«Закат Европы: Форма и действительность»

Arabian, dome type, 208, 210-212;

Western façade and visage, 224;

cathedral and infinite space, forest character, 198-200, 224, 396;

Arabian in Italy, 235;

place of Renaissance, 235;

Michelangelo and Baroque, 277;

and cultural morale, 345;

современные культурные эпохи, таблица ii.

См. также Искусство; Барокко; Египетская Культура; Дорический стиль; Готика; Романский стиль

Archytas, irrational numbers and fate, 65n.;

and higher powers, 66;

contemporaries, 78, 90, 112, table i;

and metaphysics, 366

Arezzo, school of art, 268

Aristarchus of Samos, and Eastern thought, 9;

and heliocentric system, 68, 69, 139

Aristogiton, statue, 269n.

Aristophanes, and burlesque, 30, 320n.

Aristotle, ahistoric consciousness, 9;

entelechy, 15;

contemporaries, 17, table i;

and philosophy of being, 49n.;

mechanistic world-conception, 99, 392;

and deity, 124, 313;

tabulation of categories, 125;

as collector, 136n.;

as Plato’s opposite, 159;

on tragedy, 203, 318, 320, 321, 351;

on body and soul, 259;

on Zeuxis, 284;

and inward life, 317;

and philanthropy, 351;

and Civilization, 352;

and diet, 361;

culmination of Classical philosophy, 365, 366;

and mathematics, 366;

on atoms, 386;

as atheist, 409;

condemnation, 411

Arithmetic, Kant’s error, 6n.;

and time, 125, 126.

См. также Математика

Army, Roman notion, 335

Arnold of Villanova, and chemistry, 384n.

Art and arts, irrational polar idea, 20;

as sport, 35;

and future of Western Culture, 40;

as mathematical expression, 57, 58, 61, 62, 70;

Arabian, relation to algebra, 72;

and vision, 96;

causal and destiny sides, 127, 128;

Западная, и «память», 132 прим.;

mortality, 167;

religious character of early periods, 185;

lack of early Chinese survivals, 190n.;

as expression-language, 191;

and witnesses, 191;

имитация и орнамент, 191-194;

их противопоставление, становящееся и ставшее, 194-196;

typism, 193;

so-called, of Civilization, copyists, 197, 293-295;

meaning of style, 200, 201;

формы и культурная духовность, 214-216;

as symbolic expression of Culture, 219, 259;

expression-methods of wordless, 219n.;

sense-impression and classification, 220, 221;

historical boundaries, organism, 221;

виды внутри Культуры, отсутствие возрождений, 222-224;

early period architecture as mother, 224;

Western philosophical association, 229;

secularization of Western, 230;

dominance of Western music, 231;

outward forms and cultural meaning, 238;

and popularity, 242;

space and philosophy, 243;

cultural basis of composition, 243;

symptom of decline, striving, 291, 292;

trained instinct and minor artists, 292, 293;

cultural association with morale, 344;

современные культурные эпохи, таблица ii.

См. также Имитация; Орнамент; Наука; Стиль; искусства по названиям

Арийские героические сказания, современники, таблица i

Asklepios, as Christian title, 408n.

Astrology, cultural attitude, 132, 147

Astronomy, Classical Culture and, 9;

heliocentric system, 68, 139;

dimensional figures, 83;

культурное значение, 330-332

Ataraxia, Stoic ideal, 343, 347, 352, 361

Atheism, and “God”, 312n.;

as definite phenomenon, position, 408, 409;

cultural basis of structure, 409;

and toleration, 410, 411

Athene, as goddess, 268

Athens, and Paris, 27;

culture city, 32;

as religious, 358

Athtar, temples, 210

Atlantis, and voyages of Northmen, 332n.

Atmosphere, in painting, 287

Atomic theories, Boscovich’s, 314n.;

cultural basis, 384-387, 419;

disintegration hypotheses, 423

Augustan Age, Atticism, 28n.

Augustine, Saint, and time, 124, 140;

and Jesus, 347;

современники, таблица i

Augustus, as epoch, 140;

statue, 295

Aurelian, favourite god, 406;

современники, таблица iii

Avalon, and Valhalla, 401

Авеста. См. Зенд-Авеста

Aviation, Leonardo’s interest, 279

Avicenna, on light, 381;

современники, таблица i

Axum, empire, and world-history, 16, 208, 209n., 223

Baader, Franz X. von, and dualism, 307

Baal, shrines as basilicas, 209n.;

cults, 406, 407;

современники, таблица i

Baalbek, basilica, 209n.;

Sun Temple as pseudomorphic, 210

Babylon, and time, 9, 15;

geographical science, 10;

place in history, 17;

autumnal city, 79

Баччо делла Порта. См. Бартоломео

Bach, John Sebastian, contemporaries, 27, 112, 417, table ii;

as analysist, 62;

contemporary mathematic, 78;

fugue, 230;

and dominance of music, 231;

and popularity, 243;

pure music, 283;

ease, 292;

ethical passion, 355;

God-feeling, 394

Bachofen, Johann J., Classical ideology, 28;

on stone, 188

Backgrounds, in Renaissance art, 237;

in Western painting, 239;

in Western gardening, 240.

См. также Переживание пространства

Bacon, Francis, Shakespeare controversy, 135n.

Bacon, Roger, world-conception, 99;

and mechanical necessity, 392;

современники, таблица i

Bähr, Georg, architecture, 285

Baghdad, autumnal city, 79;

contemporary cities, 112;

philosophy of school, 248, 306, 307;

современники школы, таблица i

Ballade, origin, 229

Bamberg Cathedral, sculpture, 235

Barbarossa, symbolism, 403

Baroque, mathematic, 58, 77;

musical association, 87, 228n., 230;

as stage of style, 202;

sculpture as allegory, 219n.;

origin, 236;

depth-experience in painting, 239;

in gardening, 240;

portraits, 265;

Michelangelo’s relation, 277;

philosophy, reason and will, 308;

soul, 313, 314;

современники, таблица ii. См. также Искусство

См. также Искусство

Bartolommeo, Fra (Baccio della Porta), and line, 280;

dynamic God-feeling, 394

Basilica, as pseudomorphic type, 209, 210;

and Western cathedral, 211, 224;

современники, таблица ii

Basilica of Maxentius (Constantine), Arabian influences, 212

Basra School, philosophy, 248, 306;

современники, таблица i

Basso continuo. См. Генерал-бас.

Baths of Caracalla, Syrian workmen, 211, 212

Battista of Urbino, portrait, 279

Baudelaire, Pierre Charles, sensuousness, 35;

autumnal accent, 241;

and the decadent, 292

Bayle, Pierre, and imperialism, 150

Байройт. См. Вагнер

Beauty, transience, cultural basis, 194;

as Classical rôle, 317

Become, Civilization as, 31, 46;

philosophers, 49n.;

explained, relationships, 53;

and learning, 56;

and extension, 56;

and mathematical number, 70, 95;

relation to nature and history, 94-98, 102, 103;

and symbolism, 101;

and causality and destiny, 119;

and problem of time, 122;

and mortality, 167;

in art, 194.

См. также Становление; Причинность; Природа; Пространство

Becoming, and history, 25, 94-98, 102, 103;

philosophers, 49n.;

explained, relationships, 53;

intuition, 56;

and direction, 56;

and chronological number, 70;

relation to nature and destiny and causality, 119, 138, 139;

and mathematics, 125, 126;

in art, 194.

См. также Ставшее; Судьба; История; Время

Beech, as symbol, 396

Beethoven, Ludwig van, contemporary mathematic, 78, 90;

and pure reason, 120;

and imagination, 220;

orchestration, 231;

inwardness, “brown” music, 251, 252, 252n.;

music as confession, 264;

period, 284;

straining, 291;

современники, таблица ii

Bell, as Western symbol, 134n.

Bellini, Giovanni, and portrait, 272, 273

Benares, autumnal city, 99

Benedetto da Maiano, and ornament, 238;

and portrait, 272

Bentham, Jeremy, and imperialism, 150;

and economic ascendency, 367;

современники, таблица i

Berengar of Tours, controversy, 185

Berkeley, George, on mathematics and faith, 78n.

