

and ethics, 354, 373;

pessimism and system, 366, 370;

and critique of society, 367;

and Darwinism, 369, 372, 373;

современники, табл. i

Шрётер, Манфред, о критике Шпенглера, x

Schütz, Heinrich, Matthew Passion, 199, 244;

and imagination, 220;

pictorial music, 283;

God-feeling, 395

Science, of history, 153, 154;

esoteric Western, 328.

См. также Искусство; Математика; Естествознание; Природа

Scipio, P. Cornelius, and economic organization, 138;

современники, табл. iii

Scopas, and self-criticism, 264;

and body, 270;

period, 284

Scott, Sir Walter, as historian, 96

Scrope, Richard, as warrior, 349n.

Sculpture, and proportion and function, 84;

Classical, as become, 97;

cultural basis, 216, 225;

form-ideal of Classical, picture-origin, 225;

polychrome, 226;

music-origin of Rococo, 231;

Gothic, 231, 261;

use of marble, 232, 249n., 253, 276;

Renaissance, 235, 237, 238, 253;

position in Western Culture, 244;

Egyptian, polish, 248n., 266;

bronze, 253, 276;

Classical expression of body as soul, 260, 261, 305;

Michelangelo’s attitude, 275-277, 281;

free Classical, and Western music, 283, 284;

Classical, and time of day, 325;

Classical, and spectator, 329;

современные культурные периоды, табл. ii.

См. также Искусство; Портретная живопись

Sebastiano del Piombo, and Raphael, 272

Second religiousness, period in a Culture, xi, 108, 424-428;

of Rome, 306

Selene, as goddess, 147n., 402

Seleucus, astronomical theory, 68

сельджукское искусство, современники, табл. ii

Semper, Gottfried, on style, 221

Seneca, L. Annæus, Stoicism and income, 33;

and Baroque drama, 317

Sentinum, battle, 151

Septimius Severus, favourite god, 406

Serapis, cult, 406

Serenus, as Arabian thinker, 63

Servius Tullius, myth, 11

Sesostris, court, 81;

as name, 206;

autumn of Culture, 207

Сети I, современники, табл. iii

Sèvres ware, and Wedgwood, 150n.

Sex, naturalism, 24, 33, 207, 288;

problem of Civilization, 35;

cultural attitude, 136;

historical aspects, 137

Sforzas, Hellenic sorriness, 273

Shaftesbury, Earl of, and imperialism, 150

Shakespeare, William, tragic form and method, vision, 129, 130, 141n., 142, 143, 220, 319;

Bacon controversy, 135n.;

and motive, 156;

as dramatist of the incidental, 142, 146;

and historical material, 255;

and Classical drama, 323;

and time of day, 324;

scenes, 325;

God-feeling, 330, 395;

ethical passion, 347, 355;

and evolution, 370

период Шан, современники, табл. iii

Shaw, George Bernard, sex problem, 35;

and history, 255n.;

and morale, 346, 368, 369, 373, 374;

superman, 350;

and diet, 361;

on Schopenhauer, 367;

and Socialism and Darwinism, 371, 372

Shih-huang-ti, career, 112n.

Shiva, cult, 136n.

Short story, Western, 318n.

Siegfried, archtype, 402;

современники, табл. i

Siena, and counter-Renaissance, 234;

school, 268

Signorelli, Luca de’, and Classicism, 221;

and body and colour, 239, 242, 278;

act and portrait, 270, 271;

and statics, 414

Sikyon, Adrastos cult, 33n.

Silesian wars, and cultural rhythm, 110n.

Simone Martini, and Gothic, 235

Sistine Chapel, Michelangelo’s frescos, 263, 275, 395

Sistine Madonna, 268, 280

Шесть классических систем, современники, табл. i

Skyscraper, and gigantomachia, 291

Sluter, Klaus, sculpture, 263

Smith, Adam, economic theory, 417

Soaring, as Western term, 397

Socialism, and Civilization, 32;

and Darwinism, 35, 370-372;

and economic motives, 36, 355;

and imperialism, 37;

Frederick William I’s practice, 138;

ethical, defined, esoteric, 328n., 342, 347, 351, 355, 374;

scientific basis of ideas, 353;

as end-phenomenon, 356, 357;

and contemporaries, immaturity, 357, 358, 361;

irreligion, 359, 409;

necessity, 361;

dynamic qualities, and compassion, 361;

and work, 362;

and future, 363;

tragedy of nebulous aim, 363;

and lie of life, 364;

and political economy, 367;

современники, табл. i

Sociology, biological, 155;

and Western ethics, 367, 368

Socrates, ahistoric consciousness, 14;

ethic, 347;

and Civilization, 352;

and Stoicism, 353n.;