Berlin, megalopolitanism, 33;

as irreligious, 79, 358

Берлиоз, Гектор, современники, таблица ii

Bernard of Clairvaux, Saint, contemporaries, 400, table i

Bernini, Giovanni Lorenzo, architecture, 87, 231, 244, 245;

современники, таблица ii

Bernward, Saint, as architect, 107n., 206

Berry, Duke of, Books of Hours, 239

Бейль, Анри. См. Стендаль

Bible, and periodic history, 18;

as Arabian symbol, 248.

См. также Христианство

Бидермейер, современники, таблица ii

Binchois, Égide, music, 230

Binomial theorem, discovery, 75

Biography, and portraiture, 12;

Cultures and, 13, 14;

and character, 316;

and Western tragedy, 318.

См. также Портретная живопись

Biology, and preordained life-duration, 108;

in politics, 156;

as weakest science, 157;

and Civilization, 360

Bismarck, Fürst von, wars and cultural rhythm, 110n.;

and destiny, 145;

morale, 349

Bizet, Georges, “brown” music, 252

Blood, Leonardo’s discovery of circulation, 278

Blue, symbolism, 245, 246

Boccaccio, Giovanni, and Homer, 268n.

Body, as symbol of Classical Culture, 174;

and geometrical systems, 176n.;

in Arabian philosophy, 248;

и душа, античное выражение, 259-261.

См. также Скульптура; Дух

Böcklin, Arnold, act and portrait, 271n.;

painting, 289, 290

Бёме, Якоб, современники, таблица i

Bogomils, iconoclasts, 383

Bohr, Niels, and mass, 385, 419

Boltzmann, Ludwig, on probability, 380n.

Boniface, Saint, as missionary, 360

Book, and cult-building, 197n.

Books of Hours, Berry’s, 239

Books of Numa, burning, 411

Boomerang, and mathematical instinct, 58

Borgias, Hellenic sorriness, 273

Boscovich, Ruggiero Giuseppe, and physics, 314n., 415

Botticelli, Sandro, Dutch influence, 236;

goldsmith, 237;

and portrait, 271, 272

Boucher, François, and body, 271

Boulle, André C., Chippendale’s ascendency, 150n.

Bourbons, analogy, 39

Boyle, Robert, and element, 384

Brahmanism, transvaluation, 352;

Buddhist interpretation of Karma, 357;

современники Брахман, таблица i.

См. также Индийская Культура

Brain, and soul, 367

Bramante, Donato d’Angnolo, plan of St. Peter’s, 184

Brancacci Chapel, 237, 279

Brass musical instruments, colour expression, 252n.

Bronze, and Classical expression, 253;

patina, 253;

Michelangelo and, 276

Brothers of Sincerity, on light, 381;

современники, таблица i

Brown, symbolism of studio, 250, 288;

Leonardo and, 280

Bruckner, Anton, end-art, 223;

“brown” music, 252

Bruges, loss of prestige, 33;

as religious, 358

Brunelleschi, Filippo, linear perspective, 240;

and antique, 275n.;

architecture, 313

Bruno, Giordano, world, 56;

martyrdom, 68;

and vision, 96;

esoteric, 326;

astronomy, 331;

современники, таблица i

Brutus, M. Junius, character, 5

Buckle, Henry T., and evolution, 371

Buddhism, and Civilization, end-phenomenon, materialism, 32, 352, 356, 357, 359, 409;

and state, 138;

Nirvana, 178, 357, 361;

morale, 341, 347;

scientific basis of ideas, 353;

moral philosophy, 355;

as peasant religion, 356n.;

and Christianity, 357;

and contemporaries, 357, 358, 361, table i;

and diet, 361.

См. также Религия

Burckhardt, Jacob, Classical ideology, 28;

on Renaissance, 234

Buridan, Jean, Occamist, 381

Burlesque, Classical, 30, 320

Busts, Classical, as portraits, 269, 272

Buxtehude, Dietrich, organ works, 220

Byron, George, Lord, and Civilization, 110

Byzantinism, as Civilization, 106;

and portraiture, 130n.;

style, 206;

Acanthus motive, 215;

allegorical painting, 219n.;

современники, таблицы ii, iii.

См. также Арабская Культура

Byzantium, tenement houses, 34n.

Cabeo, Nicolaus, theory of magnetism, 414

Caccias, character, 229

Cæsar, C. Julius, analogies, 4, 38;

and newspaper, 5;

and democracy, 5;

conquest of Gaul, 36n.;

practicality, 38;

and calendar and duration, 133;

and economic organization, 138;

and destiny, 139;

bust, 272;

morale, 349;

Divus Julius, 407;

современники, таблица iii

Cæsarism, and money, 36;

современные периоды, таблица iii

Calchas, cult, 185

Calculus, and Classical astronomyastronomy, 69;

limit-idea, 86;

Newtonian and Leibnizian, 126n.;

and religion, 170;

as Jesuit style, 412;

basis threatened, 419.

См. также Математика

Calderon de la Barca, Pedro, plays as confession, 264

Calendar, Cæsar’s, 133

Caliphate, Diocletian’s government, 72, 212;

deification of caliph, 405

Callicles, ethic, 351

Calvin, John, predestination and evolution, 140n., 141;

and Western morale, 348;

variety of religion, 394;

современники, таблица i

Can Grande, statue, 272

Cannæ, as climax, 36

Canning, George, and imperialism, 149n.

Cantata, and orchestra, 230

Canzoni, character, 229

Caracalla, and citizenship and army, 335, 407

Carcassonne, restoration, 254n.

Cardano, Girolamo, and numbers, 75

Care, and distance, 12;

cultural attitude, relation to state, 136, 137;

and maternity, 267

Carissimi, Giacomo, music, pictorial character, 230, 283

Carneades, and mechanical necessity, 393

Carstens, Armus J., naturalism, 212

Карфаген. См. Пунические войны

Carthaginians, and geography, 10n., 333

Castle, and cathedral, 195, 229

Catacombs, art, 137n., 224

Categories, tabulation, 125

Catharine of Siena, Saint, and Gothic, 235

Cathedral, as ornament, 195;

and castle, 229;

forest-character, 396;

современники, таблица ii.

См. также Готика; Романский стиль

Cato, M. Porcius, Stoicism and income, 33

Cauchy, Augustin Louis, notation, 77;

mathematic problem, 85;

and infinitesimal calculus, 86;

mathematical position, 90;

goal of analysis, 418;

современники, таблица i

Causality, history and Kantian, 7;

and historiography, 28;

and number, 56;

and pure phenomenon, 111n.;

and destiny and history, limited domain, 117-121, 151, 156-159;

and space and time, 119, 120, 142;

and principle, 121;

and grace, 141;

and reason, 308;

and Civilization, 360;

and destiny in natural science, 379;

и механическая необходимость, 392-394.

См. также Становление; Судьба; Природа; Пространство

Cavern, as symbol, 200, 209, 215, 224

Celtic art, as Arabian, 215

Centre of time, and history, 103

Ceres, materiality, 403

Cervantes, Miguel de, tragic method, 319

Ceylon, Mahavansa, 12

Cézanne, Paul, landscapes, 289;

striving, 292

Chæronea, issue at battle, 35

Chalcedon, Council of, and Godhead, 209, 249

Chaldeans, astronomy, Classical reaction, 147

Chamber-music, as summit of Western art, 231

Период Чжаньго, современники, таблица iii

Character, and person, 259;

and will, Western ego, 314, 335;

Cultures and study, 316;

gesture as Classical substitute, 316;

в западной трагедии, античный контраст, 317-326.

См. также Мораль; Душа

Chardin, Jean B. S., and French tradition, 289

Chares, Helios and gigantomachia, 291

Милосердие. См. Сострадание

Charlemagne, analogies, 4, 38;

современники, таблица iii

Charles XII of Sweden, analogy, 4

Chartres Cathedral, sculpture, 235, 261

Chemistry, thoughtless hypotheses, 156n.;

no Classical, 383;

Western so-called, 384;

as Arabian system, 384, 393;

new essence, entropy, 426.