интеллект и мудрость, 409;

condemnation, 410;

современники, табл. i

Soest, church, 205

Sol Invictus, cult, 406, 406n., 407

Sonata, movement, 231

Sophists, scientific basis, 353n., 356;

and diet, 361;

современники, табл. i

Sophocles, ahistoric consciousness, 9;

tragic form and method, 129, 130, 141n., 143, 146, 318, 321, 330, 386;

statue, 269;

deification, 405

Soul, and world and life, 54;

mathematic expression, 101;

of Cultures, inner image, 106, 303;

and predestination, 117;

individual, and macrocosm, 165, 259;

cultural designations and attributes, 183;

man as phenomenon, cultural expression, 259;

классическое выражение «тела», 259-261;

западное выражение в портрете, 261-266;

knowledge and faith, 299, 300;

as image of counter-world, 300;

and “exact” science, 301, 302, 313;

culture-language, 302;

cultural basis of systematic psychology, 303, 304, 307, 313, 314;

Classical static and Western dynamic, 304, 305;

Arabian dualism, 305;

will and reason, outer world parallels, 308;

Western will-culture, egoism, 308-312, 314;

and cultural religious concepts, 312, 358;

cultural basis of morale, 315;

dynamic, and biography, 315, 316;

Classical gesture, beauty, 316;

и культурные формы трагедии, 317-326;

популярность, культурная основа, 326-329;

культурное отношение к вселенной, 330-332;

и к открытию, 332-337;

and brain, 367.

См. также Мораль; Портретная живопись; Дух

Space, and natural morphology, 6, 7;

and the become, 56;

relation to Classical and Western Cultures, 64, 81-84, 88;

страх перед миром и творческое выражение, 79-81;

multi-dimensional, symbolism, 88, 89, 165;

direction and extension, 99, 172;

and causality and destiny, 119, 120;

awareness, 122;

and scientific time, 124, 125;

time as counter-concept, 126, 170, 172;

and death, 166;

world-experience and depth, 168, 169, 172;

восприятие или понимание, 169-172;

культурный символизм в переживании глубины, 173-175;

cultural prime symbols, 174-178, 337;

Classical use of term, 175n.;

cultural basis of concepts, 179, 310;

и архитектурное и религиозное выражение Культуры, 183-188, 198-200;

египетское и китайское переживание, 189-191, 201-203;

Western arts and prime phenomenon, 281, 282;

extension and reason, 308.

См. также Становление; Причинность; Переживание глубины; Природа; Время

Spain, period of ascendency, incident and destiny, 148, 150

Spaniards, and discovery, 333

испано-сицилийское искусство, современники, табл. ii

Spanish Succession War, and cultural rhythm, 110n.;

as epoch, 149

Sparta, myth, 11;

and music, 223

Spencer, Herbert, and economic ascendency, 367;

современники, табл. i

Spengler, Oswald, reception of book, ix;

basis of philosophy, xiii-xv, 49n.

Speyer Cathedral, 185, 224

Spinoza, Baruch, and dualism, 307;

and force, 413

Spirit, and soul in Arabian dualism, 306.

См. также Тело; История; Мораль; Природа; Философия; Религия; Душа

Spirit land, cultural conception, 333

Spirit-wall, 203

Spitzweg, Karl, significance of colour, 252

Sport, and Civilization, 35

Stahl, Georg Ernst, chemical theory, 384

Витраж. См. Витражная живопись

Stamitz, Johann K., Classical contemporary, 177;

and four-part movement, 231;

period, 284

Государство. См. Политика

Statics, as Classical system, 384, 393;

no Western concept, 414.

См. также Естествознание

Statistics, and probability, 421

Steamship, Classical anticipation, 334

Stendhal, and psychology, 319

Stipel, and zero, 178n.

Stirner, Max, and morale, 346;

and Hegelianism, 367;

современники, табл. i

Stoicism, and Civilization, 32, 352;

and money, 33, 36;

practicality, 45;

homology, 111;

and state, 138;

and corporeality, 177;

weak soul, 203;

ethic, 315, 347, 355, 367;

and will, 344n., 347;

scientific basis of ideas, 353;

as end-phenomenon, 356, 357;

and contemporaries, 357, 358, 361, table i;

irreligion, 359, 409;

and diet, 361

Stone, as symbol, 188, 195, 206;

polish, 248n.

См. также Архитектура; Мрамор; Скульптура

Strassburg Minister, Arabian influence, 213

Streets, cultural attitude, 109;

Western aspect and depth-experience, 224, 241;

Egyptian aspect, 224n.