См. также Естествознание

Cheops, dynasty, 58n.

Chephren, dynasty, 58n.;

tomb-pyramid, 196, 203

Хиос, современники, таблица iii

Дети, западная портретная живопись, 266-268. См. также Родина.

Chinese Culture, historic feeling, 14;

imperialism, 37;

philosophers, 42, 45;

time-measurement, 134n.;

ancestral'ancestral worship, 135n.;

and care, 136;

attitude toward state, 137;

economic organization, 138;

destiny-idea, landscape as prime symbol, 190, 196, 203;

lack of early art survivals, 190n.;

and tutelage, 213;

music, 228;

gardening, 240;

bronzes, patina, 253n.;

portraiture, 260, 262;

Civilization, 295;

soul, perspective as expression, 310n.;

passive morale, 315, 341, 347;

and discovery, 333, 336;

политические эпохи, таблица iii.

См. также Культуры

Chippendale, Thomas, position, 150n.

Chivalry, southern type, 233n.

Chorus, in art-history, 191;

in Classical tragedy, 324

Chosroes-Nushirvan, art of period, 203

Chóu Li, on Chóu dynasty, 137

Chóu Period, and care, 137;

современники, таблица iii

Christianity, comparisons, 4;

Eastern, and historical-periods, 22n.;

and poor Stoics, 33n.;

as Arabian, 72, 402;

Mary-cult, Madonna in art, 136, 267, 268;

destiny in Western, 140;

архитектурное выражение раннего, 208-211;

цвет и золото как символы, 247-250;

in Western art, spiritual space, 279;

dualism in early, 306;

“passion”, 320n.;

Eastern, and home, 335;

Western transformation of morale, 344, 347, 348;

and Buddhism, 357;

of Fathers and Crusades, 357n.;

missionarism, 360;

God-man problem as alchemistic, 383;

and mechanical necessity, miracles, 392, 393;

элементы западного, 399-401;

foreign gods as titles, 408n.

См. также Религия

Chronology, relation of Classical Culture, 9, 10;

as number, 97, 153n.;

and the when, 126;

and archæology, 134.

См. также История

Chrysippus, and Stoicism, 33, 358;

and corporeality, 177

Chuang-tsü, practical philosophy, 45

Период Чуньцю, современники, таблица iii

Cicero, M. Tullius, analogy, 4

Cimabue, Giovanni, and nature, 192;

and Byzantine art, 238;

and Francis of Assisi, 249n.;

and portraiture, 273

Cimarosa, Domenico, ease, 292

Cistercians, soul, 360

Citizenship, Classical concept, 334. See also Politics

Civilization, defined, as destiny of a Culture, 31-34, 106, 252, 353, 354;

and the “become”, 31, 46;

and megalopolitanism, 32, 35;

деньги как символ, 34-36;

and economic motives, 35;

imperialism, 36;

destiny of Western, 37, 38;

and scepticism, 46, 409;

Alexander-idea, 150;

English basis of Western, 151, 371;

Western, effect on history, 151;

so-called art, 197, 293-295;

style histories, 207;

Western painting, plein-air, 251, 288, 289;

and gigantomachia, 291;

Manet and Wagner, 293;

transvaluation of values, striving, 351, 353;

Nihilism and inward finishedness, 352;

manifestations, 353, 354;

problematic and plebeian morale, 354, 355;

and irreligion, 358;

diatribe as phenomenon, 359;

and biological philosophies, philosophical essence, 361, 367;

natural science, 417;

современные духовные эпохи, таблица i;

современные эпохи искусства, таблица ii;

современные политические эпохи, таблица iii.

См. также Культуры

Clarke, Samuel, and imperialism, 150

Classical Culture, philosophy, culmination, 3, 45;

ahistoric basis, 8-10, 12n., 97, 103, 131-135, 254, 255, 264, 363;

and chronology, 9, 10n.;

and geography, 10n.;

religious expression, bodied pantheon, later monotheistic tendencies, 10, 11, 13, 187, 312, 397, 398, 402-408;

and mortality, funeral customs, 13, 134;

portraiture, 13, 130, 264, 265, 269, 272;

and archæology, 14;

and measurement of time, 15;

mathematic, 15, 63-65, 69, 77, 83, 84, 90;

contemporary Western periods, 26;

Western views, ideology, 27-31, 76, 81, 237, 238, 243, 254, 270, 323;

“Classical” and “antike”, 28n.;

civilization, Rome, Stoicism, 32-34, 36, 44, 294, 352;

cosmology, astronomy, 63, 68, 69, 147, 330;

cultural significance of mathematic, 65-67, 70;

and algebra, 71;

surviving forms under Arabian Culture, 72, 73, 208;

opposition to Western soul, 78;

and space, 81-84, 88, 175n.;

“smallness”, 83;

relation to proportion and function, 84, 85;

popularity, 85, 254, 326-328;

and destiny-idea, dramatic illustration, 129, 130, 143, 146, 147, 317-326, 424;

care and sex attitude, family and home, 136, 266-268, 334-337;

attitude toward state, 137, 147;

and economic organization, 138;

actualization of the corporeal only, sculpture, 176-178, 225, 259-261;

soul, attributes, 183, 304, 305;

architectural expression, 184, 198, 224;

weak style, 203;

art-work and sense-organ, 220;

and music, 223, 227;

and form and content, 242;

and composition, 243;

цвет, 245-247;

nature idea, statics, 263, 382-384, 392;

and discovery, 278;

painting, 287;

will-less-ness, 309, 310;

lack of character, gesture as substitute, 316;

art and time of day, 325;

morale, ethic of attitude, 341, 342, 347, 351;

and “action”, 342n.;

cult and dogma, 401, 410;

and strange gods, 404;

scientific periods, 424;

духовные эпохи, таблица i;

эпохи искусства, таблица ii;

политические эпохи, таблица iii.

См. также Искусство; Культуры; Ренессанс; Наука

Classicism, and dying Culture, 108;

defined, 197;

period in style, 207

Claude Lorrain, landscape as space, 184;

“singing” picture, 219;

and ruins, 254;

colour, 246, 288;

period, 283;

landscape as portrait, 287

Cleanliness, cultural attitude, 260

Клисфен, современники, таблица iii

Клеомен III, современники, таблица iii

Cleon, and economic organization, 138

Clepsydra, Plato’s, 15

Clock, and historic consciousness, 14;

religious aspect, 15n.;

cultural attitude, 131, 134

Clouds, in paintings, 239

Cluniac reform, and architecture, 185

Clytæmnestra, and Helen, 268

Cnidian Aphrodite, 108, 268

Cnossos art, 224n., 293;

современники, таблица ii

Cobbett, William, population theory, 185n.

Cognition, and nature, 94, 102, 103

Colleoni, Bartolommeo, statue, 238, 272

Colosseum, and real Rome, 44;

form type, 204;

современники, таблица ii

Colossus of Rhodes, and gigantomachia, 291

Colour, Goethe’s theory, 157n., 158n.;

and depth-experience, 242;

античное и западное использование, символизм, 245-247;

Western blue and green, 245;

арабская Культура и золото, 247-249;

brushwork and motion-quality, 249;

studio-brown, as symbol, 250, 288;

Leonardo’s sense, 280;

plein-air, 288.

См. также Живопись

Columbus, Christopher, and Spanish ascendency, 148;

and Leonardo, 278;

and space and will, 310, 337;

spiritual result, 334

Column, as symbol, 166, 184, 214, 260n., 345;

Classical orders, 204;

and arch, 214, 236

Compass, symbolism, 333

Compassion, times and meaning, 347-351;

and Socialism, 362

Composition in art, cultural basis, 243

Comprehension, qualities, 99

Comte, Auguste, provincialism, 24;

and economic ascendency, 367, 373;

современники, таблица i

Confession, as Western symbol, 131, 140, 261, 264;

absence in Renaissance art, 273

Confucius, and actuality, 42;

and analogies, 357

Конические сечения, современники, таблица i

Conquest, as Western concept, 336

Consciousness, phases, 154

Consecutives in church music, 188

Conservation of energy, and causality, 393;

and first law of thermodynamics, 413;

and concept of infinity, 418;

и энтропия, 420-424

Constable, John, significance of colour, 251;

and impressionism, 288

Constantine the Great, and artistic impotence, 294;

as caliph, 405;

religion, 407

Константинополь. См. Византия; Собор Святой Софии

Consus, materiality, 403

Contemplation, defined, 95

Contemporaneity, intercultural, 26, 112, 177, 202n., 220;

number paradigm, 90;

Classical sculpture and Western music, 226, 283, 284, 291;

in physical theories, 386;

духовные эпохи, таблица i;

эпохи культуры, таблица ii;

политические эпохи, таблица iii

Contending States, period in China, homology, 111

Content, and form, 242, 270

Contrition, sacrament as Western symbol, 261, 263

Conversion, impossibility, 345

Copernicus, Classical anticipation of system, 68, 139;

and destiny, 94;

discovery and Western soul, 310, 330, 331

Corelli, Arcangelo, sonatas, 226, 283;

and dominance of music, 231;

colour expression, 252n.;

Catholicism, 268n.

Corinth, and unknown gods, 404

Коринфская колонна, современники, таблица ii. См. также Колонна

Corneille, Pierre, and unities, 323

Corot, Jean B. C., colour, 246, 289;

and nude, 271;

impressionism, 286;

landscape as portrait, 287;

ease, 292

Космогонии, современники, таблица i

Cosmology, cultural attitude, 63, 68, 69, 147, 330-332.

См. также Астрономия

Counterpoint, and Gothic, 229;

and fugue, 230.

См. также Музыка

Counter-Reformation, Michelangelo and spirit, 275

Couperin, François, pastoral music, 240;

colour expression, 252n.

Курбе, Гюстав, пейзажи, 288-290

Courtyards, Renaissance, 235

Cousin, Victor, and economic ascendency, 367

Coysevox, Antoine, sculpture, 232;

decoration, 245

Cranach, Lucas, and portraiture, 270

Crassus Dives, M. Licinius, and city of Rome, 34

Cremation, as cultural symbol, 134

Cresilas, and portraiture, 130n., 269

Crete, inscriptions, 12n.;

Minoan art, 198

Cromwell, Oliver, and imperialism, 149;

современники, таблица iii

Crusades, symbolism, 15n., 198;

and Trojan War, 27;

Christianity, 357n.;

современники, таблица iii

Ctesiphon, school, 63

Cult and dogma, cultural attitudes, 401, 410, 411;

in natural science, 412

Cultures, Spengler’s morphological theory, xi;

obligatory stages, symbols, 3, 4, 6, 38, 39;

superficial and real analogies, 4, 6, 27, 38;

theory of distinct cycles, 21, 22, 31, 78;

divergent viewpoints, 23, 46, 131;

as organisms, mortality, 26, 104, 109, 167;

contemporary periods, 26, 112, 177, 202n., 220;

Civilization as destiny, 31-34, 106, 252, 353, 354;

symmetry, 47;

and notion of the world, language, 55;

physiognomic meaning as essence of history, 55, 101, 104, 105;

mathematical aspects, separation, 57-63, 67, 70;

and universal validity, 60, 146, 178-180, 202, 287;

number-thought and world-idea, 70;

stages, 106, 107;

application of term “habit” or “style”, 108, 205;

recapitulation in life of individuals, 110;

homologous forms, 111;

separate destiny-ideas, 129, 145;

comparative study, 145n.;

as interpretation of soul, 159, 180, 302-304, 307, 313, 314;

cultural and intercultural macrocosm, 165;

particular, and nature, 169;

вид протяженности как символ, 173-175;

actualization of depth-experience, 175;

plurality of prime symbols, 179, 180;

tutelage, 213;

формы искусства и духовности, 214-216;

arts of form as symbolic expression, 219;

значение видов искусства, 222-224;

as bases of morale, 315, 345-347;

and times of day, 325;

and nature-law, 377-380, 382, 387;

scientific period, 381;

религиозные весны, 399-402;

renunciation, second religiousness, 424;

характеристики сезонов, таблица i;

современные эпохи искусства, таблица ii;

современные политические эпохи, таблица iii.

См. также Арабская; Искусство; Китайская; Античная; Египетская; История; Индийская; Макрокосм; Морфология; Природа; Дух; Западная

Cupid, as art motive, 266

Купол. См. Купол

Curtius Rufus, Quintus, biography of Alexander, 4

Кузанец, Николай. См. Николай Кузанский

Cuyp, Albert, landscape as portrait, 287

Cyaxares, and Henry the Fowler, 4

Cybele, cult, 406

Cynics, practicality, 45;

morale, 203, 342;

and digestion, 361;

современники, таблица i

Cypress, as symbol, 396

Cyrenaics, practicality, 45;

современники, таблица i

Dante Alighieri, historical consciousness, 14, 56, 142, 159;

influence of Joachim of Floris, 20;

and vision, 96;

homology, 111;

and popularity, 243;

and confession, 273;

and psychology, 319;

and time of day, 325n.;

esoteric, 328;

morale, 355;

variety of religion, 394;

современники, таблица i

Danton, Georges, adventurer, 149

Darwinism and evolution, and Socialism, 35, 370-372;

and practical philosophy, 45;

morphology and vision, 104n., 105;

Goethe and, 111n.;

and teleology, 120;

and destiny, 140;

and cultural art-theory, 141n.;

and usefulness, 155;

and biological politics, 156;

nature and God, 312;

предвосхищение, политико-экономическое применение Дарвина, 369-373;

современники, таблица i

Daumier, Honoré, act and portrait, 271n.;

and grand style, 290

David, Pierre Jean, naturalism, 212

Dea Cælestis, 406

Death, and historical consciousness, 13;

and become, 54, 167;

Cultures and funeral customs, 134, 135, 185;

and space, 166;

and world-fear and symbolism, 166;

stone as emblem, 188;

and ornament, 195

Decoration, architectural, 196;

Gothic, and bodilessness, 199;

Arabian, 208, 212;

mosaic, 214;

Acanthus motive, 215.

См. также #Орнамент#

Dedekind, Richard, notation, 77, 95

Definitions, and destiny, xiv;

фундаментальное, 53-56

Deism, cause, 187, 412;

concept, 312n.;

Baroque, and mechanics, 412.

См. также Религия

Deities, cultural basis, 312. See also Religion

Delacroix, Ferdinand V. E., and impressionism, 288;

современники, таблица ii

Delphi, Polygnotus’s frescos, 243

Demeter cult, 83;

spring festivals, 320;

современники, таблица i

Demeter of Knidos, statue, 136

Demetrius of Alopeke, and portraiture, 130, 269

Democracy, decay by formalism, 35;

современные периоды, таблица iii.

См. также Политика

Democritus, and corporeality, 177;

and ego, 311;

cosmology, 331;

atoms, 385;

Leibniz as contemporary, 386;

and motion, 389;

и механическая необходимость, 392-394;

современники, таблица i

Demosthenes, statue, 270

Depth-experience, significance, 168, 169, 172-174;

and number, 171;

and time, 172, 173;

реализация как культурный символ, 173-175;

in Western painting, 239, 246;

in Western gardening, 240;

and destiny, 241;

and philosophy in art, 243;

in portrait, 263, 266;

и импрессионизм, 285-287;

and will, 311;

in Socialism, 361;

and natural science, 380, 386, 394;

Western God-feeling, 395;

cathedral and organ, 396.

См. также Судьба; Пространство

Desargues, Girard, mathematic, 75

Descartes, René, civic world-outlook, 33;

and actuality, 42;

style, 61;

mathematics and religion, 66;

relation to Classical mathematic, 69;

and new number-idea, 74, 75, 81, 88, 90, 126, 188;

contemporaries, 112, table i;

and Jansenists, 314n.;

as thinker, 366;

thinking and being, 387;

on force, 413

Des Près, Josquin, music, 230

Destiny, and pessimism, xiv;

historical, 3, 4, 6, 38-41;

as logic of time, 7;

acceptance, 40, 44;

in World War, 47;

fulfilment of Western mathematic, 90;

of a Culture, 106, 145;

и причинность, 117-121;

soul and predestination, 117;

organic logic, 117;

and time and space, 119, 120;

and idea, 121;

in art, revolts, 127, 128, 233;

separate cultural ideas, illustrations, 129-131, 145-149, 189, 190, 424;

in Western Christianity, 140, 141;

and incident, 138-141, 144;

and nature, 142;

Classical “fate”, body and personality, 143, 147;

youth, 152;

and Western depth-experience, 241;

patina as symbol, 253;

and motherhood, 267;

Western, and painting, 276n.;

ethic and soul’s view, 302, 346, 355;

and will, 308;

and Civilization, 360;

and causality in natural science, 379;

и упадок точной науки, 422-424.