Strindberg, August, provincialism, 24, 33n.;

sex problem, 35;

and morale, 346, 374;

and Civilization, 352

String music, in Western Culture, 231, 252n.

Strzygowski, Josef, on Arabian art, 184, 209

Style, as cultural emanation, 108, 200, 202;

храбрая египетская, 201-203;

Chinese, 203;

слабая классическая, 203-205;

history as organism, cultural basis, 205;

stages of each style, 206;

история арабской, 207-214;

and technical form of arts, 220;

in natural science, 387, 391

Suez Canal, Goethe’s prophecy, 42

Суфизм, современники, табл. i

Suhrawardi, on body, 248

Suicide, cultural attitude, 204

Sulla, incident, 139;

современники, табл. iii

Sunda, islands of, Roman knowledge, 334

Superman, in Nietzsche and Shaw, 350, 369, 370;

natural selection, 371

Сутры, современники, табл. i

Sylvester II, pope, and clock, 15n.

Symbolism, in living thought, xiii;

symbols of a culture, 4, 13, 31;

in historical morphology, 7, 46;

clock and bell, 14, 131, 134n.;

money and Civilization, 34;

in the become, 101;

actuality, 101, 168;

symbols (names) and fear, 123, 193, 397;

of funeral customs, 134, 135;

of museums, 135;

of world-history, 163;

symbols defined, 163;

spatiality, 165;

and knowledge of death, 166;

вид протяженности как культурный символ, 173-175;

cultural prime symbols, plurality, 174, 179, 180, 189, 190, 196, 203, 337;

writing as cultural symbol, 197n.;

window, 199, 210, 224;

в цвете и золоте, 245-249;

as replacing images, 407

Synagogues, patterns, 211n.

Syncretism, architectural expression, 209;

cults, 228;

современники, табл. i

Syracuse, culture city, 32;

and Plato, 42

Syria, music of sun-worship, 228;

современники искусства, табл. ii.

См. также Арабская Культура

Taboo, idea, 80;

effect of naming, 123;

side of art, 127.

См. также Религия

Tacitus, Cornelius, ahistoric consciousness, 10, 11;

limited background, 132, 133

Talleyrand-Périgord, Charles de, on life before 1789, 207

Talmud, dualism, 306;

determinism, 307;

and nature, 393;

современники, табл. i

Tanis, Hyksos Sphinx, 108, 262

Tanit, as deity, 406

Tao, principle, 14, 190, 203, 228;

perspective, 311n.

Tarquins, myth, 11;

современники, табл. iii

Tartessus, realm, 332n.

Tartini, GiuseppeGiuseppe, orchestration, 231;

violin story, 276n.

Tasso, Torquato, and fixed scene, 325

Taygetus, Mount, Lycurgus as local god, 11

Technics, and future of Western Culture, 41, 44

Technique, and theory, 395

Teleology, as caricature, 120

Фриз Телефа. См. Пергамский

Telescope, as Western symbol, 331

Tell-el-Amarna, art, 193n., 293

Тельес, Габриэль. См. Тирсо де Молина

Tellus Mater, materiality, 403

Temperature, and dynamics, 414

Templum, as cult-plan, 185

Tension, as Western principle, 386

Ten Thousand, expedition, as episode, 147, 336n.

Terpander, music, 223

Thales, and problem of knowing, 365, 381

Thalestas, music, 223

Thebes, autumnal city, 99

Themistocles, ahistoric consciousness, 9;

morale, 349

Theocritus, irreligion, 358

Theory, and fact, 378;

and religion, 395

Theosophy, conversion, 346

Theotokos, and Mary-cult, 137n., 267, 268

Theresa, Saint, and Western morale, 348

Thermodynamics, first law and energy, 413;

second law, entropy, 420

легенды о Тесее, современники, табл. i

Ставшее. См. Становление

Становление. См. Становление

Тинитский период, современники, табл. ii, iii

Мыслитель, определение, xiii

Third Kingdom, as Western conception, 363;

and lie of life, 364

Thirty Years’ War, as epoch, 149

Thoma, Hans, painting, 289

Thomas Aquinas, influence of Joachim of Floris, 20;

and destiny, 141;

ethic, 309;

religion, 394;

современники, табл. i

Thoroughbass, and geometry, 61;

rise, 230

Thorwaldsen, Albert, sculpture, 245

Thothmes, workshop, 193n.

Thucydides, ahistoric consciousness, 9;

limited background, 10, 132, 133n.

Thunder-pattern, 196

Thuthmosis III, maturity of culture, 94;

современники, табл. iii

Tiberius, as episode, 140;

современники, табл. iii