См. также Становление; Причинность; Цивилизация; История; Время

Devil, disappearance, 187;

and Arabian dualism, 312, 363

Diadochi, period as episode, 149, 151

Diagoras, character of atheism, 408n.;

condemnation, 411

Diatribe, as phenomenon of Civilization, 359

Dido, cult, 406n.

Diet, and Civilization, 361

Diez, Feodor, significance of colour, 252

Differential calculus, as symbol, 15. See also Calculus

Dimension, abstract notion, 89;

significance of depth, 168;

singularity, 169n.

Dinzenhofer, Kilian I., architecture, 285

Diocletian, as caliph, 72, 212, 405;

as epoch, 149;

и Митра 406

Diogenes, morale, 203;

and deity, 313;

Indian kinship, 347, 357

Dionysiac movement, Alexander and legend, 8;

contemporaries, homology, 27, 110, table i;

as revolt, 233, 356;

spring festival, 320, 321, 324

Дионисий I, современники, таблица iii

Diophantus, algebra, and Arabian Culture, 63, 71-73, 383

Dipylon vases, 73, 107, 196

Direction, and time and becoming, 54, 56;

and extension, 99, 172;

and dimension, 169n.;

and will, 308;

and aim, 361.

См. также Время

Discant, music, 229

Discobolus, Myron’s, 263, 265

Discovery, as Western trait, 278, 279, 332;

and space and will, 310, 337;

spiritual results, 334

Божества. См. Религия

Dogma and cult, cultural attitude, 401, 410, 411;

in natural science, 412

Doliche, Baal, 407

Dome, as Arabian art expression, 210

Dome of the Rock, characteristics, 200

Dominicans, influence of Joachim of Floris, 20

Домициан, современники, таблица iii

Donatello, and Gothic, 225n.;

“David”, 265;

and portrait, 272

Doric, column as symbol, 9, 195;

and Gothic, 27;

timber style, 132;

and Ionic, 205;

and Egyptian, 213;

Western exclusion, 345;

современники, таблицы ii, iii.

См. также Архитектура; Колонна

Dostoyevski, Feodor M., and Europe, 16n.;

Raskolnikov’s philosophy, 309;

and compassion, 350

Drama, cultural basis, Classical and Western, 128-131, 141n., 143, 147, 148, 203, 255, 317-322, 347;

German, 290;

development of Classical, 320, 321;

cultural basis of form, unities, 322, 323;

undeveloped Western, 323;

Classical elimination of individuality, 323;

chorus, 324;

and time of day, 324;

attitude toward scene, 325;

and cultural basis of morale, 347;

and philosophy of Western activism, 368, 372;

Classical, and atomic theory, 386

Dresden, architecture, 207, 285;

chamber music, 232

Droem, autumnal accent, 241

Dryads, passivity, 336;

materiality, 403

Dschang Yi, and imperialism, 37

Dualism, in Arabian Culture, 305-307, 363;

and will and reason, 309;

in religion, 312

Dühring, Eugen Karl, position in Western ethics, 373

Dürer, Albrecht, historical heads, 103;

colour, 245, 250;

and act and portrait, 270

Dufay, Guillaume, music, in Italy, 230, 236

Duns Scotus, historical place, 72;

современники, таблица i

Dunstaple, John, music, 230

Длительность. См. Жизнь

Durham, palatinate, 349n.

Дейк, Антонис ван. См. Ван Дейк

Dynamics, as Western system, 384, 393. See also Natural science

Eckhardt, Meister, on imitation, 191;

mysticism, 213;

egoism, 335;

wisdom and intellect, 409;

современники, таблица i

Экономические мотивы. См. Деньги

Economic organization, cultural attitude toward care, 138

Economics, and Western practical ethics, 367-369.

См. также Политика; Социализм

Eddas, space-expression, 185, 187;

and Western religion, 400, 423;

современники, таблица i

Edessa, school, 63, 381;

and Arabian art, 209;

Baal, 407

Edfu, temple, 294

Edward I of England, and archery, 333n.

Edward III of England, and archery, 333n.

Egoism, in Western Culture, 262, 302, 309, 335

Egyptian Culture, historic aspect, 12;

and immortality, 13;

and pure number, 69;

historical basis, funeral custom, 135;

and care, 136;

and Mary-cult, 137;

attitude toward state, 137;

economic organization, 138;

stone as symbol, 188;

destiny-idea, path as prime symbol, 188, 189;

architectural expression, 189, 202;

мужественный стиль, 201-203;

and tutelage, 213;

streets, 224;

art composition, 243;

sculpture, 248n., 266;

and portrait, 262;

Civilization, 294, 295;

view of soul, 305;

morale, 315;

and discovery, 332;

and Socialism, 347;

and man-deification, 405n.;

эпохи искусства, таблица ii;

политические эпохи, таблица iii.

См. также Культуры; искусства по названиям, особенно Архитектура

Египтизм, современные периоды, таблица iii

Eichendorff, Joseph von, poetry, 289

Eleatic philosophy, and motion, 305n., 388, 390

Elements, cultural concepts of physical, 383, 384. See also Atomic theories; Natural science

Eleusinian mysteries, dramatic imitation, 320

Elis, treaty, 10n.

Emigration, cultural attitude, 336

Empedocles, elements, 327, 383, 384;

on atoms, 386

Emperor-worship, 405, 407, 411

Empire style, as Classicism, 207;

современники, таблица ii

Энциклопедисты, современники, таблица i

Energy, and voluntas, 310n.

Engels, Friedrich, and Hegelianism, 367;

position in Western ethics, 373

England, Manchester system and Western Civilization, 29, 151, 371;

империализм и наполеоновская эпоха, 149-151

Enlightenment, Age of, and movement, 155;

effect on monasticism, 316n.;

and tolerance, 343;

and cult and dogma, 411

Entelechy, ahistoric aspect, 15

Entropy, theory, formulations, 420;

эффект, 421-424

Epaminondas, and invented history, 11

Ephesus, Council of, and Godhead, 209

Эпос, и религия, 399-402

Epictetus, and Jesus, 347

Epicureanism, practicality, 45;

morale, 315;

and will, 341, 342;

современники, таблица i

Epicurus, Indian kinship, 347;

character of Nihilism, 357;

and Socialism, 358;

and mathematics, 366;

and ethics, 367;

современники, таблица i

Epigoni, and Socialism, 374

Epistemology, and history, 119, 355

Epochs, personal and impersonal, 148. See also Incident; Destiny

Эпос, современники народного, таблица i

Erastosthenes, as creator, 425

Erechtheum, in style history, 108, 207

Эротизм. См. Секс

Esoterics, in Western Culture, 326-329.

См. также Популярность

Etching, Leonardo’s relation, 281;

as Western art, 290

Ethics, relation to Culture, 354;

период в философии, 365-367;

социально-экономический характер западного, 367-369;

dramatical presentation of Western, 368, 372;

теория эволюции, аспекты, 369-372;

landmarks of Western, 373, 374;

exhaustion of period, 374.

См. также Метафизика; Мораль; Философия

Etruscan, round-buildings, 211n.;

современники дисциплины, таблица i

Eucharist, cultural significance, 185, 186;

as centre of Western Christianity, 247

Euclid, mathematical style, 59, 64, 65;

limitation of geometry, 67, 88;

mathematical position, 90;

parallel axiom, 176n.

См. также Геометрия

Eudoxus, and higher powers, 66;

and infinity, 69, 69n.;

and mathematic, 78, 90

Euler, Leonhard, mathematic, 78, 90;

and differentials, 86;

and time, 126;

contemporaries, 231, table i

Euripides, unpopularity, 35;

foreshadowing by, 111;

end-art, 223;

tragic method, 319

Europe, as historical term, 16n.

Эволюция. См. Дарвинизм

Exhaustion-method of Archimedes, 69

Experience, and historical sense, 10;

lived and learned, 55;

in Western concept of nature, 393;

and faith, 394;

and theory, 395

Experiment, and experience, 393

Исследование. См. Открытие

Expressionism, farce, 294

Extension, and direction, 99, 172;

and reason, 308.

См. также Пространство

Eyck, Jan van, portraits, 272, 309;

современники, таблица ii

Eye, in sculpture, 329

Façades, cultural significance, 224;

Renaissance, 235

Fact, and theory, 378

Fairies, cultural attitude, 336, 403

Faith, and Western mathematic, 78.

См. также Религия

Family, Western portraits, 266;

Civilization and race-suicide, 359.

См. также Материнство

Faraday, Michael, and theory, 100, 378, 416

Farnese Bull, theatrical note, 291

Fate, cultural attitude, 129.

См. также Судьба

Faunus, materiality, 403

Faustian soul, explained, 183. See also Western Culture

Fauxbourdon, music, 229

Fayum, 58n.

Fear, and Classical and Western tragedy, 321

Federigo of Urbino, portrait, 279

Чувство, и «собственное», 53

Fermat, Pierre de, relation to Classical mathematic, 69;

mathematic style, 74, 75, 90;

problem, 76, 77;

современники, таблица i

Феодализм, современные периоды, таблица iii

Feuerbach, Anselm von, act and portrait, 271n.

Feuerbach, Ludwig A., provincialism, 24;

position in Western ethics, 373;

современники, таблица i

Fichte, Johann G., basis of Socialism, 362, 374;

esoteric, 369;

and mathematics, 374;

современники, таблица i

Fifty-year period, cultural rhythm, 110

Fischer von Erlach, Johann B., architecture, 285

Flaminius, C., and economic motive, 36;

and imperialism, 37

Fleury, Andre, Cardinal de, policy, 4, 349

Florence, culture city, loss of prestige 29, 33;

cathedral, 184, 238;

and Arabian Culture, 211;

и Ренессанс, 233-238;

and Northern art, 236;

character as state, 273.

См. также Ренессанс; Савонарола

Fluxions, significance of Newton’s designation, 15n.

Fontainebleau, park, 240

Force, as undefinable Western concept, numen, 390, 391, 398, 402, 412-417;

stages of concept, 417;

contradictions, 418.

См. также Естествознание

Forest, and Western cathedrals, 396

Form, and law, 97;

and music, 219;

and content, 242, 270

Forum of Nerva, craft-art, 198, 215

Forum of Trajan, ornament, 215

Fouquet, Nicolas, and gardening, 241

Four-part movement, 231

Fourteen Helpers, 400

Fourth dimension, and Classical mathematic, 66;

and time and space, 124

Фокс, Чарльз Джеймс, современники, таблица iii

Fragonard, Jean H., and music, 232

France, and maturity of Western Culture, 148, 150;

plein-air painting, 288, 289

Francesca, Piero della, and static space, 237;

perspective, 240;

and artistic change, 279, 287

Francis of Assisi, art influence, 249n.;

morale, 348;

God-feeling, 395;

современники, таблица i

Francis I of France, and imperial crown, 148

Franciscans, influence of Joachim of Floris, 20

François Vase, composition, 244

Frau Holle, and Mary-cult, 267

Frau Venus, symbolism, 403

Frazer, Sir J. G., error on “Unknown God”, 404n.

Frederick the Great, and analogy, 4;

on chance, 142n.;

современники, таблица iii

Frederick William I of Prussia, and Socialism, 138;

Egyptian kinship, 347

Frederick William IV of Prussia, and German unity, 145

Free will, and destiny, 140, 141. See also Will

Freedom, and historical destiny, 39

Freiburg Minster, Viking Gothic, 213

French Revolution, incident and destiny in, 148, 149

Frescobaldi, Girolamo, music, 230

Frescos, Classical, and time of day, 225, 283, 325;

Renaissance, 237, 275;

displacement by oil, 279.

См. также Живопись

Fresnel, Augustin J., light theory, 418

Friedrich, Kaspar D., and grand style, 289

Frigga, and Mary-cult, 267

Фронда, современники, таблица iii

Front, cultural basis of architectural, 224

Fugue, style and theme, 230, 231

Function, as symbol of Western Culture, 74-78;

and proportion, 84;

contrast with Classical construction, 85;

basis of Western number, thought, 86, 87;

Goethe’s definition, 86n.;

expansion in groups, aggregates, 89, 90, 426.

См. также Математика

Funeral customs, as cultural symbol, 134, 135, 158

Future, youth as, 152;

cultural relation, 363

Gabrieli, Andrea, music, 252

Gabrieli, Giovanni, music, 226

Galen, as copyist, 425

Galileo, and natural philosophy, 7;

on nature and mathematics, 57;

and static idea, 236, 412;

dynamic world-picture, 311;

deeds of science, 355;

concept of force, 386, 415, 417;

and motion-problem, 390;

God-feeling, 396;

современники, табл. i

Gama, Vasco da, spiritual result, 334

Gardening, as Chinese religious art, 190;

Western, perspective, 240, 241;

Renaissance, 241;

English, and ruins, 254

Gaugamela, battle, 151

Gaul, Cæsar’s conquest, 36n.

Gauss, Karl F., style, 59;

artist-nature, 61;

mathematical position, 78, 85, 90, 176n.;

and nonperceptual geometry, 88;

contemporaries, 112, table i;

and dimension, 170, 172;

and popularity, 327;

and metaphysics, 366;

goal of analysis, 418

Gaza, temple, 211

Gedon, Frau, Leibl’s portrait, 252n., 266n.

Generations, spiritual relation, 110n.

Geography, Classical Culture and, 10n.;

influence on historical terms, 16n.

См. также Открытие

Geology, and mineralogy, 96

Geometry, Kant’s error, 6n., 170, 171;

art expression, 61;

limitation of Classical, 67, 83, 88;

Descartes and infinite, 74;

Western mathematicmathematic and term, 81;

Western liberation, 86, 170n.;

and arithmetic, 125, 126;

systems and corporeality, 176n.;

and popularity, cultural basis, 327.

См. также Математика

George, Henry, autumnal accent, 241

Герберт. См. Сильвестр II

Géricault, Jean L. A. T., and grand style, 290

Germany, union as destiny, 144;

and music and architecture, 285;

diversion from music to painting, 289

Germigny des Près, church as mosque, 201

Gernrode Cathedral, simplicity, 196;

and antique, 275n.

Gesture, as Classical symbol, 316;

in Classical tragedy, 317

Gesu, Il, church at Rome, façade, 313;

God-feeling, 395

Ghassanid Kingdom, 215

Ghiberti, Lorenzo, and Gothic, 225n., 235, 238

Ghirlandaio, Il, Dutch influence, 236

Giacomo della Porta, architecture, 314;

God-feeling, 395

Gigantomachia, and decline of art, 291

Giorgione, Il, and impressionism, 239;

clouds, 240;

colour, 251, 252;

and body, 271

Giotto, childlike feeling, 212;

technique, 221;

and fresco-art, 237;

and Francis of Assisi, 249n.;

Gothic, 235, 274;

God-feeling, 395;

современники, табл. ii

Giovanni Pisano, sculpture, 212, 235, 238, 263

Glass painting, Gothic and Venetian, 252;

современники, табл. ii

Gluck, Christopher W., contemporary mathematics, 78, 90;

character of arias, 219n.;

music, 260;

period, 284

Gnostics, music, 228;

dualism, 248, 306;

современники, табл. i

Gobelins, and music, 232

God, Western, and will, 312. See also Religion

Görres, Jakob J. von, and dualism, 307

Goes, Hugo van der, in Italy, 236

Goethe, Johann Wolfgang von, and living nature and vision, vii, 95, 96, 105, 111n., 113, 140, 154, 389;

влияние на Шпенглера, xiv;

historic consciousness, 14, 142, 159;

on life, 20;

on mankind, 21;

and world-as-history, 25, 99, 104;

as Classicist, 30;

and Darwinism, 35, 111n., 370;

and actuality, 42, 43;

as philosopher, 49n., 365n.;

on becoming and become, 49n., 53;

and intuition, 56;

on vision and observation, 61;

and mathematics, 61, 65, 75;

and Plato’s Ideas, 70;

on function, 86n.;

on form and law, 97;

on symbols, 102n.;

on historiography, 103;

and morphology, 104n., 111;

on blossoming of art, 107;

display of individuality, 110;

foreshadowing by, 111;

and causal effort, nature-studies, 118, 155-157, 422;

on reasonable order, 123;

and the Almighty, 124;

dramatic form, 129, 318;

destiny in life, 139, 145, 146, 281;

and imperialism, 149;

theory of colour, 157n., 158n., 246;

as Kant’s opposite, 159;

and style as organism, 205;

and imagination, 220;

Northern pantheism, 250, 251n.;

on soul and body, 259;

lyrics, 286;

and confession, 300;

as biographer, 316;

and time of day, 324;

Faust as symbol of Civilization, 354;

ethical passion, 355;

variety of religion, 394;

and cult and dogma, 411;

on application of reason, 412;

and world-force, 413, 417;

современники, табл. i

Götterdämmerung, Christian form, 400

Gold, and Arabian Culture, 247;

contrasting Classical use, 253n.

Golden Age, cultural basis of concept, 363

Golden Legend, contemporaries, 400

Gorgias, autumnal accent, 207

Евангелия, современники, табл. i

Gothic, and Doric, 27;

architecture, and depth-experience, 177, 184, 185, 187, 198-200;

cathedrals as ornament, 195;

sculpture, nude, cathedral groups, 196, 197, 227, 231, 261, 266, 272;

as stage of style, 202;

and Arabian, borrowings, 211, 213;

musical association, 229, 230;

aliveness, 233;

в Италии и Возрождение, 234-238;

esoteric, 243;

Italian, and Francis of Assisi, 249n.;

and later Western expression, 252;

and nature, 264;

philosophy, will and reason, 308;

God-feeling, 395;

forest, cathedral, and organ, 396;

современники, табл. ii, iii.

См. также Искусство; Западная Культура

Goujon, Jean, sculpture, 244

Государство. См. Политика

Goya y Lucientes, Francisco, technique, 221;

act and portrait, 271n., 264;

ease, 292;

современники, табл. ii

Goyen, Jan van, landscape as portrait, 287

Gracchi, and economic organization, 138;

as incident, 139

Grace, and destiny, 140, 141

Granada, and Arabian Culture, 216

Grassmann, Hermann G., religion and mathematic, 70

Gravitation, shaky hypothesis, 418

Great Mother of Pessinus, Rome and cult, 405

Greco, El, clouds, 240

Greece, and Europe, 16n. See also Classical Culture

Green, symbolism, 245, 246

Gregory VII, pope, morale, 349

Grote, George, narrow Classicalism, 29

Groups, as culmination of Western mathematic, 89, 90, 427

Grünewald, Matthias, clouds, 240;

colour, 246, 250, 288;

and Renaissance, 274

Guardi, Francesco, painting, 207, 220

Guercino, Giovanni F. B., colour, 246;

and musical expression, 250

Guido d’ Arezzo, music, 228

Guido da Siena, and Madonna, 267

Guilhem of Poitiers, professionalism, 229n.

Gundisapora, school, 63

Gunpowder, relation to Baroque, 278n., 333

Gymnastics, and sport, 35

Habit, applied to a Culture, 108

Hadrian, analogy, 4;

Pantheon as Arabian, 211

Hadrian’s Villa, type, 211n.

Haeckel, Ernst H., and Civilization, 252;

faith in names, 397n.

Хагелад, современники, табл. ii

Hagia Sophia, period, 108;

miracle, 130n.;

character, 184, 200;

mosque as resumption, 211;

acanthus motive, 215

Halo, history, 130n.

Hals, Frans, musical expression, 250;

period, 283

Hamadryads, materiality, 403

Han Dynasty, importance, 94;

современники, табл. iii

Handel, George F., and dominance of music, 231;

colour expression, 252n.;

Catholicism, 268n.;

oratorios, 283

Hannibal, contemporaries, 112, table iii;

historical position, 144;

ethical exception, 349

Happiness, and Classical ethic, 351

Harakiri, and Greek suicide, 204n.

Hardenberg, Karl A. von, reorganization of Prussia, 150n.

Harmodius, statue, 269n.

Haroun-al-Raschid, analogies, 38;

современники, табл. ii

Hauran, basilica type, 210, 210n.

Haydn, Joseph, contemporary mathematic, 78, 90;

orchestration, 231;

colour expression, 252n.;

and Praxiteles, 284;

period, 284;

ease, 291;

as religious, 358

Hebbel, Friedrich, provincialism, 24;

and practical philosophy, 45;

on research and vision, 102;

and cultural contrasts, 128;

as dramatist, 143, 290;

causal effort, 156;

and Civilization, 352;

nebulous aim, 363;

and Hegelianism, 367;

and economic ethics, 370, 371, 373;

character of atheism, 408n.

Hegel, Georg W. F., and history, 19, 22;

and mystic philosophy, 365n.;

and mathematics, 366;

and critique of society, 367, 374;

esoteric, 369;

современники, табл. i

Heimarmene, in Classical tragedy, 320

Hei, and Valhalla, 400

Helen, and Kriemhild, 268

Helios, as god, 147n., 402

Эллинизм, современники, табл. i, ii

эллинистический период искусства, современники, табл. ii

Helmholtz, Hermann L. F. von, time and mathematic, 64;

on natural science and mechanics, 377;

on electrolysis, 385n.;

Archimedes as contemporary, 386

Henry the Fowler, and Cyaxares, 4

Henry the Lion, morale, 349

Hera, Samian temple, 225n.

Heracles, Vatican torso, 255

легенды о Геракле, современники, табл. i

Heraclitus, morale, 268n., 315, 343;

popularity, 327;

and Stoicism, 356;

wisdomwisdom and intellect, 409

Heræa, treaty, 10n.

Heræum of Olympia, timber construction, 132

Herbart, Johann F., ethics, 367

Herder, Johann G. von, and history, 19

Hermes, cults, 406

Hermes Trismegistus, and chemistry, 383

Herodotus, ahistoric consciousness, 9, 146

Hersfeld, and antique, 275n.

Hertz, Heinrich, and theory, 378;

and motion-problem, 391, 414, 416

Гесиод, современники, табл. i

Hilda, Saint, passing-bell, 134n.

Hildesheim Cathedral, simplicity, 196;

and antique, 275n.

Hipparchus, as scientist, 9, 330

Hippasus, irrational numbers and fate, 65n.

History, Spengler and morphology, xi;

and destiny and causality, experiencing and thinking, 3, 118, 121, 151;

repetitions of expression-forms, 4, 27;

needed technique of analogies, 5;

consciousness, 8;

historic and ahistoric Cultures, 8-12, 97, 103, 132-136, 254, 255, 264, 363;

consciousness and attitude toward mortality, 13;

concept of morphology, 5-8, 26, 39, 100, 101;

form and form feeling, 15, 16;

irrational culminative division scheme, 16-18, 22;

origin of the scheme, 18;

Western development of it, 19, 20, 94;

theory of distinct Cultures, 21, 22;

провинциализм западных мыслителей, 22-25;

world-as-history, thing-becoming, 25, 95;

single riddle, 48;

time essence, 49;

and intuition, 56;

definite sense and nature, 55, 57, 94;

and Culture, 55;

detached view, 93;

research and vision, 96, 102, 105, 142;

anti-historical and ahistorical, 97n.;

chronology, 97;

as original world-form, 98;

“scientific, possibility, 98, 153, 154;

and mechanistic world-conception, 99;

and direction and extension, 99, 100;

portraiture of Cultures, 101, 104, 105;

memory-picture, 103;

elements of form-world, 103, 104;

phenomena, 105, 106;

future task, organic culture-history, 105, 159;

стадии Культуры, 106-108;

preordained durations, 109;

homology, 111;

cultural contemporaneousness, 112;

enlarged possibilities, restoration and prediction, 112, 113;

teleology and materialistic conception, 121;

cultural basis of viewpoint, 131;

культурные символы, часы;

bell, funeral customs, museums, 131, 134-136;

культурное чувство заботы, 136-138;

judgment and life, 139;

incident and destiny, Western examples, 143, 148;

grandiose demand of Western, 145;

incidental character of Classical, 146, 147;

as actualizing of a soul, 147;

impersonal and personal epochs, 148;

effect of Civilization-period, 152;

and happening, 153;

causal harmonies, 153, 154, 158;

путаница в причинном методе, 155-157;

physiognomic investigation, 157;

symbolism, 163;

of styles, 205;

and cultural art expression, 249, 253;

and portrait, 264;

and will, 308;

and action, 343;

cultural opposition, 386;

in natural science, 389.

См. также Становление; Судьба; Природа; Политика; Дух; Время

Hittites, inscriptions, 12n.

Hobbema, Meyndert, colour, 246

Hobbes, Thomas, and actuality, 42

Hölderlin, Johann C. F., narrow Classicalism, 28n.;

autumnal accent, 241;

and confession, 264;

lyrics, 286;

and fatherland, 335

Hoffmann, Ernst T. A., “Johannes Kreisler”, 276n., 285

Hogarth, William, position, 150n., 283

Holbein, Hans, colour, 250;

современники, табл. ii

Holy Grail legend, cultural significance, 186, 198;

elements, 213

Священная Римская империя, современники, табл. iii

Home, Henry, on ruins, 254n.

Home, significance of term, 33n.;

cultural basis of conception, 83, 334-337.

См. также Политика

Homer, contemporaries, 27, table i;

soul, 203, 305;

religion, 268n.;

gods, 312, 313;

popularity, 328;

and Classical ethics, 349

Homology, historical application, 111, 112

Horace, and duration, 65n., 132

Horizon, and mathematics, 171;

in Western landscape painting, 239, 242

Horn, Georg, and term Middle Age, 22

Horoscopes, cultural attitude, 147

Houdon, Jean A., sculpture as painting, 245

Hucbald, music, 228

Гуго ван дер Гус. См. Гус

Huguenot wars, character, 33

Humboldt, Alexander von, Ethical Socialism, 374

Гус, Ян, современники, табл. i

Хуан-ди, современники, табл. iii

Hygiene, as phenomenon of Civilization, 361

Hyksos Period, contemporaries, 111, tables ii, iii;

feebleness, 149

Hyksos Sphinx, 108, 262

Hypsicles, as Arabian thinker, 63

Iamblichus, on statues of gods, 216;

современники, табл. i

Ibn-al-Haitan, on light, 381

Ибн Курра, современники, табл. i

Ibsen, Henrik, world-conception, 20;

provincialism, 24, 33n.;

sex problem, 35;

unpopularity, 35;

and practical philosophy, 45;

causal effort, 156;

tragic method, 318;

and morale, 346;

and Civilization, 352;

character of Nihilism, 357;

journalism, 360;

nebulous aim, 363, 364;

и социально-экономическая этика, 372-374

Iconoclasts, Arabian principle, 262;

современники, табл. i

Idea, and destiny, 121

Idolatry, Arabian iconoclasm, 262;

Classical attitude, 403

Iliad, spatial aspect, 198

Ilya Murometz, Russian saga, 201n.

Image, cultural basis of idea, 216

Imagination, music as channel, 220

Imitation, qualities and aim, 191-194;

противодействие орнаменту, 194-196;

period in architecture, 197;

in music, 228.

См. также Орнамент

Imperialism, negative character of Roman, 36;

and Civilization, 36;

Western destiny, 37, 38;

origin of Western, Napoleon’s relation, 148;

cultural attitude, 336;

культурные современники, табл. iii

Impressionism, as space, 184;

beginning, 239;

Leonardo’s relation, 277;

полное значение, 285-287;

later plein-air, 288;

in Wagner’s music, 292

Improvisation, as manifestation, 195

Incident, world, 142;

и судьба, 138-144;

and cause, 142;

и стиль существования, 142-147;

as basis of Western tragedy, 143;

историческое использование, 143.

См. также Судьба

India, Napoleon and, 150

Indian Culture, ahistorical basis, 11, 12, 133;

anonymous philosophy, 12;

mathematic, 84, 178;

sex attitude, 136;

attitude toward state, 137;

morale, passive, 315, 341, 347;

Buddhism and Civilization, 352;

духовные эпохи, табл. i.

См. также Буддизм; Культуры

индо-иранский период искусства, современники, табл. ii

Infinity, and Classical mathematic, 69;

в западной Культуре, 74-76, 81-84;

и новая нотация, 76-78;

limit as a relation, 86;

and Western science, 418, 427.

См. также Переживание глубины; Пространство

Innocent III, pope, and Western morale, 348

Inquisition, and Western faith, 410

Интегральное исчисление. См. Исчисление

Интеллект и природа, 157. См. также Воля

Intelligence, and atheism, 409

Interregnum, Germanic, period as episode, 149

Intuition, and learning, 55, 56

Ionic, and Doric, 205;

современники, табл. ii, iii.

См. также Архитектура; Колонна

Irak, synagogue music, 228

Irrationalism, cultural attitude, 64-66, 68, 83

Isis, motherhood, 137;

cult, 406, 407

Islam, analogy to Mohammed, 39;

Mohammed as epoch, 149;

architectural expression, 208, 209, 211;

iconoclasm, 262;

and home, 335;

Mohammed’s unimposed mystic benefits, 344n.;

Puritanism, 356;

современники Мухаммеда, табл. i;

период фатализма, табл. i.

См. также Арабская Культура; Религия

Issus, battle, mosaic, 214

Italy, liberation as episode, 151;

and music, 230

И-ван, современники, табл. iii

Jacobins, and reason and will, 308

Jacopo della Quercia, and ornament, 238

Jahn, Friedrich L., and gymnastics, 35n.

James, Henry, on ruins, 254n.

Jansenism, and theoretical science, 66, 314n.;

Puritanism, 356;

современники, табл. i

Janus, materiality, 403

Japan, harakiri, 204n.;

art and the nude, 262n.

Ясон Ферский, современники, табл. iii

Jesuitism, and Baroque architecture, 313;

style in science, 412.

См. также Лойола

Jesus, as Son of Man, 309;

and Arabian morale, 344, 347;

unimposed glad tidings, 344n.

См. также Христианство

Joachim of Floris, world-conception, 19, 229, 261;

and “passion”, 320n.;

современники, табл. i

John, Saint, and world-history, 18n.;

dualism in Gospel, 306

Journalism, as phenomenon of Civilization, 360

Judaism, architectural expression, 209, 211n.;

psalmody, 228;

Kabbala, dualism, 248, 307, 312;

и дом, 335.

См. также Арабская Культура

Judgment, and necessity, 393

Julius II, pope, Raphael’s portrait, 272

Juppiter Dolichenus, cult, 406n.

Juppiter Feretrius, temple and oath, 406

Juppiter Optimus Maximus, cult, 406

Jurisprudence, esoteric Western, 328

Justinian, period of fulfilment, 107;

and Hagia Sophia, 130n.

Justus van Gent, in Italy, 236

Kabbala, dualism, 248, 307

Kalaam, determinism, 307

Kant, Emmanuel, and space and time, 6n., 7, 64, 122, 124-126, 143, 169, 170, 173-175;

and history, 19;

provincialism, 23;

contemporaries, 27, table i;

final Western systematic philosophy, 45, 365-367;

as philosopher of Being, 49n.;

and nature and mathematics, 57, 64, 68, 78, 366, 379;

a priori error, 59;

mechanistic world-conception, 99;

and causality and destiny, 118-120, 151;

and the Almighty, 124;

and incident, 143;

as Goethe’s opposite, 159;